The Wack Album was a commercial success, although generally charted lower than its predecessor, 2011's Turtleneck & Chain. The album was praised for its comedic lyrics and for the group members' performances, but received some criticism due to an alleged shortage of original ideas. The single "YOLO" performed well on several singles charts.
The Wack Album also features a number of samples – "Dumb Girl" by Run–D.M.C. on "Go Kindergarten", "Whirring" by The Joy Formidable on "YOLO", "Gloaming" by Ludovic Decosne on "Spell It Out", "The Bells" by James Brown on "I Don't Give a Honk", "Utai 1: Making of Cyborg" by Kenji Kawai on "The Compliments", and "Universal Love" by Woods Empire on "Perfect Saturday".[1]
The Wack Album officially announced later during Saturday Night Live season 38, with a scheduled release of June in place.[6] Shortly after the announcement, the group also detailed a promotional video series called "Wack Wednesdays", in which a new song from the album was to be released on Wednesday every week up until the album's release.[7] The first song released as part of the series was "Spring Break Anthem", the video for which features an introductory segment in which actor Zach Galifianakis hosts a fictional talk show with guest James Franco.[8] This was followed by "I Fucked My Aunt", featuring T-Pain;[9] "Diaper Money";[10] "Semicolon", featuring Solange;[11] "Go Kindergarten", featuring Robyn;[12] and "Spell It Out".[13]
Composition
Lyrics
Writing a review for the website PopMatters, Neil Kelly described the lyrical style of The Wack Album as being based on "quotable trash-talkin' lyrics, frequent profane comedic diamonds and straight-up gangsta flow"; he describes group member Andy Samberg as "the master of comedic cultural criticism, dropping honest views of social trends in the modern world innocuously amidst fart jokes and gangsta beats", and claims that a number of songs pay homage to hits of the hip hop genre, including the Snoop Dogg-influenced "Perfect Saturday".[14] The group is said to adopt a "nerdy-outsider persona" on multiple tracks, namely "I Don't Give a Honk" and "We Need Love".[15] Despite the comedic nature of their lyrics, some songs are claimed to be serious in message, including the gay marriage-related "Spring Break Anthem".[16]
Writing a review for AbsolutePunk, Cody Nelson summarised the lyrics of a number of the album's songs; for example, "Go Kindergarten" is described as "a one-upping take on songs that feature lyrics directing people in the club", and "Semicolon" is said to be a parody of the setup and punchline format of many hip hop songs.[17] Nelson highly praised the first seven tracks on the album (excluding "Dramatic Intro"), but complained that interlude "Where Brooklyn At?" marked an abrupt change in tone and interruption in flow, which is duplicated on other, later tracks.[17] Lyrical formulas identified by Pitchfork's Corban Goble include "stretching the same idea in different directions" (namely on "YOLO") and "continuing [the group's] mastery of sending up bro culture" (particularly on "We Are a Crowd" and "The Compliments").[16]Consequence of Sound writer Michael Madden notes that "Diaper Money" includes lyrics about buying nappies and securing a grave plot, which are evidence that the group members have matured significantly since their previous releases.[18]
Much of the lyrical content of The Wack Album has been compared to that of previous albums by The Lonely Island, with themes such as "nerdy white people" on "Hugs", "gastrointestinal distress" on "Perfect Saturday", and "fraught sexual relations with older women" on "I Fucked My Aunt" noted in similarity.[19]
Music
In his Pitchfork Media review, Corban Goble proposes that "what makes The Wack Album work is the wide range of musical styles the group plants themselves in", identifying genres such as dubstep, "golden era" hip hop and contemporary R&B as prevalent on the album.[16] Similarly, Consequence of Sound writer Michael Madden notes that "the trio ... pick and choose different regional subgenres to mimic", dubbing "Perfect Saturday" an example of G-funk, identifying "Atlanta crunk-king vocals" on "Go Kindergarten", and proposing a Freestyle Fellowship influence on "I Don't Give a Honk".[18] Madden wrote further about "Perfect Saturday", describing it as a mix between Snoop Dogg's "Gin and Juice" and Ice Cube's "It Was a Good Day".[18]
Media response to The Wack Album was generally favorable; aggregating website Metacritic reports a normalized rating of 73, based on 13 critical reviews.[27] Multiple reviewers praised the group members' rapping abilities, despite the image of "fake rap" portrayed by the trio.[14][17] Neil Kelly of the website PopMatters awarded the album a rating of nine out of ten, stating that "It's dirty as hell, and you're gonna laugh your ass off".[14] Kelly praised a number of tracks on the album, including lead singles "3-Way (The Golden Rule)" and "YOLO", and claimed that only "Meet the Crew" and "We Are a Crowd" could be deemed as "filler".[14] Pitchfork Media's Corban Goble claimed that The Wack Album was "just as good" as previous albums Incredibad and Turtleneck & Chain, proposing that the group put "a little more oomph into the songs" due to the reduced exposure on Saturday Night Live enjoyed by previous records.[16] Michael Madden of Consequence of Sound noted that while certain "production moves, guest spots" could have been improved, The Wack Album "is the first album of [The Lonely Island's] to make clear how well they’ve grown to understand the dynamics of making rap songs, fake or otherwise, beyond basic song structure", and is also "the funniest Lonely Island album yet".[18]
The A.V. Club writer Marah Eakin presented a mixed review of The Wack Album, claiming that the eight singles released from the album are "without doubt, the eight best songs on the record", but that certain other non-singles "don't really work".[15] Eakin gave the album a 'B' grading, and concluded that "even with the occasional duds, The Lonely Island's hits make up for its misses".[15]AbsolutePunk's Cody Nelson was similarly cautious, claiming that "while their third record ... may be the group's weakest effort to date, it still shows off their abilities as hook writers and as the preeminent hip-hop satirists in today's industry".[17]
Some critics were less than favorable in reviews. Mikael Wood of the Los Angeles Times claimed that "The Wack Album feels awfully short on fresh ideas", noting songs like "Hugs", "Perfect Saturday", "I Fucked My Aunt" and "You've Got the Look" as "retreads" of ideas used on previous material.[19]Spin magazine's Garrett Kamps had similar reservations, claiming that the album comprises "a handful of ... tracks bordering on genius, a few offering genuine yuks, and the rest sounding so half-baked they could be an ice-cream flavor", criticising in particular "You've Got the Look", "I'm a Hustler (Song?)", "We Are a Crowd" and "I Don't Give a Honk".[32] Kamps did, however, praise songs like "YOLO" and "Spring Break Anthem", which he described as "actual biting satire".[32] David Renshaw's review for magazine NME dubbed The Wack Album "reliable, if disposable", and joked that "It’s not Flight of the Conchords quality but, hey, at least it’s not The Midnight Beast".[29]
