"The Sign" is a song by Swedish group Ace of Base from their first North American studio album, The Sign (1993), and their re-released debut studio album, Happy Nation (1992), titled Happy Nation (U.S. Version). The song was released by Arista and Mega as a single in Europe on 1 November 1993 and the US on 14 December 1993.[1] It was written by band member Jonas Berggren, who also produced the song with Denniz Pop and Douglas Carr. "The Sign" is a techno-reggae, Europop, and pop ballad with lyrics describing a couple contemplating the state of their relationship.
"The Sign" topped the Billboard Hot 100 for six non-consecutive weeks in the United States, which allowed Ace of Base to become the first Swedish group to simultaneously have a number one song and album on the Hot 100 and Billboard 200 respectively. Consequently, the song was ranked as the number one song of 1994 on Billboard's year-end chart. It also reached number one in 14 countries such as Australia, Canada, Germany, and New Zealand, and peaked at number two on the UK Singles Chart. Mathias Julien directed its music video which was filmed in Stockholm, Sweden. "The Sign" was nominated for Grammy Award for Best Pop Performance by a Duo or Group with Vocals at the 37th Annual Grammy Awards. In 2023, Billboard magazine ranked it among the 500 best pop songs of all time.[2]
Background and development
Ace of Base originally released their debut studio album Happy Nation in 1992, which did not include "The Sign", as it was intended to be for their next album. The head of Arista Records, Clive Davis, heard the song's demo, and in turn passed it to Swedish producers Douglas Carr and Denniz Pop, as he wanted something different from Happy Nation. The demo only contained the song's instrumental, which Pop thought that the verse was the chorus.[3] In contrast to their 1992 single "All That She Wants", Pop knew what he wanted to do with the song from the beginning.[4]
"The Sign" was recorded at Cheiron Studios in Stockholm, Sweden.[5] Ace of Base members Linn and Jenny Berggren re-arranged the song like they wanted to, so that it would become a duet between both women. Jenny played around with the chords at the end and composed the harmonies around it.[6] In an interview with Idolator, Jonas Berggren stated that Jenny and Linn split the chorus into two parts, with the former singing the second and fourth parts. He acknowledged that it "was hard to sing" since there was no breathing time. The song was recorded at a loud volume, which caused the producers Pop, Douglas Carr, and Jonas Berggren, to lower the sound by three decibels during audio mastering.[7]
Composition
"The Sign" is a techno-reggae,[8][9]Europop,[10][11] and pop ballad.[12] The song's lyrics describe a couple contemplating the state of their relationship and deciding to split up as a result. During recording, Jonas Berggren added hums between the melody lines to become "major and minor" with the chorus being "mostly major", as he believed that the song was originally "too merry".[8] He added that the lyrics are "about thinking back on an old [relationship]", but are deliberately oblique to allow listeners to form their own meanings. Jenny Berggren compared the lyrics to the "road of life" metaphor, noting, "You see signs in your life, and that's why you change direction."[13]
"The Sign" is performed in the key of G major for the verses and chorus but in G minor for the intro and instrumental breaks. It follows a tempo of 97 beats per minute in common time. According to the sheet music published at Musicnotes.com by Universal Music Publishing Group, the group's vocals span from the low note of A3 to the high note of E5.[14] The song initially begins with the sounds of a hand clap, kick drum, and snare over a four bar beat, which was sampled from "Shack Up" by American funk group Banbarra. The melodic hook contains a synth flute from E-Mu Vintage Keys synth module, with a bass combining a Moog sub-bass and a Korg M1 bass. Throughout the verses, a Yamaha TG77 synthesizer is used to create a reggae rhythm guitar sound. During the bridge, the band's vocal range increases by an octave.[4]
Chart performance
In Europe, "The Sign" reached number one in Denmark (4 weeks),[15] Finland (4 weeks),[16] Germany (3 weeks),[17] and Spain (1 week).[18] Additionally, the song was a top-10 hit also in Austria (3),[19] Belgium (5),[20] France (5),[21] Ireland (2),[22] Italy (9),[23] Lithuania (2),[24] the Netherlands (3),[25] Norway (5),[26] Scotland (2),[27] Sweden (2),[28] Switzerland (4),[29] and the United Kingdom (2). In the latter, it peaked in its second week at UK Singles Chart on 27 February 1994. It was held off reaching the top spot by Mariah Carey's "Without You" (1994), and spent a total of three weeks as number two on the chart and 16 weeks within the UK Top 100.[30] On 28 November, it entered the Eurochart Hot 100 at number 29 and peaked at number two eight weeks later.[31][32]
Outside Europe, "The Sign" peaked at number one in Australia (4 weeks),[33] Israel (2 weeks),[34] New Zealand (5 weeks),[35] Canada (5 weeks),[36] and Zimbabwe (2 weeks).[37] In the United States, the song topped the Billboard Hot 100 on the chart dated 12 March 1994.[38] This allowed Ace of Base to become the first Swedish group to simultaneously score a number one single and album on the Billboard charts.[39] "The Sign" also topped the US Cash Box Top 100.[40] It was the number one song of 1994 according to Billboard magazine's year-end charts. The song was ranked at number 60 on "The Billboard Hot 100 All-Time Top Songs" for the first 55 years of the Hot 100 chart,[41] and received a nomination for Grammy Award for Best Pop Performance by a Duo or Group with Vocals at the 1995 Grammy Awards.[42]
In 1994, Music & Media published an assessment of the chart performance of "The Sign", which stated that it "entered Border Breakers at number ten on November 21, 1993, due to crossover airplay in Central Europe. It also peaked twice at number one; on December 18, staying for five weeks and again on March 9 for a two week stay. It entered the Eurochart November 28 at 29 and peaked at two eight weeks later", and that it "[...] also holds the record for longest-running single on Border Breakers—42 weeks before slipping off on August 20."[43]
Critical reception
AllMusic editor Stephen Thomas Erlewine stated that the success of singles such as "The Sign" was attributed to "relentless" beats and an "incessantly catchy" hook.[44] Howard Cohen from Herald-Journal noted that it is flavoured with "faux reggae rhythms".[45] Chuck Campbell from Scripps Howard News Service claimed that "The Sign" "could be a bigger hit" than "All That She Wants", due to its "infectious Europop energy and cosmic synths set to a reggae beat".[11] Writing for the Dance Update column of Music Week, James Hamilton described it as a "US smash typical 96.7bpm cod-reggae jogger".[46] Jim Farber from New York Daily News compared the song's "dinky synths, impish dance beats and miniaturized vocals" to musicians from the 1980s such as A Flock of Seagulls and Falco.[47]Neil Strauss from The New York Times wrote that Ace of Base used "a deceptively mystical hook over a minimal bass line" to create the song.[12] A reviewer from People acknowledged that tunes like "The Sign" "prove Ace of Base to be more substantive than a mere ABBA clone."[48]Press-Telegram stated that it is "packed with unforgettable hooks".[49]The Rolling Stone Album Guide compared "The Sign" to Gloria Gaynor's 1978 song "I Will Survive", writing that it was "the wisest, catchiest, most triumphant kiss-off".[50]
Chuck Eddy of LA Weekly labeled the music video as "fun", but described "The Sign" as undistinctive.[51] Mario Tarradell from Miami Herald opined that the song was "annoyingly chirpy".[52] Alan Jones from Music Week wrote that Ace of Base's attempts to imitate "All That She Wants" by using a "shuffling reggae beat" was "less charming and effective", but believed "The Sign" was "bright enough" to chart in the top 20 on the UK Singles Chart.[53] Tom Doyle from Smash Hits gave "The Sign" two out of five in his review, stating that the reggae beat, saxophone, and tune were similar to "All That She Wants".[54] Writing for Entertainment Weekly, David Thigpen described it as "a wasteland of neutered hip-hop and lumbering dance rhythms", criticizing Linn Berggren's vocals as "inert" and "colorless".[55] Barry Walters for the San Francisco Examiner stated that the song "blankly chirps".[56]
Legacy
In his retrospective review of the band's 1993 studio album The Sign, Eric Torres from Pitchfork named "The Sign" an "undeniable pop bauble that combines all the group’s best impulses—bobbing rhythm, eccentric production tics, lovably inane lyrics".[57] Amos Barshad of Vulture stated that it "is still a very good pop song" despite being outdated in production techniques, stating that it sounded analog.[58] American singer Katy Perry acknowledged in a 2009 MTV News interview that the song, along with the Cardigans' 1996 song "Lovefool", served as an inspiration for her recordings.[59]John Seabrook, a staff writer at The New Yorker, praised the song in his 2015 book The Song Machine: Inside the Hit Factory, stating that "the song is a three-minute, thirty-second sonic thrill rise of Swedish funk."[10] He also acknowledged that the song's success was due to three people: Denniz Pop, Clive Davis, and Clive Calder. Seabrook concluded that it had an influential impact on pop music, suggesting that "a Swedish hit factory for US and British artists had never happened before. ... 'The Sign' really was the sign that that could happen".[60]Annie Zaleski from The A.V. Club wrote that the song "is full of cheerful shade", noting that it combined a "breezy reggae vibe" with 1990s Europop.[61] Bob Waliszewski of Plugged In (publication) noted that the song's lyrics "demonstrate[s] strength in the wake of romantic rejection".[62]
Idolator ranked "The Sign" at number one on their ranking of The 50 Best Pop Singles of 1994, with author Robbie Daw writing that it "was a straight-up smash that was tailor made for radio".[7]Rolling Stone placed the song at number 42 on their list of 50 Best Songs of the Nineties,[63] while BuzzFeed listed the song at number 28 on their 2017 list of The 101 Greatest Dance Songs Of the '90s.[64]Billboard magazine ranked "The Sign" at number 65 on their 2018 ranking of All-Time Top 100 Songs,[65] stating in a separate article that it "led pop into a new era, putting Sweden on the map as a credible hitmaking hub, pushing electronic production closer to the forefront of popular music and helping ignite a collaborative approach to songwriting that has become an industry standard".[60] In October 2023, Billboard ranked it number 223 in their 500 Best Pop Songs of All Time list,[2] saying, "Sitting somewhere between Europop, techno and reggae pop, Ace of Base's monster smash remains a quintessential staple of ‘90s playlists."
Cover versions and usage in media
In 1995, a cover of "The Sign" was featured in the American sitcom Full House in the final season episode "We Got the Beat". In the episode, Jodie Sweetin in character as Stephanie Tanner performs the song with her fictional band Girl Talk.[66] In 2010, "The Sign" was heavily featured in the season 6American Dad episode "Great Space Roaster".[67] The song was sung by fictional a cappella group the Barden Bellas in the 2012 film Pitch Perfect and appears on the soundtrack for the movie.[68][69] The song was used as part of a commercial advertising campaign for Uncle Ben's in 2016.[70]
Indie rock band The Mountain Goats included a cover of "The Sign" by Ace of Base on their 1995 EP Songs For Peter Hughes.[71] The group has continued to play versions of it at live shows.[72]
This section needs expansion. You can help by adding to it. (February 2020)
The accompanying music video for "The Sign" is directed by Mathias Julien and was shot on Filmhuset in Stockholm in November 1993. The opening of the video is a homage to Depeche Mode's 1990 song "Enjoy the Silence".[citation needed] It features the Ace of Base members singing amidst romantic and joyful images; "The Sign" was depicted as a computer generated ankh and a djed. Amid the images is a little story in black-and-white sequences of a man and woman (played by Jenny Berggren) sitting side by side in front of a crumpled backdrop until the man leaves, seemingly abandoning the woman.[86] However, he comes back with a rose and offers it to the woman. She graciously accepts and takes his hand. However, a bright light shines in the woman's face, drawing her away, abandoning the man and dropping the rose on the chair. There are also images of fire, candles, close-up of hands doing signs and the band standing on a spinning platform. The video received heavy rotation on MTV Europe[87] and was A-listed on Germany's VIVA.[88] As of August 2023, "The Sign" has over 120 million views on YouTube.[89]
Reception
Nanna Søndergaard Larsen from Danish Dagbladet Information remarked in her analyze of the music video for "The Sign", "The video for the ultimate 90's banger "The Sign" is very much the culmination of Ace of Base's video tools. The video manages to have both a kind of narrative track and a strong symbolic image side."[86]Chuck Eddy of LA Weekly labeled it as "fun".[51] Erric Torres from Pitchfork noted that "the charming, greenscreen-heavy video for "The Sign" secured constant rotation on MTV, a vital source of exposure that inspired impostor groups bearing names like Bass of Spades and Box of Laces."[57]
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone.
^The Sign (back cover). Ace of Base. Australia: Mega Records. 1994. PDSCD 547.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^The Sign (back cover). Ace of Base. Japan: Arista Records. 1994. 07822-12673-1.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^The Sign (back cover). Ace of Base. Germany: Metronome Records. 1994. 855 707-1.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
^Pennanen, Timo (2006). Sisältää hitin – levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Tammi. ISBN978-951-1-21053-5.
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