Co-creators Mel Brooks and Buck Henry notably had no involvement in the making of the film. Furthermore, Adams and Robert Karvelas (as Larrabee) were the only original cast members of the TV series to reprise their roles for the film.
Dana Elcar portrays the Chief in The Nude Bomb because Edward Platt, the original Chief, had died in 1974. Eugene Roche was originally cast as the Chief in this film, but fell ill and was replaced by Elcar. Barbara Feldon did not return as Agent 99 from the TV series nor is she mentioned; Feldon claimed that she was unaware of the film's production and was not asked to reprise the role, but wouldn't have accepted in any case.[3] This fundamental fact (taking into account that she and Max were married with two children in the original series) meant that the script had very little of the continuity of Get Smart. Sylvia Kristel, at the time best known for her appearances in the Emmanuelle erotic film series, makes a brief appearance as Agent 34, with Andrea Howard as Agent 22 (in a role similar to Agent 99) and Vittorio Gassman playing the Blofeld-like villain. Joey Forman, who played Harry Hoo in the TV series, was recast as Agent 13. Pamela Hensley, who at the time was well known to science fiction fans for playing Princess Ardala in Buck Rogers in the 25th Century, appeared as Agent 36.
Plot
Agent Maxwell Smart is called back into service in order to stop a nefarious KAOS terrorist plan from exploding a bomb that destroys only clothing, so as to leave KAOS as the only supplier of clothes to the entire world. Norman Saint-Sauvage, the KAOS fashion designer, finds everyone else's clothing designs gauche, so he builds a machine capable of cloning his favorite seamstress and implements the Nude Bombs. He wears a costume including thimbles over each finger, and his mountain lair is entered via a giant zipper.[4]
Parts of the film were shot in Salt Lake City, Utah.[5]
Smart's agency, called CONTROL in the TV series, was called PITS in this film, an acronym standing for "Provisional Intelligence Tactical Service".
In spite of the title, the film was given a PG rating because there was no frontal nudity in the film; in the opening theme sequence, a title card reads: "Would you believe... a film called The Nude Bomb would get a PG rating". (The PG-13 rating was not created until 1984.) There are five times in the film where the bomb is detonated, but in each case the actors cover up their private areas with strategically placed briefcases (Soviet officials) or guns (Buckingham palace guards) or are shown only from the waist up. In one case, members of a football team are in a huddle when a bomb detonates, revealing bare behinds of some of the players. In the final scene, the three stars of the film are rendered nude by fallout from the destruction of all the bombs at the enemy headquarters, but are seen from the backsides from a distance, and then with a "The End" caption covering each of their backsides.
The Nude Bomb received a 17% rating on Rotten Tomatoes, based on 18 reviews[6] and was a box-office disappointment, grossing $14.7 million on a $15 million budget.
Nearly a decade later another revival film was produced, this time for TV, on ABC. Get Smart, Again! featured most of the surviving original cast members (including Feldon as Agent 99) and ignored the events that took place in The Nude Bomb in order to maintain continuity with the original series. This was followed by a short-lived revival TV series for Fox. A feature film remake of the series was a box-office success in 2008, grossing $230,685,453 worldwide.
TV premiere
On May 23, 1982, NBC, Get Smart's former network, broadcast the film on television as part of its Movie Of The Week for the first time under an alternate title, The Return of Maxwell Smart.
The film was released on Region 1 DVD on August 26, 2008.[8] and Region 4 on October 30, 2009.[9] It was released in Australia on Blu-ray on June 22, 2016.[10]Kino Lorber released a Blu-ray edition of the film on December 10, 2019 featuring new extras, including TV and radio spots, behind the scenes galleries as well as a commentary track by Alan Spencer, who wrote jokes for Adams on the film's set.[11]
