The film focuses on the rise of Henry V as king after his father dies as he also must navigate palace politics, the war his father left behind, and the emotional strings of his past life. The King premiered at the 76th Venice International Film Festival on 2 September 2019, and was released digitally via Netflix on 11 October 2019. The film received generally favorable reviews from film critics but, despite being openly presented as an adaptation of Shakespeare's Henriad adaptation rather than as a historical documentary film, it was criticized by historians for its inaccuracy to both the original plays and historical reality.
King Henry IV grows tired of Hal's debauchery and announces that Thomas will inherit the throne.
King Henry IV sends Thomas to subdue Hotspur's rebellion. However, Hal arrives and upstages Thomas by challenging Hotspur to single combat. Hal kills Hotspur, ending the battle without further conflict.
Thomas, feeling cheated of his glory, complains to King Henry IV. Shortly thereafter, Thomas dies while campaigning against the rebels in Wales. King Henry IV dies in his bed with Hal present. Hal is anointed as King Henry V and opts for peace and conciliation with his father's many adversaries, despite his actions being seen as weakness.
At King Henry V's coronation feast, envoys from the Dauphin of France present Hal with a tennis ball as an insulting coronation gift. However, King Henry V chooses to frame this as a positive reflection of his boyhood. His sister Philippa, now the Queen of Denmark, cautions her brother that nobles in any royal court have their own interests in mind and will never fully reveal their true intentions.
King Henry V interrogates a captured assassin who claims to have been sent to kill him by King Charles VI of France. French agents approach the English nobles Cambridge and Grey. The traitors plot against Hal and unsuccessfully attempt to win over the Chief Justice, Gascoigne. Gascoigne advises Hal that a show of strength is necessary to unite England, so Hal declares war on France and has Cambridge and Grey beheaded. He approaches Falstaff and appoints him as his chief military strategist, saying that Falstaff is the only man he truly trusts.
The English army sets sail for France. After completing the Siege of Harfleur, they receive taunting messages from the Dauphin. The English advance parties stumble upon a vast French army gathering to face them. Dorset advises Hal to retreat, but Falstaff proposes a false advance to induce the French into rushing forward into the muddy battlefield, where they will be weighed down by their heavy armour and horses. They will then be attacked by the English longbowmen and surrounded by a large, lightly armoured flanking force hidden in the nearby woods.
Unable to dissuade Falstaff from leading the advance personally, Hal proposes to the Dauphin that they meet in single combat to decide the battle and minimise bloodshed. The Dauphin, seeing this as weakness, refuses. The Battle of Agincourt commences. Falstaff's plan works – the bulk of the French army charges to engage Falstaff's force and is soon mired in the mud. Hal leads the flanking attack, and the outnumbered but far more mobile English army overpowers the immobilised French, though Falstaff is killed. The Dauphin, seeing his men being driven back, reinvokes Hal's challenge but repeatedly slips and falls in the mud until Hal permits his soldiers to kill him. Hal orders all French prisoners executed for fear that they might regroup, despite Falstaff having previously warned him that such an action would be unchivalrous and unworthy of a king.
Hal reaches King Charles VI, who agrees to adopt him as his heir and offers him the hand of his daughter Catherine of Valois. Hal returns to England with his new wife for a celebratory triumph. In private, she challenges his reasons for invading France and denies the supposed French actions against Hal, suggesting the assassin was a plot from within his own court. Suspicious, Hal confronts Gascoigne, who confesses that he had staged the insult and acts of aggression, believing that his sole duty is to protect the king even if it means deceiving him. In a cold fury, Hal stabs the Chief Justice to death, and returns to Catherine, asking that she promise to always speak the truth to him, as clearly as possible.
The film's original score was composed by Nicholas Britell, who thought of approaching the film's music from the 21st century, instead of the medieval 15th century approach, saying "because of the timelessness of these issues, if felt like something that we could explore with the sound of different time periods, just to make you look at the early 1400's in a way that it felt like you hadn't seen it before". He felt that the "1400s looks like it was a foreign planet".[19][20] He experimented the film's music using bass clarinets run with tape filters, and sounds of metal while composing.[21] It was Britell's most "dark and sombre" music reflecting the zone of the film.[22]Lakeshore Records released the album consisting of 15 tracks from Britell's score, on 1 November 2019 in digital and CD formats, while the vinyl edition was released three years later on 8 July 2022.[21]
On the review aggregator website Rotten Tomatoes, 71% of 146 critics' reviews are positive, with an average rating of 6.6/10. The website's consensus reads: "While The King is sometimes less than the sum of its impressive parts, strong source material and gripping performances make this a period drama worth hailing. "[27]Metacritic, which uses a weighted average, assigned the film a score of 62 out of 100, based on 38 critics, indicating "generally favorable" reviews.[28]
Box office
While released on Netflix, The King did receive a limited theatrical release (43 screens total, for three weeks) in South Korea and New Zealand, grossing $126,931 at the box office.[29]
Rather than a historical documentary film, The King is a 21st century adaptation, of William Shakespeare's 16th century Henriad fictionalized adaptations, of 15th century events; as The Independent opined, "as an adaptation of an adaptation, a few things are bound to have been lost in translation".[34] After its release, The King became the subject of widespread commentary over its historical accuracy; The film, based on the Henriad, a collection of Shakespearean history plays about the monarchs of England, includes several fictional characters (such as John Falstaff) and contains several historical dramatizations of the real events the movie was based on.[35] In France, the movie was criticized for its perceived anti-French sentiment, with French historian Christophe Gilliot stating that "I'm outraged. The image of the French is really sullied. The film has Francophobe tendencies." Gilliot also claimed that "The British far-Right are going to lap [the film] up, it will flatter nationalist egos over there."[36]
Numerous articles were published on the historicity of The King, analysing the historical accuracy of various elements of the movie. The following historical inaccuracies were mentioned:
The film depicts Henry V as being reluctant to go to war with France, but being eventually persuaded by the Archbishop of Canterbury. In reality, Henry V was keen to go to war with the French, with his primary motivation being expansionist territorial claims in France.[37]
The character of John Falstaff, as depicted in the film, is a fictional character created by Shakespeare. Many historians have suggested that the English knight Sir John Fastolf served as a real-life inspiration for the character of Falstaff.[37]
The film depicts a rivalry between Henry V and his brother, Prince Thomas, who is depicted as dying in Wales prior to Henry's coronation, an event which pushes Henry to ascend to the throne. In reality, Thomas was killed in action at Battle of Baugé in the Duchy of Anjou eight years after Henry V's coronation.[38]
The King depicts the Battle of Agincourt as taking place on green and hilly terrain, when in reality it occurred on fallow fields on the French plains. The film also depicts the French as holding the heights during the battle when in reality it was the English who did so.[39]
The film implies that Henry V and Catherine of Valois married almost immediately after the Battle of Agincourt, when in reality their marriage occurred five years later on 2 June 1420.
The film depicts the Dauphin of France, Louis de Guyenne, as being present at the Siege of Harfleur (summer 1415) and the Battle of Agincourt (October 1415, shown dying in the battle) when in reality, he was present at neither battle and died of dysentery in December 1415.[40]
A crucial part of the English defence, the sharpened stakes, or palings, which were set at an angle towards the French cavalry to protect the archers, was almost entirely ignored in the film although there was a brief shot of a small pile of palings awaiting deployment.[39]
The film's costume design consists of numerous anachronisms and inaccuracies, consisting of armor and clothing from the entirety of the fifteenth century not present during the film's period, alongside entirely ahistorical designs.[39]
^Davies, Luke (June 2013). "Joel Edgerton after Gatsby". The Monthly. Archived from the original on 18 May 2018. Retrieved 18 May 2018. With David Michôd he has written King, an adaptation of Shakespeare's Henry IV, Parts I & II, and Henry V, for Warner Bros.
^Samuel, Henry (4 November 2019). "Netflix's 'The King' is anti-French nonsense that flatters a war criminal, says director of Agincourt museum". The Daily Telegraph.
