The film received critical acclaim and was a box office success. Both Gleeson and Cheadle received acclaim for their performances, with Gleeson receiving a Golden Globe Award nomination. McDonagh was in turn nominated for a BAFTA Award for his writing achievement. It is the most successful independent Irish film of all time in terms of Irish box-office receipts, overtaking The Wind that Shakes the Barley (2006).[6]
Plot
Sergeant Gerry Boyle is an officer of the Garda Síochána (police) in the Connemara district in the west of Ireland. He is crass and confrontational, regularly indulging in drugs and alcohol even while on duty. He is also shown to have a softer side, showing concern for his ailing mother, Eileen.
Boyle and his new subordinate, Aidan McBride, investigate a murder, with evidence apparently pointing to an occult serial killer. Shortly after, Boyle attends a briefing by an American Federal Bureau of Investigation (FBI) agent Wendell Everett, sent to liaise with the Garda in hunting four Irish drug traffickers led by Francis Sheehy-Skeffington, who is believed to be awaiting a massive seaborne delivery of cocaine from Jamaica. Boyle recognises one of the men in Everett's presentation as the victim of the murder he and McBride had been investigating. McBride pulls over a car driven by Sheehy and his lieutenants Clive Cornell and Liam O'Leary and is shot dead. McBride's wife, Gabriela, reports McBride's disappearance to Boyle, who promises to look into it.
The strait-laced Everett suggests that he and the unorthodox Boyle team up to track down Sheehy and his men. Everett makes the rounds, encountering Irish-speaking residents who pretend not to understand English rather than deal with an outsider. Boyle has a sexual encounter with a pair of sex workers at a hotel in town. On his way back from the hotel, Boyle spots McBride's Garda car at a "suicide hotspot" along the coast but does not believe that McBride killed himself. McBride's wife, Gabriela, an immigrant from Croatia, reports him missing and tells Boyle that McBride is gay and that she married him to obtain an Irish visa as well as to make McBride "look respectable".[7]
Meeting Everett at a local pub, Boyle notices a closed-circuit television camera and remembers that the original suspect in the murder case claimed to be frequenting it at the time of the killing. Looking over the footage from the time of the murder, they see that the suspect's alibi is valid – and Everett also spots Sheehy and Cornell at the pub. Cornell delivers a payoff to the Garda inspectors to keep them off the case but Sheehy believes that Boyle will not be so easily swayed, after he meets with Boyle to half-heartedly attempt blackmail and then to offer a bribe, which is refused. Tipped off by a young boy named Eugene, Boyle discovers a cache of weapons hidden in the bog by the Provisional Irish Republican Army (IRA) and says he will arrange its return. (It is later revealed that Boyle kept a few of the guns.) Shortly after having her last wish to hear a live pub band fulfilled, Boyle's mother kills herself by overdosing on pills.
Meeting at the bar again, Everett tells Boyle that Garda sources indicate Sheehy's shipment will be coming into County Cork and that he is leaving to investigate. Returning home, Boyle is confronted in his living room by O'Leary. Boyle pulls a Derringer (from the IRA cache) and kills O'Leary, then calls Everett to tell him that the Cork lead is a decoy arranged by corrupt officers. Boyle drives to the local dock where Sheehy's vessel is berthed and Sheehy's men are unloading the cocaine. Everett arrives and Boyle hands him an automatic rifle and persuades him to provide covering fire as he moves to arrest Sheehy and Cornell. Boyle kills Cornell before leaping onto the boat to deal with Sheehy. Everett's gunfire sets the boat alight. Boyle shoots Sheehy and leaves him for dead in the main cabin as the boat explodes.
The next day, Everett looks out on the water where the boat sank, believing Boyle to be dead. Eugene, standing nearby, mentions that Boyle was a good swimmer, having placed fourth at the 1988 Summer Olympics, a claim that Everett had dismissed. A young photographer comments that it would be easy enough to look it up to check whether or not it was true. Everett remembers Boyle's remark that Sheehy's backers would not forget Boyle's actions and that Boyle would have to disappear were he to continue living, and smiles.
Principal filming began on 29 October 2009, in LettermoreCounty Galway. Filming took place over a six-week period in Connemara, Lettermore, Lettermullan, Spiddal, and Barna with some scenes for filming in Wicklow and Dublin.[4] Companies involved were Reprisal Films and Element Pictures in association with Prescience, Aegis Film Fund, UK Film Council and Crescendo Productions, with the participation of the Irish Film Board.[4]
The review aggregation website Rotten Tomatoes reported a 94% approval rating with an average rating of 7.65/10 based on 134 reviews. The website's consensus reads, "A violent, crackerjack comedy with a strong Irish flavor and an eminently likable Brendan Gleeson in the main role."[11] On Metacritic, the film has a score of 78 out of 100, based on reviews from 29 critics, indicating "generally favorable reviews".[12]
In The Hollywood Reporter, Todd McCarthy wrote: "Scabrous, profane, violent, verbally adroit and very often hilarious, this twisted and exceptionally accomplished variation on the buddy-cop format is capped by a protean performance by Brendan Gleeson a defiantly iconoclastic West of Ireland policeman."[13]Vanity Fair's John Lopez wrote: "So far, The Guard has been the most thoroughly enjoyable film experience at Sundance, a nice change of pace from the anomie, alienated angst and melancholy of other films."[14] In Screen International, David D'Arcy wrote: "As a director, McDonagh avoids the grand gesture and focuses on his web of odd characters that call to mind the comedies of Preston Sturges."[15] Justin Chang of Variety wrote: "The film making crackles with energy, from Chris Gill's crisp editing and Calexico's ever-inventive score to d.p. Larry Smith's dynamic camerawork, alternating between bright, almost candy-coloured interiors and shots of Galway's grey, rugged landscape."[16]
In The Times, Wendy Ide wrote: "Without doubt the strongest debut film of the year so far, this sly, witty and provocative Irish black comedy is an exceptionally funny crowd-pleaser and a playful cine-literate exercise, laced with arcane movie references... Gleeson must be thanking whatever guardian angel oversees his career for the brothers McDonagh giving him two of his meatiest roles yet."[17] Georgie Hobbs of Little White Lies wrote: "Unexpectedly hilarious, The Guard is the triumphant directorial debut of Ned Kelly screenwriter (and brother of In Bruges director Martin), John Michael McDonagh... This confident film knows full well how funny it is, daring to provoke with unfettered 'unPCness' a-plenty."[18]
