1886 masthead illustration, based on the sculpture The Spirit of Love and Truth by Joseph Edwards (1814-1882)[1]
The Girl's Own Paper (G.O.P.) was a British story paper catering to girls and young women, published from 1880 until 1956.
Publishing history
The first weekly number of The Girl's Own Paper appeared on 3 January 1880. As with its male counterpart The Boy's Own Paper, the magazine was published by the Religious Tract Society (which subsequently became Lutterworth Press). It was sold at a price of 1 penny.[2]
In October 1929, the title became The Girl's Own Paper and Woman's Magazine but in 1930 the Woman's Magazine became a separate publication. In December 1947 the name was changed to The Girl's Own Paper and Heiress. By 1951 it was called Heiress incorporating the Girl's Own Paper. In 1956 Heiress closed down, and the name "Girl's Own Paper" ceased to exist. Facsimile reprints of volume 1 to 4 were published by Eureka Press, Japan, in 2006. Several editions are available online from Project Gutenberg.
Contents
The story paper provided a mix of stories and educational and improving articles, with 'Answers to Correspondents' and occasional coloured plates, poetry and music. The paper funded[3] and serialised the exploits of the explorer Kate Marsden in the 1890s when she was lauded by the Royal Geographical Society.[4]
For the first 30 years, the weekly and later monthly issues included an unusual amount of music content, including musical scores by women composers. Judith Barger has produced a catalogue and discussed how the material reflected a gradual change in the perception of women's music making, from amateur accomplishment towards more professional roles.[5][6]
From 1908, the weekly magazines were dropped and the paper included more information on serious careers for girls and advice on style and dress. Long serials became less common, being replaced by shorter stories. From the 1930s, a greater proportion of its material was directed at younger readers. There were school stories, stories of kidnapped princesses and articles about film stars, although the contents became more serious during World War II.
Volumes 39 and 40 of 1917–18 were entitled The Girls Own Paper and Woman's Magazine; presumably the two publications were merged for economy purposes as a result of World War I.
Between 1889 and 1901, the leading illustrator Henry William Brewer provided regular articles for the paper, often richly illustrated by his own drawings. Subjects included Interesting Monuments of Distinguished Women (1889),[7] The Castle of Cleve and the 'Magic Swan' (1890),[8] The Largest Churches in Europe (1891),[9] Archeology for Girls (1895),[10] Typical Church Towers of English Counties (1895),[11] Old English Cottage Homes (1899),[12] and Site Base Support and Superstructure – Ancient and Modern Methods of Building (1901).[13]
The writer and novelist John Francis Brewer, son of Henry William Brewer also contributed to the paper. In
1887-88 he collaborated with the editor, Charles Peters, describing in articles trips they had taken together in Norway, northern Italy[14] and central Italy.[15][16]
In her history of the G.O.P., E Honor Ward writes: "The G.O.P. was an important and positive influence on generations of girls and women, and a vital outlet for women's writing and ideas, for more than three-quarters of a century".
^Hill-Murphy, Jacki (2017). The extraordinary tale of Kate Marsden and my journey across Siberia in her footsteps (First paperback ed.). [United Kingdom?]. p. 69. ISBN9780993105418. OCLC1019470763.{{cite book}}: CS1 maint: location missing publisher (link)
Article Index by Magazine, victorianvoices.net - Collection of excerpts scanned from issues of The Girl's Own Paper (1880-1902).
Highlights From The Girl's Own Paper Growing archive of illustration scans and transcripts of articles and "Answers to Correspondents" from Victorian and Edwardian issues of The Girl's Own Paper (1880-1912).
The Girl's Own Paper, gutenberg.org - 25 copies of The Girl's Own Paper, including illustrations.
