1951 British film by Jeffrey Dell
The Dark Man (also known as Man Detained) is a 1951 British black and white film-noir thriller film written and directed by Jeffrey Dell and starring Edward Underdown, Maxwell Reed and Natasha Parry.[2] It was produced by Julian WIntle for Rank Studios.
Plot
At a farmhouse in a lonely wood, "The Dark Man" kills a petty criminal. He then shoots the taxi driver who drove him there, knowing he would be able to identify him. However, the murder is witnessed by a young actress, Molly, who is passing by on her bicycle, and although she only saw him from a distance, The Dark Man will take no chances. When the police investigate the killings, Inspector Viner is assigned to the case, and soon develops romantic feelings for Molly. Meanwhile, The Dark Man stalks his prey, and after being foiled in an attempt to kill Molly at her home continues to pursue her. The climax comes with a desperate chase across a desolate landscape.
Cast
Critical reception
The Monthly Film Bulletin wrote: "This attempt at a low-budget thriller, shot mainly on location, is undermined by the staggering improbabilities of the script. Molly's reactions to the threats of the Dark Man and her hesitancy in seeking help from the police, are unbelievably stupid: with equal stupidity she allows herself to be kidnapped by an old and obvious trick. The contrivances of the script are not helped, either, by stilted dialogue. The Dark Man has some excellent exterior camerawork, and both Natasha Parry and Edward Underdown show, in unrewarding parts, talent and personality."[3]
The New York Times wrote: "this Julian Wintle production often stirs up a fair amount of suspense and absorption, chiefly because of the efficient direction of Jeffrey Dell, an excellent performance by Edward Underdown, as a detective, and a painless round-up of typical British "types" in minor roles. But the scenario is a meandering affair overbalanced with too many sneering close-ups of its culprits, and ... anything but suggestive of the banner of the distributors, Fine Arts Films, Inc.".[4]
AllMovie noted: "the plot is nothing new, though the settings – a provincial repertory theatre, a military rifle range – are rather novel."[5]
Britmovie said, "Edward Underdown is clearly too old to be the young policeman and love interest, but brooding Maxwell Reed is very effective as the shadowy ‘Dark Man’."[6]
In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "good", writing: "Good camerawork and direction of chase scenes paper over some of the weaknesses in the script."[7]
References
External links