Jane's (Maureen O'Sullivan) two cousins, Eric and Rita, arrive in Africa to tell Jane about a fortune left to her back in their world and to try to convince her to return with them. They are led to Tarzan's escarpment home by Captain Fry (John Buckler), a hunter with an agenda of his own. Jane convinces Tarzan to let her go back with Eric (William Henry) and Rita (Benita Hume), promising that their separation will only be temporary. But Captain Fry (unknown to the others) attempts to capture Tarzan to take him back to civilization so he can be put on public display, and actually succeeds in caging Tarzan. Fry's treachery includes making a deal with an unfriendly native tribe to give him food, canoes and protection for the journey back in exchange for his handing over Jane, Eric and Rita for "ju-ju" and taking away the greatest "ju-ju" – Tarzan.
Fry's plan goes wrong when the natives capture Tarzan in his cage and all four white people are taken prisoner. Tarzan manages to escape with the help of elephants and Cheeta, and guides what's left of Fry's party through a cave passage filled with treacherous quicksands. Just before they exit the caves to safety, Tarzan forces Fry to go back the way they came as punishment for his betrayal. Fry starts to go back, then seizes a heavy branch to attack Tarzan, but before he can exit the cave he falls into a quicksand bog (filled with "poisonous" iguanas) and is swallowed up. Rita and Eric tell Jane that it is not necessary for her to return with them and that she belongs with Tarzan. The film ends with Tarzan and Jane reunited at their tree house.
The previous Tarzan film Tarzan and His Mate had a number of directors. Maureen O’Sullivan has said that James C. McKay actually directed the film. His official credit on that picture was Animal Director. McKay (1894–1971) had a resume full of various credits, and he jumped back and forth between the jobs of director and editor. McKay had received a Production Assistant credit on Trader Horn (1931), directed by W. S. Van Dyke. McKay was initially given the director's chair for the sequel, Tarzan Escapes (1936), indicating that MGM must have been happy with the work he did on Tarzan & His Mate; however, there would be many changes to cast and crew on that film too (including Elmer Sheeley replacing Cedric Gibbons as art director). John Farrow was handed the director's chair; reportedly he then practically re-shot the whole film. Regardless, Richard Thorpe ended up being given director's credit. Farrow (who had a fling with Dolores del Río) married Maureen O'Sullivan before the year was through.[4]
Deleted scene
A scene, which took a week to shoot, featuring Tarzan fighting vampire bats, was cut from the final edit after test audiences found the scenes too intense. The film's first director James C. McKay shot many of the "gruesome" scenes, but he was replaced by John Farrow in 1936 who re-shot much of the film. Richard Thorpe would finally get credit for directing the film.[5]
Critical reception
Film review aggregator Rotten Tomatoes reported an approval rating of 71%, based on 7 reviews, with a rating average of 6.1/10.[6]
References
^"SCREEN NEWS HERE AND IN HOLLYWOOD: Warners Will Start Filming 'Wings Over the Navy' Next Month--Bacon to Direct 3 LOCAL PREMIERES TODAY ' Girl of the Golden West,' With Jeannette MacDonald and Nelson Eddy at Capitol MGM Seeks Return of Tarzan Coast Scripts Of Local Origin". The New York Times. March 24, 1938. p. 21.
