Dave Burns of JazzTimes said that Shaw "is blessed with strong pipes and good intonation; unfortunately, he has also mastered every pop mannerism-bathos, exaggerated dynamics, melodramatic vibrato, fake-Southern diction, swoops of pointless-tasteless Mathis falsetto, the Tom Jones vocal wink, the ain't-we-hip scat", but added that the musicians and arrangements added a "tender counterpoint".[3]