Schechter suggested that Van Zandt include the names of the artists who had played at Sun City in defiance of the cultural boycott on South Africa imposed for its policy of apartheid. "I was probably still thinking of 20/20's exposé of conservative Africanists 15 years earlier", says Schechter.[citation needed]
References to performers who had played at Sun City appeared in the demo but were omitted from the final version.[4][5] The songwriter Paul Simon declined to contribute, as he felt the list of names was inappropriate: "You've got to give people a chance to say, 'I shouldn't have done that.'"[6] Among the names was Simon's friend Linda Ronstadt.[6] Simon defended Ronstadt, saying: "I know that her intention was never to support the government there ... She made a mistake. She's extremely liberal in her political thinking and unquestionably antiapartheid."[6] Simon also felt his upcoming album Graceland, recorded in South Africa and released the following year, would be his "own statement" on the issue.[7] Ronstadt provided guest vocals on Graceland.[7]
The song combines elements of hip-hop (which was beginning to achieve mainstream popularity at the time), R&B, and hard rock. The main hook is multiple successive artists singing "I, I, I, I, I, I", followed by all the artists together singing "ain't gonna play Sun City!"
"Sun City" reached No. 38 on the Billboard Hot 100 chart in December 1985 (and #42 Cash Box).[8] Only about half[citation needed] of American radio stations played "Sun City". Some stations objected to the lyrics' explicit criticism of US President Ronald Reagan's policy of "constructive engagement", particularly George Clinton's and Joey Ramone's lines in the song "Our government tells us / We're doing all we can / Constructive engagement is / Ronald Reagan's plan." (Ramone also expressed open discontent and criticism towards him with the Ramones song "Bonzo Goes to Bitburg".)[9] "Sun City" was banned in apartheid South Africa itself.[10]
The song did somewhat better overseas, reaching No. 21 on the UK Singles Chart, No. 8 in Ireland, and peaking at No. 4 in both Australia[11] and New Zealand.[12] It achieved chart action in a number of European countries, becoming a Top 5 hit in Sweden, Belgium and The Netherlands.[13] It was also a top ten single in Canada in December 1985 and January 1986.[14]
Reception
Billboard magazine's review of the single stated that it "showcases an overwhelming array of all-star voices, keeps up a blistering urban/dance tempo, and pulls no punches on the message."[15]John Leland at Spin said, "while the catchy hooks gather momentum on the main vocal lines, the hottest action is between them when everyone fights to scat the fill. Even the breakfast-cereal stars here sing hard and gruff."[16]
"Sun City" was selected as Record of the Year by some of the most influential music critics, because it topped the prestigious international Pazz & Jop Critics Poll for best single of the year.[17]
Documentary
Van Zandt and Schechter also struggled to get their documentary seen. Public Broadcasting Service (PBS) refused to broadcast the non-profit film The Making of Sun City[18] even though it won the International Documentary Association's top honors in 1986. PBS claimed the featured artists were also involved in making the film and were therefore "self-promoting".[citation needed] In 1987, WNYC-TV, the New York City-owned public television station, aired an updated version of the documentary, produced by filmmaker Bill Lichtenstein along with Schechter. The film included updates about the Sun City resort and apartheid, as well as the success of the Sun City video. In addition to airing the documentary, WNYC-TV made the film available over the PBS system to public television stations across the country for broadcast.
Impact
The album and single raised more than US$1 million for anti-apartheid projects, but it paled in comparison with the popular and financial success of "We Are the World". It premiered at the United Nations, thanks to the Special Committee Against Apartheid and UN officers such as Aracelly Santana.[citation needed]
Oliver Tambo and the ANC's school in Tanzania "was sure happy when we gave them a big check", according to Schechter.
In South Africa, "Sun City" inspired musician Johnny Clegg to create a local organization similar to Van Zandt's. "Sun City" also became the catalyst for the 1988-91 South Africa Now TV series.
Artists United Against Apartheid at African Activist Archive Project; including documents, photographs and the video "The Making of Sun City" (1987) that includes the original video