Strike Up the Band is a 1927 musical with a book by Morrie Ryskind, lyrics by Ira Gershwin and music by George Gershwin. It first ran as a satirical show in Philadelphia that year, unsuccessfully, and on Broadway in 1930 after the original book by George S. Kaufman was revised by Ryskind. The show concerned a cheese manufacturer who sponsors a war against Switzerland because it will be named after him. Much of the satire of the 1927 version was replaced in the new version by silliness, leading Ryskind to recall, "What I had to do, in a sense, was to rewrite War and Peace for the Three Stooges."[1] In the 1930 version the opening of Act I of the musical was reset from a cheese factory to a chocolate factory, and much of the work was a re-imagined as occurring during a dream sequence.[2]
The overture is often performed as a stand-alone concert work.
Libretto
The original book by George S. Kaufman centered on Horace J. Fletcher, a Babbitt-like cheesetycoon who tries to maintain his monopoly on the American market by convincing the United States government to declare war on Switzerland. The story ended darkly.
The 1930 plot by Ryskind, softened the political overtones, increased the emphasis on romance and added a happy ending. It relegated the war plot to a dream sequence. The incident that incites war concerned chocolate instead of cheese.[3]
1927
Act 1
Workers at the Horace J. Fletcher American Cheese Company sing their daily vocal exercises ("Fletcher's American Cheese Choral Society") to start the day and greet the foreman Timothy Harper, manager C. Edgar Sloan, and owner Horace J. Fletcher. Fletcher is pleased with the President signing a new bill imposing a fifty percent tariff on imported cheese. Mrs. Draper arrives to ask Fletcher to do charitable work with her in order to get close to him. Her daughter Anne goes to meet Timothy, though her mother disapproves of the relationship ("17 and 21"). Fletcher receives news that someplace called "Switzerland" has sent a telegram protesting the tariff. Fletcher tells Sloane to send a messenger to the hotel of Colonel Holmes, the President's adviser. Mr. Fletcher's daughter Joan enters and wants him to handle James Townsend, a reporter who wrote an article calling her a snob. After she leaves, Townsend arrives to interview Fletcher about Switzerland's response to the tariff.
The Gershwins revised the story with Ryskind for the 1930 Broadway run; they also removed the song The Man I Love, now a Gershwin standard, from the show. They added a dozen new songs and rewrote the lyrics or changed the melodies of many of the 1927 songs. The new score is less Gilbert-and-Sullivan and more swing-influenced.[3] Directed by Alexander Leftwich and choreographed by George Hale, the revised production opened on Broadway at the Times Square Theatre on January 14, 1930, and closed on June 28, 1930, after a moderately successful run of 191 performances. The cast included Dudley Clements and Blanche Ring.[5]
In 1990, a studio cast recording of the original 1927 score (and some of the 1930 songs), featuring Rebecca Luker, Brent Barrett, Beth Fowler and Don Chastain, was released on the Nonesuch label.[10] At the same time, the 1930 version was recorded with the same cast but not released. This recording was finally released in 2011 by PS Classics.[3]
Music from Strike Up the Band has frequently been re-arranged for performance by different types of musical ensembles.
Don Rose, using Gershwin's original score and notes, augmented the orchestration of the overture to facilitate a performance by a full symphony orchestra (which features more players than a traditional pit orchestra). This version is the one commonly performed by symphony orchestras.
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