Margaret Ethel Storm Jameson[1] (8 January 1891 – 30 September 1986) was an English journalist and author, known for her novels and reviews and for her work as President of English PEN between 1938 and 1944.
Life and career
Jameson was born in Whitby, Yorkshire, in 1891, the eldest child of sea captain and former shipbuilder William Storm Jameson and his wife Hannah Margaret Galilee, from a family of wealthy Whitby shipbuilders;[2][3] she briefly attended school at the Scarborough Municipal, before studying at the University of Leeds.[4] Graduating first in her year, she won a scholarship to King's College London in 1914. It was during this time that she began seriously to write, producing her first novel The Pot Boils in 1919. Her dissertation on 'Modern Drama in Europe' was also published in 1920 to significant critical acclaim. It expressed, for the first time, her interest in European literature and her sense of its impact on Britain. She went on to write 48 novels, three autobiographies, several screenplays and a wealth of journalistic articles for national and international publications.
Jameson was President of the English branch of PEN International from 1938 until ill-health forced her to retire in 1944. She remained an active member and PEN International Vice President until her death in 1986. During her time as president she founded the PEN Refugee Writers Fund, which helped hundreds of refugee writers and their families to flee occupied Europe during World War Two.[5] She also worked to try to bridge gaps within PEN during the Cold War, working to keep Communist states within the organisation in order to allow PEN to protect writers' rights in countries where many were being challenged and even killed. Additionally, she was a founding
member of the Peace Pledge Union,[6] although she recanted her views in the mid-1930s believing that war was the only way forward to what she hoped would be a fairer and more equal Europe.[7]
Jameson became active in politics at University and remained a committed socialist throughout her life, but her distrust of "groupthink" and passion for the rights of free expression and the liberty of the individual prevented her from following any of the political creeds that were in vogue at the time: Jameson was never a communist, a fascist or, really, a pacifist.[8]
Jameson's collection of novellas, Women Against Men, was admired by The Times reviewer, Harold Strauss, who stated, "So completely is she the master of her art, so instinctively the craftsman, so superlatively the selective artist, that a restrained evaluation of her work is difficult for a student of the novel."[9]
Jameson wrote the introduction to the 1952 British edition of The Diary of Anne Frank.[10]
Jameson's novel Last Score was praised by Ben Ray Redman in the Saturday Review of Literature. Redman described Last Score as "one of Storm Jameson's best" and stated "it is the complex web of human relationships that give this novel its breadth and depth".[11]
While her work was highly praised in her lifetime and she was a well-known figure, working at PEN with H.G. Wells, E.M. Forster, Rebecca West, and countless others, Jameson's work and achievements were largely forgotten by critics and readers alike. Her reputation and her work have been significantly recovered in recent years, thanks to the work of female scholars like Jennifer Birkett, Phyllis Lassner, Chiara Briganti and Elizabeth Maslen.
^Ceadel, Martin, Semi-Detached Idealists:The British Peace Movement and International Relations, 1854–1945. Oxford University Press, 2000 ISBN0199241171 (p. 334)
^Ben Ray Redman, " Terroristic Colonials" The Saturday Review, 17 June 1961 (p. 24)
^Maslen, Elizabeth. (5 September 2014). Life in the writings of Storm Jameson : a biography. Evanston, Illinois. p. 217. ISBN978-0-8101-2979-5. OCLC874835563.{{cite book}}: CS1 maint: location missing publisher (link)