Steve J. Morse (born July 28, 1954) is an American guitarist and songwriter. A seven-time Grammy nominee, he is best known as the founder of the Dixie Dregs and as the longest serving guitarist for Deep Purple. Morse also enjoyed a successful solo career and was a member of the group Kansas in the mid-1980s. Most recently, Morse became a member of the supergroup Flying Colors.[2]
Steve Morse was born in Hamilton, Ohio. His family soon moved to Tennessee and then to Ypsilanti, Michigan, where Morse spent his childhood. Although familiar with piano and clarinet, Morse ultimately became a guitarist.
Morse worked briefly with his older brother Dave in a band called the Plague until the family moved to Augusta, Georgia. In the late 1960s, he played in a band called Three with his older brother and a junior high schoolmate, William Gerald (Jerry) Wooten, who played keyboards. The three performed at a local psychedelic youth club, the Glass Onion, and at Legion Halls and church functions.
While enrolled in the Academy of Richmond County, Morse met bassist Andy West and together they formed the Dixie Grit, adding keyboardist Johnny Carr and guitarist and vocalist Frank Brittingham, with Dave Morse drumming. This short-lived group played material from groups such as Led Zeppelin and Cream. West and Morse continued to play as a duet billed as the Dixie Dregs until Morse's expulsion from school in the 10th grade for refusing to cut his hair.
Steve completed 11th grade at a local Catholic school and was eligible for early college enrollment. He enrolled at the University of MiamiSchool of Music.
During the 1970s, the University of Miami played host to a number of future influential musicians, including Bruce Hornsby, Pat Metheny, and Jaco Pastorius. Andy West also enrolled at the University of Miami, and with Morse, drummer Bart Yarnold, keyboardist Frank Josephs and violinist Allen Sloan, collaborated in a lab project entitled Rock Ensemble II. In 1975, the group compiled a recording used for promotional efforts. It was originally released on vinyl in 1976, and again on CD in 1997 as The Great Spectacular.
From late 1987 to early 1988, Morse worked as a commercial airline co-pilot.[3][4] He has lived in Ocala, Florida since 1991, where he is involved in hay farming.[5]
Dixie Dregs
Upon Morse's graduation from the University of Miami, he and West officially named their group Dixie Dregs. A fellow University of Miami alumnus, Rod Morgenstein, replaced the injured Bart Yarnold and the band began performing regularly; with some of their own compositions, along with material by John McLaughlin and southern rock favorites. An increasingly heavier performance schedule eventually led to the attention of Capricorn Records recruiters including Allman Brothers Band manager Twiggs Lyndon, and in late 1976, the group was signed by the southern rock label.[6]
Their first effort for Capricorn, Free Fall, established Morse as an important newcomer to the fusion genre, and he was recognized for both his compositional skills (having written all 11 tracks) and his musicianship. Although receiving positive reviews as a pivotal jazz fusion album, it sold poorly.
What If was released in 1978. Writing credits were more collaborative and the band's sound had matured into more than what was strictly considered fusion at the time. Southern rock, classical, folk and country elements were combined to form a cohesive and listenable music. Although supported by a tour, record sales remained flat, but gained Morse and the band an invitation to perform at Montreux Jazz Festival on July 23, 1978. Four songs from the recorded performance were released the following year on Night of the Living Dregs. Capricorn went bankrupt in late 1979, and the Dixie Dregs were left without a label.
Arista Records signed the band in 1979 to record three albums. Production control was handed to Morse, and Dregs of the Earth was released in May 1980. All eight tracks were written by Morse, and the album peaked at number 27 on Billboard's Jazz Album Chart.
Arista became increasingly concerned about Dixie Dregs' album sales and pressured the band to change their name to simply the Dregs in an attempt to increase the band's visibility in the public eye. Unsung Heroes included seven new Morse compositions, plus a shortened re-arrangement of "Cruise Control," in early 1981, but the name change did little to address Arista's worries. The Dregs felt compelled by label management to add lyrics to their next release, appropriately titled Industry Standard.
Morse's compositions on Industry Standard began to sound more like his evolving solo work than Dregs' collaborations, and the album received critical and public praise. Industry Standard was voted "Best Guitar LP" by readers of Guitar Player magazine in their annual reader's poll that year. Additionally, Morse was voted "Best Overall Guitarist" in the same poll, an honor that he would hold for five consecutive years (which ended his eligibility by retiring him into their "Gallery of Greats", a distinction shared only by Steve Howe of Yes and Eric Johnson). After fulfilling their commitment to Arista, the Dregs' members, who had tired of touring, disbanded in early 1983.
In the late 1980s, the group reunited for a tour featuring former members Morse, Morgenstein, Lavitz and Sloan. Their return was complemented by a "Best Of" release entitled Divided We Stand. Bassist Dave LaRue completed the lineup for a seven date tour culminating in the 1992 live album Bring 'em Back Alive. Violinist Jerry Goodman, of Mahavishnu Orchestra fame, filled in for Sloan, who was frequently absent as a result of his medical career. They signed a deal with former label Capricorn Records for their first studio album in years, entitled Full Circle, in 1994.
Steve Morse Band and Kansas
After the 1983 breakup of the Dregs, Morse then formed the Steve Morse Band, a trio with bassist Jerry Peek and drummer Doug Morgan (formerly a member of Glass Moon). After the first tour of the eastern United States, Morgan left for previous commitments; the choice to replace Morgan was Rod Morgenstein. They began recording The Introduction in September, which included British country guitarist Albert Lee making a guest appearance on the track General Lee. The group toured Germany in early 1984 with Morse conducting clinics, and the group was signed by Elektra Records, who released The Introduction mid-year. A second German tour began in December 1984 and Stand Up was released in 1985. This effort included guest vocalists and guitarists (Eric Johnson, Alex Ligertwood, Peter Frampton, Albert Lee, Van Temple), and violinist Mark O'Connor. He toured with Rush as a main opener on their Power Windows tour.
In 1986, Morse joined the rock group Kansas. During his time with the band they released two albums, Power and In the Spirit of Things. While he was with the band, Kansas had its last big hit, "All I Wanted," which reached the Billboard Top 20 and on which Morse received co-writing credit. Morse left the band after touring behind the latter album. He re-joined the band for part of its 1991 tour.
Following this, Morse resumed the Steve Morse Band with new personnel (bassist Dave LaRue and drummer Van Romaine) and has released several further recordings, even after joining Deep Purple.
Deep Purple
In 1994, Morse joined the British hard rock group Deep Purple, replacing Ritchie Blackmore (after Joe Satriani had initially replaced Blackmore on a temporary basis, for the final leg of The Battle Rages On tour in Japan, and European dates the following summer). With 28 years as a member of the band, Morse was their longest-serving guitarist and played on eight studio albums with them, between 1996's Purpendicular and 2021's Turning to Crime, and appeared on several live albums.
His departure from Deep Purple, announced on 23 July 2022, was driven by the illness of his wife Janine.[7]
Living Loud
In addition to playing with Deep Purple, Morse, together with Jimmy Barnes, Bob Daisley, Lee Kerslake and Don Airey, formed Living Loud in 2003. The group released one studio album and a live DVD in 2004/2005. In Spring 2010 it was reported that Steve Morse and Bob Daisley started work on a new studio album which was set for a release in 2011, but nothing came of this.
Angelfire
Morse began a collaboration with singer Sarah Spencer in 2007 entitled Angelfire. The album, of the same name, was released on August 10, 2010, on Radiant Records. The album features Dave LaRue and Van Romaine of the Steve Morse Band on bass and drums, respectively. The album has a textural, acoustic sound that differs from Morse's previous work. Angelfire opened for the Steve Morse Band for several shows in California (January) and Florida (March) of 2010.
Morse has proven himself throughout his career as capable of playing highly complex chord structures in classical sequences, as well as being able to play fast, alternate picked arpeggios. He is well known for using harmonics and improvising them in songs during live performances, such as in Deep Purple's "Sometimes I Feel Like Screaming".
I write them on guitar or piano, late at night when there are no distractions. I start with some germ of an idea that I like a lot and believe in because I'm going to have to work with it for a couple of months, on and off. The main thing is getting an idea that will stand up to the test of repeated playing and listening. It could be a chord progression, a bass line, a guitar lick, or a complete piano section. On piano, you generally come up with melody and bass line all at once. The hard part is continuing after that start, because you can't just get another idea that you love and smash it into it. You have to get one that fits. You have to keep getting ideas and throwing them out.[15]
Morse consciously avoids the use hammer-ons and pull-offs. While he contends these work for the blues-inspired licks of guitarists such as Alvin Lee, Jimi Hendrix and Jimmy Page, for faster and more technical music it's better to pick all notes.[17] This change of technique was inspired by Led Zeppelin's "Communication Breakdown", especially the guitar solos. One of his friends had a guitar magazine and showed him an article about the band. He said to Morse: "Look, [Page] practices nine hours a day and he picks every note!" Morse tried it out; he said that he "lost a lot of the soul and fluidity of my playing, but I kept at it" until he finally "started to get a breakthrough." The definite turning point came when he watched the Mahavishnu Orchestra at the University of Miami playing Inner Mounting Flame (1971) live. That "made a big impression". He also he noted that John McLaughlin "was picking everything."[18]
Legacy
Morse is considered one of the hardest working guitarists in the world.[19] He is widely known for his stylistically diverse compositional skills and was voted "Best Overall Guitarist" by Guitar Player magazine for five years in a row,[20] qualifying him for its "Guitar Player Hall of Fame", the only other members being Steve Howe of Yes and Eric Johnson. He is regularly cited by John Petrucci as a major influence. Guitarist Shawn Lane regarded Steve Morse as one of the most talented guitarists of his time.[21] Ritchie Blackmore, who preceded Morse in Deep Purple, has stated, "Steve Morse is an incredible player. A lot of people try to get some wisecrack out of me, but when you're talking about guitar players along Morse's caliber, they're brilliant."[22]
Gear and equipment
Guitars
Throughout the 1970s and 1980s Morse used his custom "FrankenTele" guitar. It was made up of a Fender Telecaster body with a Stratocaster neck, a Gibson trapeze-style tailpiece (coming from a twelve-string guitar) and four pickups in HSSH configuration. At one time, the guitar had a fifth pickup, a hexaphonic pickup with a separate output for each string; it provided the signal to drive a 360 Systems Spectre guitar synthesizer. Morse has an exact replica of this guitar at home "in case the worst happens."[23][24][25]
Morse also used a black FenderLead III circa 1982, being featured on the ads of this guitar series.[26]
Morse worked with Music Man Guitars to create two signature models: a modernized version of Morse's first "Frankenstein Telecaster" guitar (Steve Morse Signature), and the Steve Morse SM Y-2D, is an updated version with quilted maple top.
Pickups
Morse has released two signature humbuckers with DiMarzio; the DP 205 Neck model and the DP 200 Bridge model. They are evenly balanced to allow playing all over the fretboard, since Morse plays high notes on the neck pickup and low ones on the bridge. They are the main pickups into his signature model. Dimarzio also wires a custom wound single coil pickup for Music Man to use into the SM signature model.
Amplification
Morse is an endorser of ENGL amps. He has released a signature model, the ENGL E-656 Steve Morse signature amplifier. It is a three channel amp specially designed by Morse with a custom version of the famous ENGL "midrange matrix". In the past he used Peavey 5150 amps with Deep Purple, Marshall Jubilee, Peavey VTM 120 and Ampeg V4.
Live setup
Morse's live equipment includes two ENGL E 656 Signature heads and several Music Man guitars (both models), his #1 still being his favorite. He splits up his signal to six different cabinets; four dry (without any FX) and two wet (with FX). He uses three Ernie Ball expression pedals to blend the fx into the mix. He uses a custom Skrydstrup R&D switching system to perform all the switching and the blending. His FX are very simple, consisting only of a Boss OC-3 Octaver and two delays: Electro-Harmonix Memory Man now replaced with the newest TC Electronic FlashBack TonePrint delay (Morse has created custom presets). He is also using a TC Electronic Polytune Mini guitar tuner.
His live setup for Deep Purple is discussed by him for Premier Guitar magazine's Rig Rundown.[27]
2015 The Classic Rock Society Presents... New Species Volume 21 (various artists compilation)
2015 Southern Rock Christmas (various artists compilation)
2016 Steve Morse – The Sessions (mp3 download compilation with tracks featuring Steve and various artists, which appeared on several different tribute albums before)
2018 Moore Blues For Gary – A Tribute To Gary Moore (various artists tribute to Gary Moore)
Other appearances
1984 companion LP with Debüt magazine (Germany) February 1984
1993 Lexicon demonstration CD
1995 Free Wave Jam – Advance Micro Devices sound card promo CD with MIDI music files
1997 companion CD with Fingerstyle Guitar magazine #25 (with songs described in magazine)
1999 companion CD with Guitar Techniques magazine April 1999 (with songs described in magazine)
^Obrecht, Jas (December 1978). "Steve Morse And Andy West: Forging A New Southern Sound With The Dixie Dregs". Guitar Player. Vol. 12, no. 12. Cupertino, CA. p. 35. ISSN0017-5463.
^Morse, Steve (August 1982). "My Rock and Roll Guitar". Guitar Player. Vol. 16, no. 8. Cupertino, CA. p. 62. ISSN0017-5463.
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