In this Hong Kong name, the surname is Chow. In accordance with Hong Kong custom, the Western-style name is Stephen and the Chinese-style name is Sing-chi.
Stephen Chow Sing-chi[1] (Chinese: 周星馳; born 22 June 1962) is a Hong Kong filmmaker,[2] former actor and comedian,[3] known for his Mo lei tau style, comic timing and stunts.
In 2001, Chow directed and starred in the sports comedy film Shaolin Soccer, which had a successful worldwide theatrical run and brought Chow into the North American mainstream, this commercial
success was followed by the 2004 martial arts action comedy Kung Fu Hustle. The film received positive reviews and grossed over US$106 million worldwide, making it one of the highest-grossing foreign-language films in the United States. Chow's final film acting performance, before he became a fulltime filmmaker, was in the 2008 science fiction comedy CJ7.
Chow began his career as an extra for Rediffusion Television. Around 1980 he applied for TVB's famous artist training course[11] alongside his friend, Tony Leung Chiu-wai.[12] Leung Chiu-wai won a place in the class, but Chow was rejected and became an office assistant for a shipping company, a job he describes as "so boring."[13] A year later, his friend and neighbor, Jaime Chik Mei-jan, a veteran of the previous year's training course, put in a word for Chow[14] and he was admitted to the 1982 training class.
He captured the attention of the public as host of the TVB Jade children's program 430 Space Shuttle.[15][16] He stayed with the show for five years.[17] Producer and actor Danny Lee signed him to a two year contract with his company, Magnum Films,[18] and cast him in a supporting role in the crime drama Final Justice (1988),[19] which won him the Golden Horse Award for Best Supporting Actor at the Golden Horse Awards.
For the next two years, Chow capitalized on that success, working non-stop. He shot to further television stardom in the TVB wuxia series, The Final Combat (1989).[20] In addition to shooting the 30 episodes of The Final Combat, he also appeared in 12 feature films during that same period,[21] most of them triad movies, action films, or dramas. Jeff Lau directed him in the police thriller, Thunder Cops II (1989), and remembered him in early 1990 when producer Ng See-yuen tried to capitalize on the success of the previous year's hit Chow Yun-fat vehicle, God of Gamblers. Chow would not return to shoot a sequel and so, sensing a hole in the marketplace, Ng hired Jeff Lau to direct a parody.[22] Remembering his work with Stephen Chow, Lau hired him to star, pairing him with Sharla Cheung (who would appear as Chow's co-star in 12 more films)[23] and Ng Man-tat, a big star in the Seventies before a gambling addiction wrecked his career. He was then trying to make a comeback as a character actor.[24]
All for the Winner (1990) became the highest grossing Hong Kong film of all time and the number one film for the year.[25] Wong Jing hired Chow to star in the official sequels God of Gamblers II (1990)[26] and God of Gamblers III: Back to Shanghai (1991)[27] sequels which Wong wrote and directed (Chow Yun-fat would return to the role he made famous in 1994's God of Gamblers Return,[28] also written and directed by Wong). Lau had vowed never to work with Stephen Chow again after All for the Winner[29] and so when it came time to make the sequel to that hit, Stephen Chow only appeared in a brief cameo.[30]
After All for the Winner, Chow had two more major hits, God of Gamblers II and Tricky Brains that grossed HK$40 million[31] and HK$31 million respectively[32] at the box office, but they were followed by what appeared to be a fall from grace as the sequel to All for the Winner, The Top Bet, under-performed at the local box office,[33] and his next films, Legend of the Dragon and Fist of Fury 1991 failed to crack the HK$25 million barrier.[34][35]City Entertainment magazine reported that Chow's career was over and he was repeating himself after the hit that was All for the Winner.[36] Win's Entertainment courted writer and director Gordon Chan to helm Chow's next project, Fight Back to School (1991). Chan claims he was unsatisfied with the script and rewrote the film as an outline with 15 bullet points and the rest of the movie was improvised.[37] The result was a movie that cast Chow in a heroic lead role and the result was HK$43 million at the local box office, a new franchise (there would be sequels in 1992 and 1993), and in what's considered a local benchmark of success, it represented the first time Chow unseated Jackie Chan from the number one spot at the Hong Kong box office.
Over the next decade, Chow appeared in more than 40 films.[38] and wind up taking the number one spot at the box office eight times over the course of his career.[39] Often, more than one of his movies would appear in the top ten, as in 1992 when all five of the top spots were held by Chow's films.[40] (Jackie Chan would not retake the number one spot until 1995.[41])
In 1994, Chow teamed up with director Lee Lik-chi and writer Vincent Kok for Love On Delivery,[42] a movie that would only be the sixth highest-grossing movie of the year, a significant step down in status. Fortunately, Chow re-teamed with Kok and Lee again that same year for a James Bond parody he's credited as co-writing and co-directing, and From Beijing with Love[43] became the number three movie at the annual box office, beaten only by Chow Yun-fat's return to the God of Gamblers franchise and Jackie Chan's return to the character of a young Wong Fei-hung in Drunken Master II,[44] a character he'd last played in 1978 in the first Drunken Master.[45]
Around this time, Chow established his own film production company, Choi Sing Company (variously translated as Caixing Film Company and Hong Kong Color Star Film Company),[46] and approached Jeff Lau about writing and directing his next movie. Lau told Chow that if he kept making the same movie over and over again he would never find popularity with female audiences and he needed to play a romantic lead. In a hotel meeting, he pitched Chow on filming a two-part adaptation of the classic Chinese novel, Journey to the West, and Chow agreed.[47] In order to shoot on Mainland locations the movie became a Mainland-Hong Kong co-production between Chow's Choi Sing Company and Xi'an Film Studios.[48] The remote Xi'an Studios had always encouraged innovation and become home to China's celebrated wave of Fifth Generation arthouse directors like Zhang Yimou and Chen Kaige[49] and they were reluctant to work with a commercial, Hong Kong production.[50] However, recent cuts in government subsidies forced them to look for new sources of financing and they embraced the co-production model.[51] The resulting shoot was chaotic, with the Hong Kong crew speaking only Cantonese and the Mainland crew speaking Mandarin.[52] Actors like Lu Shuming and Wu Yujin said they had very little idea of what was going on[53] and actor Law Kar-ying described Chow as "arrogant."[54] The two films were titled A Chinese Odyssey Part One - Pandora's Box and A Chinese Odyssey Part Two - Cinderella and released in January and February, 1995 where they underperformed at the box office,[55] leading to Choi Sing Film Company declaring bankruptcy.[56] Chow, however, earned substantial money from the movie over the years through licensing and advertising opportunities[57] and in the late '90s and early 2000s it became a cult favorite in the Mainland[58] with phrases, expressions, and memes from the two films becoming a foundational part of early Chinese internet culture.[59] This also became known in part as the Stephen Chow Phenomenon (周星驰现象).[60][61][62][63]
In 2004, his film Kung Fu Hustle grossed over US$106 million worldwide. Chow also won Best Director at the Taiwan Golden Horse Awards and Best Picture of Imagine Film Festival as well as over twenty international awards.[69][70] Comedian Bill Murray said that the film was "the supreme achievement of the modern age in terms of comedy".[71]
His final role film CJ7 began filming in July 2006 in the eastern Chinese port of Ningbo.[72] In August 2007, the film was given the title CJ7, a play on China's successful Shenzhou crewed space missions—Shenzhou 5 and Shenzhou 6.[73]
For his work in comedy, he has received praise from notable institutions such as the Brooklyn Academy of Music, which has called him the King of Comedy.[74]
2010–present: Focus on directing
Chow at the premiere of The New King of Comedy (2019)
In 2010, he became the executive director and major shareholder of 比高集團(BingoGroup Limited).[75]
In 2016, his film The Mermaid broke numerous box office records,[78] and became the highest-grossing film of 2016 in China.[79]The Mermaid was released in Vietnam on 10 February 2016. On 14 March, it became the third-highest-grossing film of all time in Vietnam. It has now grossed over US$553.81 million worldwide.[80] Chow became the ninth-top-grossing Hollywood Director in 2016.[81]
Chow spent 4 years writing, directing and producing the remake of his 1999 film King of Comedy, the film was titled The New King of Comedy, released in February 2019.[82]
Personal life
Chow and Jacqueline Law met while filming the TV series The Final Combat in 1989 and began dating shortly thereafter. In the autumn of 1992, they broke up. Law later struggled with depression and recalled mentioning marriage to Chow, only to be dismissed as “crazy,” which left her heartbroken: “I longed to start a family with him, but he treated me like a lunatic.” Years later, when Law announced she had cancer, Chow was working on Journey to the West: Conquering the Demons. Among other memorial references, he named the film’s female lead Miss Duan, referencing The Final Combat, where Chow and Law portrayed Mr. and Mrs. Duan. The film premiered after Law's death.[83]
Chow and Athena Chu started dating after working together on Fight Back to School. Their secret relationship lasted for more than three years, ending due to Chow's alleged infidelity. In a 2008 interview on Be My Guest, Chu recalled the breakup: "One day, after wrapping up work, I went to visit my boyfriend’s room. The door was locked, and when he opened it, he looked flustered. I touched the bed, and it was warm, while the bathroom door was locked from the inside." Chu stated that she didn't know who the other person was and suspected there were more than just one. Despite this, Chu continued to work alongside Chow until the film finished. Karen Mok, the often suspected mistress at the time, denied being involved with anyone during the filming of A Chinese Odyssey.[84]
From 1995 to 1998, Chow dated actress and singer Karen Mok, who has starred alongside him in several films.[85]
Chow had a relationship with Alice Yu Man-fung, daughter of business mogul Yu Ching-Po, for 12 to 13 years until March 2010, during which Yu also assisted Chow with personal investments and was paid a salary based on a written contract from 2002, initially at HK$20,000 a month. Chow had paid Yu HK$19.5 million at her request between 2007 and 2011, and an additional HK$10 million in February 2012 in “appreciation for [her] friendship and support over the years”. In September 2012, Yu filed a lawsuit against Chow, asserting that there was an additional oral agreement purportedly reached around Christmas of 2002 for Chow to pay her a 10 per cent share of net profits on all successful investments she recommended. Yu’s claim for damages of some HK$80 million was based on her purported share of the profits from Chow’s investments in his current luxury home at 12 Pollock’s Path on The Peak, three houses at The Beverley Hills in Tai Po and a private equity fund. In 2021, a lower court ruled the pair never made that deal, a decision that was upheld on appeal.[86]
Political views
In 2013, Stephen Chow was elected a member of the 11th Guangdong Provincial Committee of the Chinese People's Political Consultative Conference (CPPCC).[87] According to media exposure, Chow often arrives late and leaves early at the conference, and has not put forward any proposals.[88]
Hua, Cheng (2016). 《周星驰：做人如果没有梦想，跟咸鱼有什么分别》 [Stephen Chow: Without Dream, What's the Difference between Men And Salted Fish] (in Chinese). Xicheng District, Beijing: Sino-Culture Press. ISBN978-7-5075-4635-4.
External links
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