The Allmusic review by Sean Westergaard states, "The already eclectic Marc Ribot may have released his widest-reaching album to date with Soundtracks, Vol. 2. From neo-Dixieland to spooky electronica to solo shakuhachi, Ribot turns in a head-spinning program of disparate genres that hang together surprisingly well as an album... Ribot's guitar credentials have never been in doubt, but his recent works for Tzadik is showing him to be an impressive composer with a broad palette as well".[2]
Tracks 1, 3, 6, 8, 10, 12, 17, 19 and 22 were recorded at Sperry Sound, New York City and written for Gregory Feldman's Joe Schmo (1999).
Tracks 2, 5, 13, 15, 16, 20 and 21 were recorded at Ribosound Studios, New York City and written for Michele Stephenson's The Killing Zone (2003), except track 20, which was written for Jennifer Reeves' The Time We Killed (2004).
Tracks 4, 7, 9, 11, 14 and 18 were recorded at The Magic Shop, New York City and written for Michele Stephenson's The Killing Zone (2003).