In the cartoon's opening segments, Whiplash is seen tying Nell Fenwick to a railroad track. Whiplash is obsessed with tying young women to railroad tracks; he has no reason to do so and realizes no gain, profit or advantage, but is simply compelled to do it.[2][3]
He is the antithesis of Do-Right, who is the archetype of goodness and a Royal Canadian Mounted Policeman (RCMP). On one occasion, typical of producer Jay Ward's sense of humor, Whiplash and Do-Right changed hats; Do-Right became the criminal supervillain who actually succeeds at crime and Whiplash became the RCMP hero for capturing the evil Do-Right. This role reversal is repeated in the 1999 film adaptation.[4]