Sennett Bathing Beauties was a bevy of women performing in bathing costumes assembled by film producer Mack Sennett during the silent film era.
Description
The Sennett Bathing Beauties appeared in Mack Sennett comedy short subjects, in promotional material, and in promotional events such as Venice Beach beauty contests from c. 1915 to 1928. Beginning in 1915,[1] the original trio assembled by Sennett consisted of Evelyn Lynn, Cecile Evans, and Marie Prevost.[2] Hundreds more would follow; many remained nameless.
Two of those often named as Bathing Beauties later distanced themselves from the appellation: Mabel Normand and Gloria Swanson. Normand was a featured player, and her 1912 8-minute film The Water Nymph may have been the direct inspiration for the Bathing Beauties.[5] Although Gloria Swanson worked for Sennett in 1916 and was photographed in a bathing suit, she was also a star and "vehemently denied" being one of the bathing beauties.[6]
Sennett explained his inspiration for the Bathing Beauties:
One morning as I went through the Times, in my tub, I noticed a three-column picture on Page One of a pretty girl who had been involved in a minor traffic accident. The picture made the front page for two obvious and attractive reasons. The young lady's knees were showing.
In the 1920s, Sennett's Bathing Beauties remained popular enough to provoke imitators such as the Christie Studios' Bathing Beauties (counting Raquel Torres and Laura La Plante as alumnae[8]) and Fox Film Corporation's "Sunshine Girls" (counting Janet Gaynor as an alumna).[9] The Sennett Bathing Beauties continued to appear through 1928. There was a brief revival in 1949, in connection with publicity for the Sennett comedy compilation film Down Memory Lane.
^D’haeyere, Hilde. "Splashes of Fun and Beauty: Mack Sennett’s Bathing Beauties." Slapstick Comedy, edited by Rob King and Tom Paulus, Routledge USA, 2010, pp. 207–25. ISBN978-0-203-87676-3
^"Notable" in this context refers to the fact only notable subjects get their own Wikipedia article (i.e. the links and their references confirm the notability of each subject). Josephine Cogdell included because of her connection to Philippa Schuyler
^Mack Sennett (1954), King of Comedy, p. 167, Cameron Shipp
^Lowe, Denise (2014). An Encyclopedic Dictionary of Women in Early American Films, 1895-1930, p. 308. Routledge. ISBN0-7890-1842-X
^King, Rob (2009). The Fun Factory: the Keystone Film Company and the Emergence of Mass Culture, p. 211. University of California Press. ISBN978-0-520-25538-8
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