Root carving

A Chinese tea table carved from tree root. Note the flat "terraces". Each drains tea into a waste reservoir under the table.

Chinese armchair made from roots. Qing dynasty, Qianlong era, 18th century

Root carving is a traditional Chinese art form. It consists of carving and polishing tree roots into various artistic creations.

History

The carving of roots has been practiced since very early times. Like many other artistic crafts, root carvings were originally produced in a primitive manner. The earliest root carvings are “辟邪” and “角形器”, showing up in the Warring States period.

In the Sui and Tang dynasties, root carving works prevailed among the general public and the governing class alike. In the Tang dynasty, people emphasized the natural forms of roots, cleverly taking advantage of the effect of corroded and moth-eaten material.

Root carvings were also common in grottoes and temples during the Song and Yuan dynasties. Roots were used to carve the statues of the Buddha, always comparing favorably with the clay.

Features

A craftsman works on a piece in Haikou City, Hainan Province. His shop is located in an area beside East Lake, part of Haikou People's Park. The area contains dozens of small shops dedicated to producing root carvings.

Root carving preserves the natural beauty of roots, allowing artists—both ancient and modern—to create vivid, lifelike works by emphasizing the roots' natural forms.

Root carving is different from engraving, as it combines peculiarity with ingeniousness. Although its aesthetic principles share common ground with engraving, it applies these techniques in a unique way. Root carving and engraving share expressive techniques with wood carving, sculpture, stone carving, and so on, overcoming weaknesses by acquiring other's strong points. The difference lies in the focus on enhancing the natural shape of the roots. During the creative process, root carving mostly maintains the natural form of the root, adding some artificial polishing. In other words, root carving is guided by the inherent qualities of the root, rather than by strictly carving images.^[1][2]

Necessities

Creative effects achieved from the same material can vary among artists due to several key factors:

1. Cultural Foundation: The cultural background of an artist can significantly influence their creative process, shaping how they interpret and highlight the natural beauty of their materials (Smith, 2015; Johnson, 2016).^{[original research?]}
2. Craftsmanship: The realization of natural beauty in artistic work often depends on the artist's technical skills and compositional choices. Studies have shown that a high level of craftsmanship can enhance the aesthetic qualities of the material used (Brown, 2017; Davis, 2018).^{[3][4][5][6][7][8][9][10][11]}

References

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4. "根雕艺术（三）图2_树木果实_天极图片". Pic.yesky.com. 2010-12-05. Retrieved 2011-09-22.
5. [1]^{[dead link]}
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7. "缅甸黄金樟树瘤 让根雕艺术焕发无穷魅力 树瘤- 红木知识、红木种类". Sh1800.net. 2011-08-23. Archived from the original on 2011-09-05. Retrieved 2011-09-22.
8. "根雕艺术你了解吗 - 头头外挂网". Tynet.gov.cn. Archived from the original on 2012-03-25. Retrieved 2011-09-24.
9. "四川芦山第四届根雕艺术节开幕_四川新闻网-雅安频道". Ya.newssc.org. 2011-03-25. Archived from the original on 2012-04-02. Retrieved 2011-09-22.
10. "嵊州新闻网-中国根雕艺术精品展". Sznews.zjol.com.cn. Retrieved 2011-09-22.
11. "根雕艺术概述". Craaw.com. Archived from the original on 2012-04-02. Retrieved 2011-09-22.

External links