Robert Cobert (October 26, 1924 – February 19, 2020) was an American composer who worked in television and films. He is best known for his work with producer/director Dan Curtis, notably the scores for the 1966–71 ABC-TV gothic fiction soap opera Dark Shadows and the TV mini-series The Winds of War (1983) and its sequel War and Remembrance (1988), for which he received an Emmy Awards nomination. Together, the latter two scores constitute the longest film music ever written for a film.[1]
Early years
As a clarinet and saxophone player, he worked summers with a five-piece band in the Catskills' "Borscht Belt" during his college years. Cobert also played clubs in Manhattan, studied for a year at the Juilliard School, and did radio arranging for WOR-Mutual. He also did some early "ghosting," creating industrial-documentary scoring for established commercial composers.[2]
He composed several pieces for American violist John Peskey, including "Concert Piece for Viola and Small Orchestra"; Peskey commissioned and premiered them with the South Dakota Symphony, plus "Contrasts for Viola and Cello", "3 Moods for 2 Violas", and "Music for Only One Lonely Viola" for Peskey.[citation needed]
Popular success
In September 1969, the original TV soundtrack to Dark Shadows, credited to the Robert Cobert Orchestra and featuring sixteen tracks written or co-written by Cobert, reached No. 18 on the Billboard 200 album chart. The song "Quentin's Theme" earned Cobert a Grammy nomination for Best Instrumental Composition, but lost to John Barry's theme to the film Midnight Cowboy (1969). A recording of "Quentin's Theme" by Charles Randolph Grean was released as a single, and in August 1969 it peaked at No. 13 on Billboard's Hot 100 and at No. 3 on its adult contemporary chart.[4]