Included in the Papal States since 774, Ancona came under the influence of the Holy Roman Empire around 1000, but gradually gained independence to become fully independent with the coming of the communes in the 11th century, under the high jurisdiction of the papal state.[5][6] Its motto was Ancon dorica civitas fidei ('Dorian Ancona, city of faith'), referencing the Greek foundation of the city.
Ancona was an oligarchicrepublic ruled by six Elders, elected by the three terzieri into which the city was divided: S. Pietro, Porto and Capodimonte. It had a series of maritime laws known as Statuti del mare e del Terzenale ('Statutes of the sea and of the arsenal') and Statuti della Dogana ('Statutes of the Customs').[7]
Maritime relations and warehouses
Trade routes and warehouses of the maritime republic of Ancona
The fondachi (colonies with warehouses and accommodation buildings[8]) of the Republic of Ancona were continuously active in Constantinople, Alexandria and other Eastern Mediterranean ports, while the sorting of goods imported by land (especially textiles and spices) fell to the merchants of Lucca and Florence.[9]
The first reports of Ancona's medieval coinage begin in the 12th century when the independence of the city grew and it began to mint coinage without Imperial or papal oversight.[12] The agontano was the currency used by Republic of Ancona during its golden age. It was a large silver coin of 18–22 mm in diameter and a weight of 2.04–2.42 grams.[13]
Later and less famously Ancona began minting a gold Agnoto coin, also known as the Ancona Ducat. Specimens of this coin have survived from the 15th and 16th centuries, until the cities loss of independence in 1532.[14]
Art
The artistic history of the republic of Ancona has always been influenced by maritime relations with Dalmatia and the Levant.[15][16]
Its major medieval monuments show a union between Romanesque and Byzantine art. Among the most notable are the Duomo, with a Greek cross and Byzantine sculptures, and the church of Santa Maria di Portonovo.[15]
In the 14th century, Ancona was one of the centers of the so-called Adriatic Renaissance, a movement spread between Dalmatia, Venice and the Marches, characterized by a rediscovery of classical art and a certain continuity with Gothic art. The greatest architect and sculptor of this artistic current was Giorgio da Sebenico; the greatest painter was Carlo Crivelli.[16]
Byzantine sculptures inside the cathedral
Prothyrum and bell tower of the cathedral
Interior of the cathedral, with Byzantine plan (Greek cross)
Cathedral, aerial view
Church of Santa Maria di Portonovo, whose plan is a fusion of a Byzantine Greek cross and a romanesque basilica
Grazioso Benincasa, Portolan chart of Mediterranean seaPortrait of Ciriacus of Ancona, the navigator-archaeologist (1459).
The navigator and archaeologist Cyriacus of Ancona, was a restlessly itinerant Italian navigator and humanist who came from a prominent family of merchants. He has been called the Father of Archaeology: "Cyriac of Ancona was the most enterprising and prolific recorder of Greek and Roman antiquities, particularly inscriptions, in the fifteenth century, and the general accuracy of his records entitles him to be called the founding father of modern classical archeology."[17] He was named by his fellow humanists "father of the antiquities", who made his contemporaries aware of the existence of the Parthenon, Delphi, the Pyramids, the Sphinx and other famous ancient monuments believed destroyed.[18]
The navigator Grazioso Benincasa was born in Ancona; he was the best known Italian maritime cartographer of the fifteenth century and the author of several portolan charts of the Mediterranean.[19]
History
After 1000, Ancona became increasingly independent, eventually turning into an important maritime republic, often clashing against the nearby power of Venice. Ancona always had to guard against the designs of both the Holy Roman Empire and the papacy. It never attacked other maritime cities, but was always forced to defend itself.[20] Despite a series of expeditions, trade wars and naval blockades, Venice never succeeded in subduing Ancona.[21]
It was strong enough to push back the forces of the Holy Roman Empire three times; the intention of the Empire was to reassert its authority not only over Ancona, but over all Italian communes: in 1137 the city was besieged by Emperor Lothair II, in 1167 by Emperor Frederick Barbarossa, and in 1174 the Empire tried again. In that year, Christian I, archbishop of Mainz, archchancellor of Barbarossa, allied with Venice, besieged Ancona, but was forced to retreat.[3] The Venetians deployed numerous galleys and the galleon Totus Mundus in the port of Ancona, while imperial troops laid siege from the land. After some months of dramatic resistance, the Anconitans were able to send a small contingent to Emilia-Romagna to ask for help. Troops from Ferrara and Bertinoro arrived to save the city and repelled the imperial troops and the Venetians in battle.[20] One of the protagonists of the siege of 1174 was the widow Stamira, who showed great courage by setting fire to the war machines of the besieger with an axe and a torch.[22]
In the struggle between the popes and the Holy Roman emperors that troubled Italy from the 12th century onwards, Ancona sided with the Guelphs.[20]
Originally named Communitas Anconitana (Latin for 'Anconitan community'), Ancona had an independence de facto: Pope Alexander III (around 1100–1181) declared it a free city within the Papal States; Pope Eugene IV confirmed the legal position defined by his predecessor and on September 2, 1443 officially declared it a republic, with the name Respublica Anconitana;[20][23] almost simultaneously Ragusa was officially called "republic",[24] confirming the fraternal bond that united the two Adriatic ports.
Unlike other cities of central and northern Italy, Ancona never became a seignory. The Malatesta took the city in 1348 taking advantage of the black death and of a fire that had destroyed many of its important buildings. The Malatesta were ousted in 1383.[3]
Pope Clement VII, under the false pretext of an imminent attack on the city by the Turks, offered to have new fortification of the Citadel on Colle Astagno built at the papacy's expense, sending the architect Antonio da Sangallo the Younger. The pretext was used by papal troops as a Trojan horse for the occupation of the city that the Pope, anxious to replenish the empty coffers of the papacy after the Sack of Rome, had sold to the Cardinal of Ravenna Benedetto Accolti for a sum between 5700 ducats of gold and 20,000 gold scudi a year. On 19 September 1532, Ancona was occupied and, due to the cannons of the Citadel aimed at the city and its main access roads, was forced to unconditionally surrender its independence; with an ante litteram coup d'état, Pope Clement VII put an end to de facto freedom, thus placing the city under the direct dominion of the Papal States.[3]
Communities in the Republic
Port of Ancona (16th century).Benvenuto Stracca, De mercatura.
Ancona had Greek, Albanian, Dalmatian, Armenian, Turkish and Jewish communities.[25]
Ancona, as well as Venice, became a very important destination for merchants from the Ottoman Empire during the 16th century. The Greeks formed the largest of the communities of foreign merchants. They were refugees from former Byzantine or Venetian territories that were occupied by the Ottomans in the late 15th and 16th centuries. The first Greek community was established in Ancona early in the 16th century. At the opening of the 16th century there were 200 Greek families in Ancona.[26] Most of them came from northwestern Greece, i.e. the Ionian islands and Epirus. In 1514, Dimitri Caloiri of Ioannina obtained reduced custom duties for Greek merchants coming from the towns of Ioannina, Arta and Avlona in Epirus. In 1518 a Jewish merchant of Avlona succeeded in lowering the duties paid in Ancona for all "the Levantine merchants, subjects to the Turk".[27]
In 1531 the Confraternity of the Greeks (Confraternita dei Greci) was established which included Eastern Orthodox and Catholic Greeks. They secured the use of the Church of St. Anna dei Greci and were granted permission to hold services according to the Greek and the Latin rite. The church of St. Anna had existed since the 13th century, initially as "Santa Maria in Porta Cipriana," on ruins of the ancient Greek walls of Ancona.[27]
In 1534 a decision by Pope Paul III favoured the activity of merchants of all nationalities and religions from the Levant and allowed them to settle in Ancona with their families. A Venetian travelling through Ancona in 1535 recorded that the city was "full of merchants from every nation and mostly Greeks and Turks." In the second half of the 16th century, the presence of Greek and other merchants from the Ottoman Empire declined after a series of restrictive measures taken by the Italian authorities and the pope.[27]
Disputes between the Eastern Orthodox and Catholic Greeks of the community were frequent and persisted until 1797 when the city was occupied by the French, who closed all the religious confraternities and confiscated the archive of the Greek community. The French would return to the area to reoccupy it in 1805–1806. The church of St. Anna dei Greci was re-opened to services in 1822. In 1835, in the absence of a Greek community in Ancona, it passed to the Latin Church.[28][29]
Commercial law
During the time of the Republic of Ancona (11th to 16th century), Commercial law evolved to support its maritime trade, which was central to its economy and independence. Ancona’s legal framework was particularly influenced by its status as a maritime republic and its competitive but cooperative relationship with other Adriatic trading powers like Venice and Ragusa. This period saw Ancona prioritizing merchant rights and contract standardization, essential for facilitating commerce with the Byzantine Empire and the Levant.
Key documents from the period highlight the use of notary records to validate trade agreements and safeguard merchants' investments. Benvenuto Stracca, a notable 16th-century jurist from Ancona, was an important reference in formalizing commercial legal principles. His work, De Mercatura (1553), is regarded as one of the earliest comprehensive treatises on Commercial law, particularly relevant for guiding the conduct of merchants and the framework for contracts within and beyond Ancona’s borders.[30]
These practices, and the legal protections afforded to trade, enabled Ancona to sustain a significant degree of autonomy and economic success until it was ultimately absorbed by the Papal States in 1532, marking the end of its independent commercial legal system.
Alliance with Ragusa
Carlo Crivelli, Madonna con Bambino, Civic Art Gallery of Ancona
Commercial competition among Venice, Ancona and Ragusa was very strong because all of them bordered the Adriatic Sea. They fought open battles on more than one occasion. Venice, aware of its major economic and military power, disliked competition from other maritime cities in the Adriatic. Several Adriatic ports were under Venetian rule, but Ancona and Ragusa retained their independence. To avoid succumbing to Venetian rule, these two republics made multiple lasting alliances.
Venice conquered Ragusa in 1205 and held it until 1382 when Ragusa regained de facto freedom, paying tributes first to the Hungarians, and after the Battle of Mohács, to the Ottoman Empire. During this period Ragusa reconfirmed its old alliance with Ancona.
Peter Earle (1969), "The commercial development of Ancona, 1479–1551", Economic History Review, 2nd ser., vol. 22, pp. 28–44
Joachim-Felix Leonhard, Ancona nel Basso Medioevo. La politica estera e commerciale dalla prima crociata al secolo XV Il lavoro editoriale, Ancona 1992 (original edition: Die Seestadt Ancona im Spätmittelalter, Niemeyer Max Verlag GmbH, 1983);
^James Reddie, Historical View of the Law of Maritime Commerce, W. Blackwood and sons, 1841.
^These were small gated enclaves within a city, often just a single street, where the laws of the city were administered by a governor appointed from home, and there would be a church under home jurisdiction and shops with Italian styles of food.
^ abGuglielmo Heyd, Le colonie commerciali degli Italiani in Oriente nel Medioevo, volume 1; Antonelli, 1868.
The Italian cartographers of the Benincasa and Freducci Families and the so-called Borgiana Map of the Vatican Library, in Imago Mundi, X (1953), pp. 23–45
^ abcdMario Natalucci, Ancona attraverso i secoli – Dalle origini alla fine del Quattrocento, Unione arti grafiche, 1961.
^Justine Firnhaber-Baker, Dirk Schoenaers, The Routledge History Handbook of Medieval Revolt, Taylor & Francis, 2016 (p. 143).
^The act, with the name of Liber croceus magnus, is preserved at Ancona State Archive
^ Josip Vrandečić, Miroslav Bertoša, Dalmacija, Dubrovnik i Istra u ranome novom vijeku , Barbat, 2007 (page 17); James Stewart, Croatia , New Holland Publishers, 2006 (page 285)
^Marina Massa, Il patrimonio disperso: il "caso" esemplare di Carlo Crivelli, Regione Marche, 1999 (page 214).
^Rentetzi Efthalia (2007) La chiesa di Sant' Anna dei Greci di Ancona. Thesaurismata (Instituto Ellenico di Studi Bizantini e Postbizantini di Venezia), vol. 37.
.svg)
.jpg)
.jpg)
