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Rear Window

Rear Window
Theatrical release poster
Directed byAlfred Hitchcock
Screenplay byJohn Michael Hayes
Based on"It Had to Be Murder"
1942 story in Dime Detective
by Cornell Woolrich
Produced byAlfred Hitchcock
Starring
CinematographyRobert Burks
Edited byGeorge Tomasini
Music byFranz Waxman
Production
company
Patron Inc.
Distributed byParamount Pictures[N 1]
Release dates
  • August 4, 1954 (1954-08-04) (New York City)
  • September 1, 1954 (1954-09-01) (United States)
Running time
111 minutes
CountryUnited States
LanguageEnglish
Budget$1 million
Box office$37 million[3]

Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrich's 1942 short story "It Had to Be Murder". Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, and Raymond Burr. It was screened at the 1954 Venice Film Festival.

Rear Window is considered by many filmgoers, critics, and scholars to be one of Hitchcock's best,[4] as well as one of the greatest films ever made. It received four Academy Award nominations, and was ranked number 42 on AFI's 100 Years...100 Movies list and number 48 on the 10th-anniversary edition, and in 1997 was added to the United States National Film Registry in the Library of Congress as being "culturally, historically, or aesthetically significant."[5][6]

Plot

While recuperating after breaking his leg, a professional photographer, L. B. "Jeff" Jefferies, is confined to a wheelchair in his apartment in Greenwich Village, Manhattan. His rear window looks out onto a courtyard and other apartments. During an intense heat wave, he watches his neighbors, who keep their windows open to stay cool. They include a lonely woman, whom Jeff nicknames "Miss Lonelyhearts"; a newlywed couple; a composing pianist; a pretty dancer, nicknamed "Miss Torso"; a middle-aged couple, whose small dog likes digging in the flower garden; and Lars Thorwald, a traveling costume-jewelry salesman with a bedridden wife.

James Stewart as L. B. Jefferies

Jeff is visited regularly by Lisa Fremont, his socialite girlfriend, and by a nurse, Stella. One night, after an argument with Lisa, Jeff is alone in his apartment and hears a woman scream "Don't!" and the sound of breaking glass. Later that night, during a thunderstorm, he observes Thorwald making repeated excursions carrying a suitcase. Later, after Jeff dozes off, Thorwald leaves his apartment along with a woman. The next morning, Jeff notices that Thorwald's wife is gone, and sees him cleaning a large knife and handsaw. Thorwald also has moving-men haul away a large trunk. Jeff becomes convinced that Thorwald has murdered his wife, and tells Lisa and Stella, who believe him when they notice that Thorwald's wife isn't in bed anymore. Jeff calls his friend and war buddy Tom Doyle, a New York City Police detective, and asks him to investigate Thorwald. Doyle finds nothing suspect: apparently Mrs. Thorwald is upstate.

Soon after, the neighbor's dog is found dead. The distraught owner yells and all the neighbors runs to their windows to see what the yelling is about—except Thorwald, who sits quietly in his dark apartment, smoking a cigar. Certain that Thorwald killed the dog, Jeff telephones him to lure him away so that Stella and Lisa can investigate. He believes that Thorwald buried something in the flower bed and killed the dog because it was digging there. When Thorwald leaves, Lisa and Stella dig up the flowers, only to find nothing there.

Much to Jeff's amazement and admiration, Lisa climbs up the fire escape to Thorwald's apartment and clambers in through an open window. Jeff and Stella get distracted when they see Miss Lonelyhearts take out some pills and write a note, apparently about to commit suicide. They call the police; but, before they can report the suicide attempt, Miss Lonelyhearts stops, opening the window to listen to the pianist's music. Thorwald returns and confronts Lisa, and Jeff realizes that Thorwald is going to kill her. He calls the police and reports an assault in progress. The police arrive and arrest Lisa when Thorwald indicates that she broke in to his apartment. Jeff sees Lisa coyly pointing to her finger with Mrs. Thorwald's wedding ring on it. Thorwald sees this also and, realizing that she is signaling someone, spots Jeff across the courtyard.

Jeff phones Doyle and leaves an urgent message while Stella goes to bail Lisa out of jail. When his phone rings, Jeff assumes it is Doyle, and blurts out that the suspect has left. When no one responds, he suspects that it was Thorwald calling. Thorwald enters Jeff's dark apartment and Jeff fires a series of camera flashbulbs to temporarily blind him. Thorwald pushes Jeff out the window and Jeff, hanging on, yells for help. Police enter the apartment, Jeff falls, and officers on the ground break his fall. Thorwald confesses to the police that he murdered his wife.

A few days later, normality returns to the neighborhood. The couple whose dog was killed have a new puppy, the newlyweds are having their first argument, Miss Torso's boyfriend comes back from the army, Miss Lonelyhearts starts seeing the pianist, and Thorwald's apartment is being refurbished. Jeff rests in his wheelchair, now with casts on both legs. Beside him, Lisa reads a book, Beyond the High Himalayas. After seeing that Jeff is sleeping, Lisa happily opens a fashion magazine.

Cast

James Stewart and Grace Kelly

Uncredited

Cast notes

Production

Stewart, Kelly, and Hitchcock on set

The film was shot entirely at Paramount Studios, which included an enormous indoor set to replicate a Greenwich Village courtyard. Set designers Hal Pereira and Joseph MacMillan Johnson spent six weeks building the extremely detailed and complex set, which ended up being the largest of its kind at Paramount. One of the unique features of the set was its massive drainage system, constructed to accommodate the rain sequence in the film. They also built the set around a highly nuanced lighting system which was able to create natural-looking lighting effects for both the day and night scenes. Though the address given in the film is 125 W. Ninth Street in New York's Greenwich Village, the set was actually based on a real courtyard located at 125 Christopher Street.[citation needed]

In addition to the meticulous care and detail put into the set, careful attention was also given to sound, including the use of natural sounds and music that would drift across the courtyard and into Jefferies' apartment. At one point, the voice of Bing Crosby can be heard singing "To See You Is to Love You," originally from the 1952 Paramount film Road to Bali. Also heard on the soundtrack are versions of songs popularized earlier in the decade by Nat King Cole ("Mona Lisa", 1950) and Dean Martin ("That's Amore", 1952), along with segments from Leonard Bernstein's score for Jerome Robbins' ballet Fancy Free (1944), Richard Rodgers' song "Lover" (1932), and "M'appari tutt'amor" from Friedrich von Flotow's opera Martha (1844), most borrowed from Paramount's music publisher, Famous Music.

Hitchcock used costume designer Edith Head on all of his Paramount films.

Although veteran Hollywood composer Franz Waxman is credited with the score for the film, his contributions were limited to the opening and closing titles and the piano tune ("Lisa"). This was Waxman's final score for Hitchcock. The director used primarily "diegetic" sounds—sounds arising from the normal life of the characters—throughout the film.[8]

Release

Theatrical

Original trailer for the 1968 re-release of Rear Window (1954)

On August 4, 1954, a "benefit world premiere" was held for the film, with United Nations officials and "prominent members of the social and entertainment worlds" at the Rivoli Theatre in New York City,[9] with proceeds going to the American–Korean Foundation (an aid organization founded soon after the end of the Korean War.[10] and headed by Milton S. Eisenhower, brother of President Eisenhower).

The movie had a wide release on September 1, 1954.[citation needed]

Home media

On September 25, 2012, Universal Studios Home Entertainment released Rear Window for the first time on Blu-ray as part of the "Alfred Hitchcock: The Masterpiece Collection". This edition included numerous supplemental features such as an audio commentary from John Fawell, excerpts from Hitchcock's interview with François Truffaut, two theatrical trailers, and an interview with the film's screenwriter John Michael Hayes.[11]

On May 6, 2014, Universal Pictures Home Entertainment re-released Rear Window on Blu-ray with the same supplemental features.[12]

Reception

Box office

During its initial theatrical run, Rear Window earned $5.3 million in North American box office rentals.[13]

Critical response

Drive-in advertisement from 1954

Bosley Crowther of The New York Times called the film a "tense and exciting exercise" and deemed Hitchcock as a director whose work has a "maximum of build-up to the punch, a maximum of carefully tricked deception and incidents to divert and amuse." Crowther also noted that "Mr. Hitchcock's film is not 'significant.' What it has to say about people and human nature is superficial and glib, but it does expose many facets of the loneliness of city life, and it tacitly demonstrates the impulse of morbid curiosity. The purpose of it is sensation, and that it generally provides in the colorfulness of its detail and in the flood of menace toward the end."[9] Variety called the film "one of Alfred Hitchcock's better thrillers" which "combines technical and artistic skills in a manner that makes this an unusually good piece of murder mystery entertainment."[14] The film ranked fifth on Cahiers du Cinéma's Top 10 Films of the Year List in 1955.[15]

Time called it "just possibly the second-most entertaining picture (after The 39 Steps) ever made by Alfred Hitchcock" and a film in which there is "never an instant ... when Director Hitchcock is not in minute and masterly control of his material." The reviewer also noted the "occasional studied lapses of taste and, more important, the eerie sense a Hitchcock audience has of reacting in a manner so carefully foreseen as to seem practically foreordained."[16] Harrison's Reports named the film as a "first-rate thriller" that is "strictly an adult entertainment, but it should prove to be a popular one." They further added, "What helps to make the story highly entertaining is the fact that it is enhanced by clever dialogue and by delightful touches of comedy and romance that relieve the tension."[17]

Nearly 30 years after the film's initial release, Roger Ebert reviewed the re-release by Universal Pictures in October 1983, after Hitchcock's estate was settled. He said the film "develops such a clean, uncluttered line from beginning to end that we're drawn through it (and into it) effortlessly. The experience is not so much like watching a movie, as like ... well, like spying on your neighbors. Hitchcock traps us right from the first ... And because Hitchcock makes us accomplices in Stewart's voyeurism, we're along for the ride. When an enraged man comes bursting through the door to kill Stewart, we can't detach ourselves, because we looked too, and so we share the guilt and in a way we deserve what's coming to him."[18] In 1983, reviewing the film Vincent Canby wrote "Its appeal, which goes beyond that of other, equally masterly Hitchcock works, remains undiminished."[19]

The review aggregator website Rotten Tomatoes reports an approval rating of 98% based on 130 reviews, with an average rating of 9.30/10. The critics' consensus states that "Hitchcock exerted full potential of suspense in this masterpiece."[4] At Metacritic, the film has a weighted average score of a very rare perfect 100 out of 100 based on 18 critics, indicating "universal acclaim".[20] In his 2012 review of the film, Killian Fox of The Guardian wrote: "Hitchcock made a career out of indulging our voyeuristic tendencies, and he never excited them more skilfully, or with more gleeful self-awareness, than in Rear Window".[21]

Awards and honors

Date of ceremony Award Category Subject Result
August 22 to September 7, 1954 Venice Film Festival Golden Lion Alfred Hitchcock Nominated
December 20, 1954 National Board of Review Awards Best Actress Grace Kelly Won
January 1955 NYFCC Awards Best Actress Grace Kelly Won
Best Director Alfred Hitchcock 2nd place
February 13, 1955 DGA Award Outstanding Achievement in Feature Film Alfred Hitchcock Nominated
February 28, 1955 Writers Guild of America Awards Best Written American Drama John Michael Hayes Nominated
March 10, 1955 BAFTA Award Best Film Rear Window Nominated
March 30, 1955 Academy Awards Best Director Alfred Hitchcock Nominated
Best Adapted Screenplay John Michael Hayes Nominated
Best Cinematography – Color Robert Burks Nominated
Best Sound – Recording Loren L. Ryder Nominated
April 21, 1955 Edgar Allan Poe Awards Best Motion Picture Screenplay John Michael Hayes Won
November 18, 1997 National Film Preservation Board National Film Registry Rear Window Won
2002 Online Film & Television Association Award OFTA Film Hall of Fame – Motion Picture Rear Window Won

Analysis

In Laura Mulvey's essay "Visual Pleasure and Narrative Cinema," she identifies what she sees as voyeurism and scopophilia in Hitchcock's movies, with Rear Window used as an example of how she sees cinema as incorporating the patriarchy into the way that pleasure is constructed and signaled to the audience. Additionally, she sees the "male gaze" as especially evident in Rear Window in characters such as the dancer "Miss Torso;" she is both a spectacle for Jeff to enjoy, as well as for the audience (through his substitution).[22]

In his book Alfred Hitchcock's "Rear Window", John Belton further addresses the underlying issues of voyeurism which he asserts are evident in the film. He says "Rear Window's story is 'about' spectacle; it explores the fascination with looking and the attraction of that which is being looked at."[23]

In his 1954 review of the film, François Truffaut suggested "this parable: The courtyard is the world, the reporter/photographer is the filmmaker, the binoculars stand for the camera and its lenses."[24]

Voyeurism

John Fawell notes in Dennis Perry's book Hitchcock and Poe: The Legacy of Delight and Terror that Hitchcock "recognized that the darkest aspect of voyeurism . . . is our desire for awful things to happen to people . . . to make ourselves feel better, and to relieve ourselves of the burden of examining our own lives."[25] Hitchcock challenges the audience, forcing them to peer through his rear window and become exposed to, as Donald Spoto calls it in his 1976 book The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures, the "social contagion" of acting as voyeur.[26]

In an explicit example of a condemnation of voyeurism, Stella expresses her outrage at Jeffries' voyeuristic habits, saying, "In the old days, they'd put your eyes out with a red hot poker" and "What people ought to do is get outside and look in for a change."

One climactic scene in the film portrays both the positive and negative effects of voyeurism. Driven by curiosity and incessant watching, with Jeff watching from his window, Lisa sneaks into Thorwald's second-floor apartment, looking for clues, and is apprehended by him. Jeff is in obvious anxiety and is overcome with panic as he sees Thorwald walk into the apartment and notice the irregular placement of the purse on the bed. Jeff anxiously jitters in his wheelchair, and grabs his telephoto camera to watch the situation unfold, eventually calling the police because Miss Lonelyhearts is contemplating suicide in the neighboring apartment. Chillingly, Jeff watches Lisa in Thorwald's apartment rather than keeping an eye on the woman about to commit suicide. Thorwald turns off the lights, shutting off Jeff's sole means of communication with and protection of Lisa; Jeff still pays attention to the pitch-black apartment instead of Miss Lonelyhearts. The tension Jeff feels is unbearable and acutely distressing as he realizes that he is responsible for Lisa now that he cannot see her. The police go to the Thorwald apartment, the lights flicker on, and any danger coming toward Lisa is temporarily dismissed. Although Lisa is taken to jail, Jeff is utterly mesmerized by her dauntless actions.

With further analysis, Jeff's positive evolution understandably would be impossible without voyeurism—or as Robin Wood puts it in his 1989 book Hitchcock's Films Revisited, "the indulging of morbid curiosity and the consequences of that indulgence."[27]

Legacy

Ownership of the copyright in Woolrich's original story was eventually litigated before the Supreme Court of the United States in Stewart v. Abend.[28] The film was copyrighted in 1954 by Patron Inc., a production company set up by Hitchcock and Stewart. As a result, Stewart and Hitchcock's estate became involved in the Supreme Court case, and Sheldon Abend became a producer of the 1998 remake of Rear Window.

In 1997, Rear Window was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". By this time, the film interested other directors with its theme of voyeurism, and other reworkings of the film soon followed, which included Brian De Palma's 1984 film Body Double and Phillip Noyce's 1993 film Sliver. In 1998 Time Out magazine conducted a poll and Rear Window was voted the 21st greatest film of all time.[29] In the British Film Institute's 2012 Sight & Sound polls of the greatest films ever made, Rear Window was ranked 53rd among critics[30] and 48th among directors.[31] In the 2022 edition of the magazine's Greatest films of all time list the film ranked 38th in the critics poll.[32] In 2017 Empire magazine's readers' poll ranked Rear Window at No. 72 on its list of The 100 Greatest Movies.[33] In 2022, Time Out magazine ranked the film at No. 26 on their list of "The 100 best thriller films of all time".[34]

Rear Window was restored by the team of Robert A. Harris and James C. Katz for its 1999 limited theatrical re-release (using Technicolor dye-transfer prints for the first time in this title's history) and the Collector's Edition DVD release in 2000.[citation needed][35]

American Film Institute included the film as number 42 in AFI's 100 Years...100 Movies,[36] number 14 in AFI's 100 Years...100 Thrills,[37] number 48 in AFI's 100 Years...100 Movies (10th Anniversary Edition)[38] and number three in AFI's 10 Top 10 (Mysteries).[39]

Rear Window was remade as a TV movie of the same name in 1998, with an updated storyline in which the lead character is paralyzed and lives in a high-tech home filled with assistive technology. Actor Christopher Reeve, himself paralyzed as a result of a 1995 horse-riding accident, was cast in the lead role. The telefilm also starred Daryl Hannah, Robert Forster, Ruben Santiago-Hudson, and Anne Twomey.

Rear Window has directly influenced plot elements and themes of numerous Brian De Palma films, particularly Hi, Mom! (1970), Sisters (1972), Dressed to Kill (1980), and Body Double (1984).[40][41][42]

Disturbia (2007) is a modern-day retelling, with the protagonist (Shia LaBeouf) under house arrest instead of laid up with a broken leg, and who believes that his neighbor is a serial killer rather than having committed a single murder. On September 5, 2008, the Sheldon Abend Trust sued Steven Spielberg, DreamWorks, Viacom, and Universal Studios, alleging that the producers of Disturbia violated the copyright to the original Woolrich story owned by Abend.[43][44] On September 21, 2010, the U.S. District Court in Abend v. Spielberg, 748 F.Supp.2d 200 (S.D.N.Y. 2010), ruled that Disturbia did not infringe the original Woolrich story.[45]

In February 2008, the film was referenced as a part of Variety's The 2008 Hollywood Portfolio: Hitchcock Classics spread, with Scarlett Johansson and Javier Bardem as Lisa and Jeff, respectively.[46]

See also

References

Informational notes

  1. ^ After the film's release, Paramount transferred the distribution rights to Hitchcock's estate, where they were acquired by Universal Pictures in 1983.[1][2]

Citations

  1. ^ McGilligan, Patrick (2003). Alfred Hitchcock: A Life in Darkness and Light. Wiley. p. 653.
  2. ^ Rossen, Jake (February 5, 2016). "When Hitchcock Banned Audiences from Seeing His Movies". Mental Floss. Retrieved September 9, 2020.
  3. ^ "Rear Window (1954)". Box Office Mojo. Retrieved April 12, 2012.
  4. ^ a b "Rear Window (1954)". Rotten Tomatoes. Fandango Media. Retrieved August 13, 2019.
  5. ^ "Complete National Film Registry Listing". Library of Congress. Retrieved May 8, 2020.
  6. ^ "New to the National Film Registry (December 1997) - Library of Congress Information Bulletin". www.loc.gov. Retrieved August 6, 2020.
  7. ^ a b c d e f g h i j k l m n Rear Window at the American Film Institute Catalog
  8. ^ DVD documentary
  9. ^ a b Crowther, Bosley (August 5, 1954). "A 'Rear Window' View Seen at the Rivoli". The New York Times.
  10. ^ "Statement by the President on the fund-raising campaign of the American–Korean Foundation". University of California, Santa Barbara.
  11. ^ Universal Pictures Home Entertainment (June 21, 2012). "From Universal Studios Home Entertainment: Alfred Hitchcock: The Masterpiece Collection" (Press release). PR Newswire. Retrieved September 13, 2020.
  12. ^ "Rear Window Blu-ray". Blu-ray.com. March 18, 2014. Retrieved September 13, 2020.
  13. ^ "1954 Boxoffice Champs". Variety. January 5, 1955. p. 59. Retrieved September 13, 2020 – via Internet Archive.
  14. ^ "Film Reviews: Rear Window". Variety. July 14, 1954. p. 6. Retrieved September 13, 2020 – via Internet Archive.
  15. ^ Johnson, Eric C. "Cahiers du Cinema: Top Ten Lists 1951-2009". alumnus.caltech.edu. Archived from the original on March 27, 2012. Retrieved December 17, 2017.
  16. ^ "Cinema: The New Pictures". Time. Vol. 64, no. 5. August 2, 1954. Retrieved September 13, 2020.
  17. ^ "'Rear Window' with James Stewart, Grace Kelly, and Thelma Ritter". Harrison's Reports. July 15, 1954. p. 115. Retrieved September 13, 2020.
  18. ^ Ebert, Roger (October 7, 1983). "Rear Window (1954)". Chicago Sun-Times. Retrieved September 13, 2020 – via RogerEbert.com.
  19. ^ "'Rear Window' - Still a joy". New York Times. October 9, 1983.
  20. ^ "Rear Window Reviews". Metacritic. CBS Interactive. Retrieved June 10, 2019.
  21. ^ Fox, Killian (July 25, 2012). "My favourite Hitchcock: Rear Window". The Guardian.
  22. ^ Mulvey, Laura (1975). "Visual Pleasure and Narrative Cinema". Screen. 16 (3): 6–18. doi:10.1093/screen/16.3.6.
  23. ^ Belton, John (2002). "Introduction: Spectacle and Narrative". In Belton, John (ed.). Alfred Hitchcock's 'Rear Window'. Cambridge University Press. p. 1. ISBN 978-0-521-56423-6. OCLC 40675056.
  24. ^ Truffaut, François (2014). The Films in My Life. New York, NY: Diversion Books. p. 123. ISBN 978-1-62681-396-0.
  25. ^ Perry, Dennis (2003). Hitchcock and Poe: the Legacy of Delight and Terror. Maryland: The Scarecrow Press, Inc. pp. 135–153. ISBN 978-0-8108-4822-1.
  26. ^ Spoto, Donald (1976). The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures. Garden City, N.Y.: Doubleday & Company, Inc. pp. 237–249. ISBN 978-0-385-41813-3.
  27. ^ Wood, Robin (1989). Hitchcock's Films Revisited. New York: Columbia University Press. pp. 100–107. ISBN 978-0-231-12695-3.
  28. ^ Stewart v. Abend, 495 U.S. 207 (1990).
  29. ^ "Top 100 Films (Readers)". AMC Filmsite.org. American Movie Classics Company. Archived from the original on July 18, 2014. Retrieved August 17, 2010.
  30. ^ "Critics' Top 100". Sight & Sound. British Film Institute. 2012. Archived from the original on February 7, 2016.
  31. ^ "Directors' Top 100". Sight & Sound. British Film Institute. 2012.
  32. ^ "The Greatest Films of All Time". bfi.org.
  33. ^ "The 100 Greatest Movies". Archived from the original on July 6, 2018. Retrieved March 20, 2018.
  34. ^ "The 100 best thriller films of all time". Time Out. March 23, 2022.
  35. ^ Harris, Robert, and John Belton. Getting It Right: Robert Harris on Colour Restoration. Film History.{{cite book}}: CS1 maint: multiple names: authors list (link)
  36. ^ AFI 100 Years...100 Movies
  37. ^ American Film Institute's 100 Years, 100 Thrills (winners)
  38. ^ "AFI 100 Years...100 Movies". Archived from the original on April 14, 2014. Retrieved July 14, 2021.
  39. ^ "AFI's 10 Top 10". American Film Institute. 2016. Retrieved August 23, 2016.
  40. ^ Brody, Richard. "Hi, Mom!". The New Yorker. Retrieved February 19, 2024.
  41. ^ Hoberman, J. "'Sisters' Isn't 'Psycho,' but It's a Lacerating Spin on Hitchcock". The New York Times. Retrieved February 19, 2024.
  42. ^ Starkey, Arun (August 13, 2022). "How Alfred Hitchcock influenced Brian De Palma". faroutmagazine.co.uk. Retrieved February 19, 2024.
  43. ^ Edith Honan (September 8, 2008). "Spielberg ripped off Hitchcock Classic". Reuters. Archived from the original on January 22, 2012. Retrieved September 8, 2008.
  44. ^ Chad Bray (September 9, 2008). "2nd UPDATE: Trust Files Copyright Lawsuit Over Disturbia". CNN Money. Retrieved September 8, 2008.[dead link]
  45. ^ "Rear Window copyright claim rejected". BBC News. September 22, 2010.
  46. ^ Vanity Fair photograph

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Upcoming multi-sport event Games of the XXXVI OlympiadSummer← Brisbane 2032TBD 2040 → Winter← TBD 2034TBD 2038 → 2036 Summer Paralympics The 2036 Summer Olympics, officially known as the Games of the XXXVI Olympiad, is a forthcoming international multi-sport event. Bidding process The new IOC bidding process was approved at the 134th IOC Session on 24 June 2019 in Lausanne, Switzerland. The key proposals, driven by the relevant recommendations from Oly…

Louis Godet de La RibouillerieFonctionsPrésident du conseil général de la Vendée18 avril 1887 - 19 août 1889Baptiste GuinaudeauGabriel de La Tour du Pin Chambly de La Charce (d)Député de la Vendée4 octobre 1885 - 11 novembre 1889Député de la Vendée8 février 1871 - 7 mars 1876Maire de L'HermenaultBiographieNaissance 4 avril 1828Château de L'HermenaultDécès 5 janvier 1900 (à 71 ans)Château de L'HermenaultNationalité françaiseActivité Homme politiqueParentèle Louis Gabriel…

Overview of religion in Sweden Religious affiliation in Sweden (2021)[1][2][3]   Church of Sweden (Lutheran) (53.2%)  Other Protestants (3.5%)  Eastern Orthodox (1.5%)  Catholic Church (1.2%)  Other Christian (0.2%)  Islam (2.1%)  Other religions (0.4%)  No religion (37.9%) Side view of Uppsala Cathedral, the headquarters of the Church of Sweden. Religion in Sweden has, over the years, become …

2007 single by Flex Te QuieroSingle by Flexfrom the album Te Quiero: Romantic Style in da World ReleasedSeptember 28, 2007GenreReggaetonLength3:17LabelEMI LatinSongwriter(s)Félix Danilo GómezProducer(s)Elian DavisPredikadorFlex singles chronology Te Quiero (2007) Escápate (2007) Te Quiero (English: I Love You) is the debut single by Panamanian singer Flex from his debut studio album Te Quiero: Romantic Style in da World released on September 28, 2007. In 2008, the number serves as main-th…

American college football season This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.Find sources: 1988 West Virginia Mountaineers football team – news · newspapers · books · scholar · JSTOR (June 2008) (Learn how and when to remove this template message) 1988 West Virginia Mountaineers footballEastern championFiesta Bowl, L 21…

Emmanuel Adebayor Adebayor pada tahun 2010Informasi pribadiNama lengkap Sheyi Emmanuel Adebayor[1]Tanggal lahir 26 Februari 1984 (umur 39)[2]Tempat lahir Lomé, TogoTinggi 1,91 m (6 ft 3 in)[2]Posisi bermain PenyerangKarier junior1998–1999 OC Agaza1999–2001 MetzKarier senior*Tahun Tim Tampil (Gol)2001–2003 Metz 44 (15)2003–2006 Monaco 78 (18)2006–2009 Arsenal 104 (46)2009–2012 Manchester City 34 (15)2011 → Real Madrid (pinjaman) 14 (5)201…

此條目或章節為有关籌備中,拍攝中或待播的電視節目。未有可靠来源的臆測內容可能會被移除。目前記載或許與實際節目播出之內容有所出入,亦可能會隨節目的播出而變化並增添更多有效信息。 锦衣夜行Braveness of the Ming类型古装、愛情、战争原作月關《錦衣夜行》编剧白一驄导演鍾澍佳梁勝權主演張翰、朴敏英、徐正溪、魏千翔制作国家/地区 中国大陆语言漢語集数60集…

U.S. private philanthropic foundation Ruderman Family FoundationFounded2002; 21 years ago (2002)TypeInternational non-governmental organizationRegion served WorldwidePresidentJay RudermanWebsiterudermanfoundation.org The Ruderman Family Foundation is a private philanthropic foundation established in Boston, Massachusetts, United States, managed by the Ruderman family. The foundation operates in the US and in Israel in two main areas: inclusion of people with disabilities in soc…

Island group of Honduras Swan IslandsNative name: Islas SantanillaLittle Swan IslandSwan IslandsGeographyLocationCaribbean SeaCoordinates17°24′38″N 83°55′19″W / 17.41056°N 83.92194°W / 17.41056; -83.92194ArchipelagoBay IslandsArea3.1 km2 (1.2 sq mi)Administration HondurasDepartmentBay IslandsMunicipalityIslas de la BahiaDemographicsPopulation10 (2014) The Swan Islands (Spanish: Islas Santanilla or Islas del Cisne, named Islas de las Pozas b…

American television documentary series Big HistoryGenreEntertainmentNarrated byBryan CranstonCountry of originUnited StatesOriginal languageEnglishProductionRunning time30 minutes2 hour final episodeOriginal releaseNetworkH2ReleaseNovember 2 (2013-11-02) –December 28, 2013 (2013-12-28) Big History is an American television documentary series narrated by Bryan Cranston, which originally aired on H2 in 2013. It won the 35th Annual News & Documentary Emmy Award for Outstanding …

Indian politician This article is an orphan, as no other articles link to it. Please introduce links to this page from related articles; try the Find link tool for suggestions. (September 2023) Masood Asad Madani (born 1 April 1967) is an Indian politician and Deobandi leader who had served as a Minister of State in the ND Tiwari Ministry in Government of Uttarakhand from 2002 to 2007.[1] He is the younger brother of former Rajya Sabha Member, Mahmood Madani and son of Asad Madani.[2…

Geographic highland and cultural region in Pennsylvania, United States The PoconosView west from the Delaware Water Gap toward the Pocono Mountains in August 2013Highest pointPeakBig Pine HillElevation2,260–2,280 ft (690–690 m)Coordinates41°13′44″N 75°22′24″W / 41.2290°N 75.3734°W / 41.2290; -75.3734NamingEtymologyLenape term for stream between two mountains.GeographyLocation of the Pocono Mountains in Pennsylvania The Pocono Mountains, comm…

Енциклопедія позасонячних планетExtrasolar Planets Encyclopaedia Посилання exoplanet.euТип база даних і вебсайтМови англійськаВласник Паризька обсерваторіяАвтор Жан ШнайдерЗапочатковано лютий 1995Рейтинг Alexa 1 628 100[1] Енциклопедія позасонячних планет (англ. Extrasolar Planets Encyclopaedia[…

Soviet rock band This article is about the Soviet rock band. For the British progressive rock band, see Kino (British band). Aleksei Rybin redirects here. For for the Russian footballer, see Aleksey Rybin. Kino КиноBackground informationOriginLeningrad, Russian SFSR, Soviet Union(now Saint Petersburg, Russia)GenresPost-punk[1][2][3][4][5][6]new wave[5][1][3][4]Years active1981–1990reunions: 2012, 2021LabelsAnTr…

University in Odisha, India Rajendra UniversityPrajna ViharMottoआरोह तमसो ज्योतिःTypePublicEstablished3 July 1944 (as College); 1 September 2020 (as University)ChancellorGovernor of OdishaVice-ChancellorProf. Umaballava Mohapatra[1]LocationBalangir, Odisha, 767002, India20°42′08″N 83°28′02″E / 20.702142°N 83.467356°E / 20.702142; 83.467356CampusUrbanAffiliationsUGCWebsiterajendrauniversity.ac.in Rajendra University, former…

Mayor of DenverSeal of the City of DenverIncumbentMike Johnstonsince July 17, 2023StyleThe HonorableResidenceCablelandTerm lengthFour years, renewable twiceWebsitedenvergov.mayor This is a list of mayors of Denver, the capital and largest city of the U.S. state of Colorado.[1] Mayors of Denver can now serve three four-year terms.[2] List # Image Mayor Term 1 John C. Moore 1859–1861 2 Charles A. Cook 1861–1863 3 Amos Steck 1863–1864 4 Hiram J. Brendlinger 1864–1865 5 …

For other uses, see Los Olvidados (disambiguation). 1950 Mexican filmLos OlvidadosDirected byLuis BuñuelWritten byLuis AlcorizaLuis BuñuelProduced byÓscar DancigersStarringAlfonso MejíaStella IndaMiguel InclánRoberto CoboCinematographyGabriel FigueroaEdited byCarlos SavageMusic byRodolfo HalffterGustavo PittalugaDistributed byUltramar FilmsRelease dates 9 December 1950 (1950-12-09) (Mexico) April 1951 (1951-04) (Cannes) Running time76 minutes[1]Count…

Universidad Autónoma Metropolitana Unidad Cuajimalpa Sobrenombre UAM-CTipo Pública FederalFundación 26 de abril de 2005LocalizaciónDirección Prol. Vasco de Quiroga 4871, Col. Santa Fe. Deleg. Cuajimalpa de Morelos, C.P. 05348, México, D.F. Cerca del Hospital ABC de Prol. Vasco de Quiroga.Ciudad de México, Distrito Federal, MéxicoCoordenadas 19°21′09″N 99°16′57″O / 19.352497222222, -99.282447222222AdministraciónRector Dr. Octavio Mercado GonzálezPresupuesto $61…

Secretaría de Trabajo y Seguridad Social Siglas SETRASS Nivel de Gobierno Nacional Tipo de Organismo Secretaría de Estado Fundación 1957 Sede Tegucigalpa, M.D.C. Pertenece al Poder Ejecutivo de Honduras En el cargo Lesly Sarahí Cerna Sitio web [1] Secretaría de Trabajo y Seguridad Social de Honduras es el encargado de lo concerniente a la formulación, coordinación, ejecución y evaluación de las políticas de empleo, inclusive de los discapacitados, el salario, la formación de mano de o…

This article is about the men's team. For the women's team, see Mozambique women's national basketball team. Mozambique FIBA ranking109 10 (15 September 2023)[1]Joined FIBA1978FIBA zoneFIBA AfricaNational federationFederação Moçambicana de BasquetebolCoachMilagre MacomeOlympic GamesAppearancesNoneFIBA World CupAppearancesNoneAfroBasketAppearances14MedalsNoneAll Africa GamesAppearances3Medals Silver: (2011) Home Away The Mozambique national basketball team (Portuguese: seleção moçam…

1980 Montreal Alouettes seasonHead coachJoe ScannellaHome fieldOlympic StadiumResultsRecord8–8Division place2nd, EastPlayoff finishLost Eastern FinalUniform ← 1979 Alouettes seasons 1981 → The 1980 Montreal Alouettes finished the season in second place in the Eastern Conference with an 8–8 record. They appeared in the East Final, where they lost 24–13 to the Hamilton Tiger-Cats, ending their three-year reign as the East Conference representative in the Grey Cup. …

Knockout stage ran from October 8 to 23, culminating in the final at Eden Park, Auckland Main article: 2011 Rugby World Cup The knockout stage of the 2011 Rugby World Cup began on 8 October with a quarter-final between Ireland and Wales and concluded on 23 October with the final at Eden Park in Auckland. New Zealand were the first team to qualify for the knockout stage, when they beat France 37–17 in their penultimate Pool A game. New Zealand and France re-encountered in the final, that wa…

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