Private Life: The Compass Point Sessions is a compilation album constisting of recordings by recorded by Jamaican singer and songwriter Grace Jones released in 1998 by Island Records. The two-disc anthology consists mostly of material pulled from 1980–1982 recording sessions.
Private Life: The Compass Point Sessions contains long and extended version of Jones' hits, and although the CD booklet claims that these have not been issued before, most of them have in fact appeared on numerous CD re-issues around the world. Other tracks were remixed or re-edited by the PolyGram/Universalengineers in 1998 for this particular compilation, instead of using the many existing long or extended versions by original producers Chris Blackwell and Alex Sadkin that were released on vinyl in 1980–1982. The track "Living My Life" appears as an edited remix by Paul "Groucho" Smykle—dating from 1986, which the liner notes fail to mention. Another anomaly on the album is that it concludes with "Slave to the Rhythm", a track which was recorded in 1985, in London and with British producer Trevor Horn. Also the mix used, here renamed "Hot Blooded Version", is again an alternate 1998 re-mix/re-edit of the original 12" version entitled "Blooded".
For the Brazilian edition of the album, the "Best of" title was added to the original artwork.
The album receive favorable reviews from music critics. Stephen Thomas Erlewine from AllMusic website, gave the album four out of five stars and wrote that the album "unquestionably [has] Jones' best material" mainly because "she was supported by a top-notch studio band and produced by Sly Dunbar and Robbie Shakespeare". He opined that the album was of interest primarily to die-hard fans because casual hard fans will think that it has "too much Grace Jones in one place". Music critic Tom Hull gave the album a B+ (or three stars out of five) and wrote that the song "Bullshit" was the "major lost" in the album. Sasha Frere-Jones from SPIN magazine gave the album a favorable review and wrote that its songs "capture the vibe of early 1980's demilitarized zone between disco and hip hop".[2]
