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Pinetop Sparks
Pinetop Sparks
Birth name	Aaron Gant
Also known as	Aaron Sparks
Born	May 22, 1910; Corona, Lee County, Mississippi, U.S.
Origin	St. Louis, Missouri, U.S.
Died	November 5, 1935 (aged 25); St. Louis, Missouri, U.S.
Genres	Blues
Occupation	Pianist
Instrument	Piano

Aaron "Pinetop" Sparks (born Aaron Gant, May 22, 1910 – November 5, 1935)^[1] was an American blues pianist active in St. Louis in the early 1930s. He died in his twenties from either poisoning or exhaustion.

Career

Aaron and his twin brother, Marion "Lindberg" Sparks, were born in Corona, Lee County, Mississippi, to Sullie Gant and Ruth McWhorter. They later took the surname of their stepfather, Carl Sparks. In 1920, the family moved to St. Louis, where Pinetop had "rudimentary music education at school". He and his twin brother formed a group, with Aaron playing the piano in a boogie-woogie style and Marion singing.^[2] They were accompanied by the guitarist Pete Bogans and the trombone player Ike Rogers. The boys had a sister, Jimmie Lee, who never recorded songs but, according to Henry Townsend, had a wonderful singing voice. Townsend recalled in his memoir that Pinetop played, like all other St. Louis musicians, in the "speakeasy type places", such as Nettie's on Delmar Boulevard.^[3]

Their first recording session was in 1932, when they recorded a number of blues and boogie-woogie songs. Pinetop (who got his nickname from playing Pinetop Smith's hit "Pine Top's Boogie Woogie") has been praised for "excellent technique", capable of both "fierce boogie-woogie style" and "chorded basses and rich treble passages" to accompany his brother. Pinetop also recorded "Bad Luck Blues" with Dorothea Trowbridge and "Whiskey Blues" with Elizabeth Washington, both in 1933.^[2] Most often, the brothers played together only occasionally.^[3]

Notable recordings by Pinetop include "Every Day I Have the Blues", a song he wrote with his brother, recorded on July 28, 1935, for Bluebird Records and reissued on the compilation album Windy City Blues (Nighthawk, 1992).^[4] In 1949, the song was recorded under a different title by Memphis Slim.^[5]^[6]

Death

There were rumors that the brothers did not always get along and did not have steady employment. They also frequently had run-ins with the law. Pinetop drank heavily, and Lindberg killed a man (in self-defense), for which he spent time in the workhouse in 1937. Pinetop died, apparently of poisoning, in 1935.^[2] Townsend, however, claims that Pinetop was in the habit of never saying no to a gig; playing all throughout the weekend and consequently work 24 hours without sleep. It was these work habits, combined with heavy drinking (to stay awake) that led to Pinetop's death. "He just done burned himself out", according to Townsend.^[3]

Pinetop Sparks' grave went unmarked for nearly eight decades, before a fan club finally honored him. In 2014, 78 years after Sparks' death, thanks to the work of a non-profit organization, the Killer Blues Headstone Project, a headstone was laid at Father Dickson Cemetery in Crestwood, Missouri, a historically black cemetery in St Louis. A keyboard adorned the lower casing of the stone, with his name, dates of birth and death, and the epitaph "Every Day I Have the Blues".^[7]^[8]^[9]

References

^ Eagle, Bob; LeBlanc, Eric S. (2013). Blues: A Regional Experience. Santa Barbara, California: Praeger. p. 114. ISBN 978-0313344237.
^ ^a ^b ^c Silvester, Peter J. (2009). The Story of Boogie-Woogie: A Left Hand Like God. Scarecrow Press. pp. 139–40. ISBN 9780810869332.
^ ^a ^b ^c Townsend, Henry (1999). A Blues Life. University of Illinois Press. pp. 63–64. ISBN 9780252025266.
^ Bogdanov, Vladimir; Woodstra, Chris; Erlewine, Stephen Thomas (2003). All Music Guide to the Blues: The Definitive Guide to the Blues. Backbeat. p. 679. ISBN 9780879307363.
^ Herzhaft, Gerard (1997). Encyclopedia of the Blues. University of Arkansas Press. p. 268. ISBN 9781610751391.
^ Rothwell, Fred (2001). Long Distance Information: Chuck Berry's Recorded Legacy. Music Mentor. p. 158. ISBN 9780951988824.
^ "Headstone Project Brings Recognition to Long-Forgotten Blues Musos". Billboard. December 30, 2013. Retrieved October 18, 2023.
^ "Stories of Standards: Every Day I Have the Blues". KUVO Jazz. 2019. Retrieved October 18, 2023.
^ "Headstones Placed". Killer Blues. Retrieved October 18, 2023.