Patch Theatre Company was founded in 1972 by Morna Jones a performer and television producer who had worked extensively with children during her career. Morna and her husband Neil Jones established Little Patch Theatre in an old farmhouse in High Street, Brighton and its theatrical mainstay was puppetry.[1] Over the years, the company's name changed from New Patch Theatre to Patch Theatre Company.[citation needed]
Following Jones death in 1982, Christine Anketell was appointed to lead the company, and its profile grew.[1] Under her direction, Patch's repertoire diversified and its audience base was extended. For the first time the company toured extensively throughout South Australia and Victoria. The company also undertook its first international tour performing in Japan as part of the Okinawa Festival.[1] During her seven years as artistic director, Anketell developed a relationship with the Adelaide Festival Centre Trust, which saw the realisation of large-scale adaptations of children's literature as well as developing its extensive non-metropolitan tours to schools and community centres. Highlights included Wilfred Gordon McDonald Partridge which had seasons at Expo 88 in Brisbane and the Malthouse in Melbourne, The Secret Garden which headlined the Canberra Festival and Gillian Rubinstein's Space Demons.[citation needed]
Dave Brown joined the company in 1992 and continued to foster the Adelaide Festival Centre relationship, with a co-production of Victor Kelleher's The Red King in 1993.[citation needed]
In 1994, Patch moved from its base in the Community Centre in Tarlton Street, Somerton Park, to become a part of the Pasadena High School campus. Further co-productions with the Adelaide Festival Centre Trust continued, with Gillian Rubinstein's Galax Arena and Each Beach in 1995 and 1997 respectively and the Triple J collaboration, Respectable Shoes in 1996.[citation needed]
Brown's work reflected his interest in exploring new conventions for the use of music in theatre with Respectable Shoes and the Beatlesque pop-opera Kookookachoo. He also explored the sharing of culture through theatre with the Indigenous Australian works Rak Awin and Tjijiku Inma, followed by the Vietnamese Australian work, The Boy and the Bamboo Flute, which was performed by the company until 2006.[citation needed]
From 1998 to 2000, Patch returned to the puppetry roots of its early years led by new artistic director Ken Evans. The Adelaide Festival Centre Trust and Come Out '99 presented Ken Evans' and Jonathan Taylor's Visible Darkness, a "collision of film noir, contemporary dance, puppetry and illusion".[citation needed]
In 2000, Brown returned to the company and set about developing a repertoire of in-theatre productions exclusively for 4-8 year olds and their families. He adapted eight stories by celebrated children's author, Pamela Allen, producing Who Sank the Boat?, a magical work that set the scene for the emergence of Patch Theatre as one of Australia's most respected children's theatre companies.[citation needed]
Collaborating with leading artists, Dave Brown created works such as Emily Loves To Bounce, Me and My Shadow, and The Moon's A Balloon.[citation needed] The award-winning Me and My Shadow (2016) was directed by Roz Hervey.[2][3]
The company presented six consecutive national Playing Australia tours in the six years up to 2016, and was awarded National Touring Status by the Australia Council. In May 2016, Patch Theatre Company worked with Federation University Australia to bring the "impossibility" of balloons to stage.[4]
In March 2018, Patch presented Can You Hear Colour, an introduction to music and opera for youngsters.[5] In 2019, Roz Hervey returned to direct the award-winning Zooom.[2][3]
Funding and governance
In 1977 Patch became a general grant company of the Australia Council for the Arts. Later, the company received regular assistance from the State Government through the Youth Performing Arts Council, which was the body responsible for oversight of Carclew Youth Arts Centre.[citation needed]
As of 2023[update], the company is funded by the state and Commonwealth Governments through Creative Australia (formerly Australia Council), its arts funding and advisory body, as well as the James and Diana Ramsay Foundation as well as corporate and private sponsors. In 2023 the company created a new strategic plan for 2025–28 as part of an application for the renewal of their four-year funding through Creative, which was successful.[1]Arts SA and Carclew were responsible for the state funding arrangements, until the company was transferred to the Department of Education in 2018 by the Marshall government.[6] In July 2019, the state budget slashed funding to the History Trust, Carclew and Windmill, as part of "operational efficiency" cuts.[7]
Key people
Patch Theatre Company was founded in 1972 by Morna Jones. After her death in 1982, Christine Anketell was appointed to lead the company. Dave Brown joined the company[1] in 1992, leading it over several years until 1998, when Ken Evans was appointed artistic director.[citation needed] In 2000, Brown returned to the company.[citation needed] In 2015 Brown stepped down as artistic director, with Naomi Edwards taking over the role.[citation needed]
Me and My Shadow was first performed at The Forge at Marryatville High School in May 2010,[10] and over the following decade was presented around Australia as well as in the United States.[11] It toured regional SA in 2020.[12]
Zooom has toured Australia, Canada, and the US[11][13] since premiering at the Space Theatre in July–August 2019.[9] It was also performed at the DreamBIG Festival in May 2021,[14] and won the 2021 Ruby Award for Best Work, Event or Project for Young People.[15]
