In 1903, Wagner's widow unsuccessfully attempted to stop a performance of Parsifal by the Metropolitan Opera in New York, causing great scandal. In 1904, Harley Merry acquired the motion picture rights and brought on Porter and Edison. Edison had been experimenting with ways to combine silent films with recorded music. Porter's version of Parsifal employed Edison's Kinetophone, "a primitive, synchronized sound-mix device, but this machine does not represent the era of silent film, since it had a short life with no great success."[2]
Despite a strong advertising campaign, sales were modest.[3]
^Niver, Kemp (1967). Motion Pictures From The Library of Congress Paper Print Collection 1894-1912. University of California Press, ISBN978-0520009479
^Olsen, Solveig (2007). Opera Quarterly, Volume 22, Issue 2, pp. 369-375, doi: 10.1093/oq/kbl004
^Musser, Charles (1991). Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company. University of California Press, ISBN9780520060807
