Monster had its world premiere at the AFI Fest on November 16, 2003. On February 8, 2004, it premiered at the 54th Berlin International Film Festival, where it competed for the Golden Bear, while Theron won the Silver Bear for Best Actress. The film was theatrically released in the United States on December 24, 2003, by Newmarket Films.[6][7]Monster received positive reviews from critics and achieved box office success, grossing $64.2 million on an $1.5 million budget.
In 1989, after moving from Michigan to Daytona Beach, Florida, and on the verge of committing suicide, street prostituteAileen "Lee" Wuornos meets another woman named Selby Wall in a gay bar. Although she is initially hostile and declares that she is not a lesbian, Aileen talks to Selby while drinking beer. Selby takes to Aileen almost immediately, as she likes that she is very protective of her. Selby invites Aileen to spend the night with her. The two women return to the house where Selby is staying (temporarily exiled by her parents following the accusation from another girl that Selby tried to kiss her). They later agree to meet at a roller skating rink, and they kiss for the first time. Aileen and Selby fall in love, but they have nowhere to go, so Selby goes back to her aunt's home.
After being brutally raped and beaten by a client, Vincent Corey, Aileen kills him in self-defense and decides to quit prostitution. She confesses her actions to Selby, who has been angry with her for her failure to support both of them. Aileen decides to find qualified work, but because of her lack of an education and work experience, potential employers reject her. Desperate for money, Aileen returns to prostitution. She robs and kills her clients, each killed in a more brutal way than the last, as she is convinced that they are all trying to rape her. She spares one man out of pity when he admits he has never had sex with a prostitute. She also shows a predisposition to spare another man who, instead of exploiting her, offers help, but finds herself forced to shoot him after he spots her gun. Aileen uses the money she stole from her victims to support Selby and herself.
However, Selby reads in the newspapers about the string of murders, and she begins to suspect that Aileen may have committed them. She confronts Aileen, who justifies her actions by claiming she had only been protecting herself. Selby returns to Ohio on a charter bus. The night of her arrest, Aileen is approached at the biker bar she frequents by two strangers, who unbeknownst to her are undercover police officers. Thomas, whom Aileen always referred to as the only friend she had, infers the men's intentions and offers to drive her off. Aileen declines, no longer trusting herself with the well-being of anyone dear to her. The two men eventually lure Aileen out of the bar and she is promptly arrested by the police. Aileen speaks to Selby one last time while in jail. Selby reveals some incriminating information over the telephone and Aileen realizes that the police are listening in. To protect Selby, Aileen admits that she committed the murders alone. During Aileen's trial, Selby testifies against her, with Aileen's loving consent. Aileen is convicted of the murders and sentenced to death. On October 9, 2002, Aileen is executed by lethal injection.
On review aggregatorRotten Tomatoes, the film has a rating of 82%, based on 191 reviews, with an average rating of 7.2/10. The site's critical consensus states: "Charlize Theron gives a searing, deglamorized performance as real life serial killer Aileen Wuornos in Monster, an intense, disquieting portrait of a profoundly damaged soul."[9] On Metacritic, the film has a score of 74 out of 100, based on 40 reviews, indicating "generally favorable reviews".[10]
Monster received generally positive reviews from critics; most gave overwhelmingly high praise to Theron's performance as a mentally unstable woman – Wuornos had antisocial personality disorder and borderline personality disorder.[11] For the role, Theron gained 30 pounds (14 kg), shaved her eyebrows, and wore prosthetic teeth.[12] Critics called her performance, and her makeup, a "transformation".[9] Film critic Roger Ebert named Monster "the best film of the year", gave it four stars out of four, and noted that Theron's role is "one of the greatest performances in the history of the cinema":[8]
Observe the way Theron controls her eyes in the film; there is not a flicker of inattention, as she urgently communicates what she is feeling and thinking [...] Aileen's body language is frightening and fascinating. She doesn't know how to occupy her body. Watch Theron as she goes through a repertory of little arm straightenings and body adjustments and head tosses and hair touchings, as she nervously tries to shake out her nervousness and look at ease. Observe her smoking technique; she handles her cigarettes with the self-conscious bravado of a 13-year-old trying to impress a kid. And note that there is only one moment in the movie where she seems relaxed and at peace with herself.
— Roger Ebert; January 1, 2004
In 2009, Ebert named it the third-best film of the decade.[13] Ricci's performance also drew some praise, but was not without criticism. In his review for the film, Ebert praised her performance, stating "Christina Ricci finds the right note for Selby Wall – so correct some critics have mistaken it for bad acting, when in fact it is sublime acting in its portrayal of a bad actor. She plays Selby as clueless, dim, in over her head, picking up cues from moment to moment, cobbling her behavior out of notions borrowed from bad movies, old songs, and barroom romances".[8]
However, several people who knew Wuornos criticized the movie for portraying her as a victim and her victims as villains.[14][15]
In culture
In 2005, a reference to Monster appeared in the series Arrested Development. Charlize Theron plays the role of Rita in the series, and in the episode ″The Ocean Walker″, a frame from Monster appears on the screen with the clarification that this is a photo of Rita a year ago before the plastic surgery.[16][17][18]
In 2014, on Saturday Night Live, Charlize Theron made a self-reference to her role of Aileen Wuornos.[19] In the sketch Pet Rescue Commercial, Kate McKinnon asked her to play a cat lady, whose image and behavior are based on Wuornos from Monster.[19][20]
In 2018, comedian Willam released his third album with the song "Aileen" and the music video for the song, which are dedicated to Wuornos and this film.[21][22]
In 2004, BT released an official soundtrack to the film.[23] Included with the release is a DVD featuring all fifteen original cues, and an additional nine cues that would not fit on the CD, as well as an interview with BT and Patty Jenkins, and remix files for "Ferris Wheel".
All music is composed by BT.
1. "Childhood Montage"
2. "Girls Kiss"
3. "The Bus Stop"
4. "Turning Tricks"
5. "First Kill"
6. "Job Hunt"
7. "Bad Cop"
8. "'Call Me Daddy' Killing"
9. "I Don't Like It Rough"
10. "Ferris Wheel (Love Theme)"
11. "Ditch the Car"
12. "Madman Speech"
13. "Cop Killing"
14. "News on TV"
15. "Courtroom"
Songs
Songs which appeared in the film, but not on the official soundtrack:[24]
^Rosen, Lisa (Winter 2013). "Natural-Born Director". Directors Guild of America. Archived from the original on April 11, 2021. Retrieved March 9, 2021. The miniscule $1.5 million budget and straight-to-video expectations actually helped give Jenkins the confidence to handle her first feature.
^Dir. Patty Jenkins stated in an interview on November 13, 2017 with film critic Thelma Adams that press accounts of the film's budget were exaggerated, saying that the budget was $1.5 million.
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