Michael Byrne (born 7 November 1943) is a British actor known for his roles in the National Theatre, Hollywood films, and television shows. During his career he has performed a wide variety of roles, that include several films in which he has played German military roles.
Early life
Byrne was born 7 November 1943 in London, England,[1] to Helen Byrne of Kilkenny, Ireland, a single parent.
In 1995, he acted in the film Braveheart appearing to audiences as Smythe, a soldier who attempts to rape William Wallace's wife and first inspires Wallace to seek independence from England in [9][10] In 1997, Byrne played the role of Royal Navy Admiral Kelly, in command of a British task force on HMS Bedford in the James Bond film Tomorrow Never Dies.[11][12] In 1998, Byrne appeared as a Jewish concentration camp survivor who is instrumental in the capture of a Nazi war criminal (played by Sir Ian McKellen) in the film Apt Pupil.[13]
Byrne is a long-established stage actor, having joined the National Theatre in 1964 and appearing in many seasons since. He has also appeared on stage throughout the world. He has numerous theatre credits to his name including: Roberto Miranda in Death and the Maiden at the Royal Court, Maskwell in The Double Dealer and Claudio in Much Ado About Nothing at the National Theatre, Reg in Butley at The Criterion, and also The Cherry Orchard, The Seagull, Romeo and Juliet, Mayor of Zalamea, All My Sons, Lulu, Faith Healer, Duchess of Malfi, A Slight Ache, and Molly Sweeney amongst many others. Byrne has appeared in State of Play at the Edinburgh Festival written by Zia Trench.
^Parish, James Robert (1990). The Great Combat Pictures. Metuchen, NJ: Scarecrow Press. p. 164. ISBN978-0-8108-2315-0.
^Gordon, Andrew (2008). Empire of Dreams. Lanham, Md.: Rowman & Littlefield. p. 149. ISBN978-0-7425-5578-5.
^Kolker, Robert Phillip (2000). A Cinema of Loneliness. Oxford ; New York: Oxford University Press, USA. p. 448. ISBN978-0-19-512350-0.
^Santas, Constantine; Wilson, James M.; Colavito, Maria; Baker, Djoymi (21 March 2014). The Encyclopedia of Epic Films. Lanham, Md.: Scarecrow Press. p. 103. ISBN978-0-8108-8248-5.
^McGee, Marty (8 June 2015). Encyclopedia of Motion Picture Sound. McFarland. p. 46. ISBN978-1-4766-0970-6.
^Lawrence, Will (14 December 2021). The James Bond Film Guide. Eaglemoss. p. 208. ISBN978-1-85875-608-0.
^Smith, Jim; Lavington, Stephen (2002). Bond Films. Virgin Books Limited. p. 255. ISBN978-0-7535-0709-4.
^Grist, Leighton (31 May 2018). Fascism and Millennial American Cinema. London: Springer. p. 57. ISBN978-1-137-59566-9.