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Mary Howe (née Carlisle) (April 4, 1882 – September 14, 1964) was an American composer and pianist.

Early life and education

Mary Carlisle was born on April 4, 1882, in Richmond, Virginia, at her maternal grandparents' home. Her father, Calderon Carlisle, was a well-known and successful lawyer.^[1] Carlisle was raised in the Washington, D.C. area.^[2] Her early lessons were with the noted pianist Herminie Seron.^[3]

By age 18, Carlisle was performing publicly and was accepted into Baltimore's Peabody Institute.^[4] Before attending Peabody, she studied form and analysis with Howard Thatcher, a Peabody alumnus.^[5] At Peabody, she studied piano with Richard Burmeister, achieving notable proficiency.^[6] She also studied composition with Gustav Strube, Ernest Hutcheson, and Harold Randolph.^[7] She graduated with an Artist Diploma in Composition in 1922. ^[8] In 1933, Howe traveled to Paris to study with Nadia Boulanger, a renowned French pianist and composer.^[3] Paris also offered opportunities of cultural experiences and art education for her daughter Molly. Howe met Nadia at a concert and later over tea. ^[9]

Musical career

As early as 1911, Carlisle started performing with her friend Anne Hull, with one of their most notable performances being of Mozart's Concerto for Two Pianos;^[10] however, she much preferred composition. Her early compositions were almost exclusively for piano.^[11] At only nine years old, she composed The Mariposa Waltz for piano in 1891.^[12] She notably emulated Neo-romanticism, with an unusually open mind for modernism.

She began to develop an interest in themes in nature and American themes, paving the way for some of her most famous orchestral works (which include Sand, Stars, Rock, Three Pieces after Emily Dickinson and "Chain Gang Song" for orchestra and chorus). Her "Chain Gang Song" was especially praised for its lack of femininity; after its first performance, once the chorus and orchestra called her up to bow, a man from the audience praised the conductor for the piece and asked why a woman was bowing with the ensemble.

Howe later developed a passion for composing for the voice, writing many art songs. In support of her country during World War II, she composed vigorous pieces in support of the troops which incorporated the texts of William Blake, also written for voice.

In 1931, Mary Howe co-founded the National Symphony Orchestra and later the Chamber Music Society of Washington as well as the Society of American Women Composers. Howe's involvement spread across numerous groups such as the National Federation of Music Clubs, the League of Composers, the National Association of American Composers and Conductors, the MacDowell Colony, the Huntington Hartford Foundation, and on the board of the National Cultural Center (the Kennedy Center for the Performing Arts).^[13]

Howe died in 1964 at the age of 82, ten years after the death of her husband, Walter Bruce Howe. They were survived by their three children, Bruce, Calderon, and Molly.

Works

All pieces published unless otherwise noted.

Choral works

Catalina (1924)
Chain Gang Song (1925)
Cavaliers (1927, unpublished)
Laud for Christmas (1936)
Robin Hood's Heart (1936, unpublished)
Spring Pastoral (1936)
Christmas Song (1939)
Song of Palms (1939)
Song of Ruth (1939)
Williamsburg Sunday (1940)
Prophecy (1943)
A Devotion (1944)
Great Land of Mine (1953)
Poem in Praise (1955, unpublished)
The Pavilion of the Lord (1957, unpublished)
Benedictus es Domine (1960, unpublished)
We Praise thee O God (1962, unpublished)

Songs

Old English Lullaby (1913)
Somewhere in France (1918)
Cossack Cradle Song (1922)
Berceuse (1925)
Chanson Souvenir (1925)
O Mistress Mine (1925)
The Prinkin' Leddie (1925)
Reach (1925)
Red Fields of France (1925)
Ma douleur (1929)
Ripe Apples (1929)
There has Fallen a Splendid Tear (1930)
Der Einsame (1931)
Liebeslied (1931)
Mailied (1931)
Schlafied (1931)
Abendlied (1932, unpublished)
Avalon (1932)
The Little Rose (1932)
The Rag Picker (1932)
The Lake Isle of Innisfree (1933)
Fair Annet's Song (1934)
Herbsttag (1934)
Little Elegy (1934)
Fragment (1935)
Now goes the light (1935)
Velvet Shoes (1935)
Go down Death (1936)
A Strange Story (1936)
Départ (1938, unpublished)
Soit (1938)
Viennese Waltz (1938)
Irish Lullaby (1939, unpublished)
You (1939)
Am Flusse (1940)
Die Götter (1940)
Heute geh' ich (1940)
Die Jahre (1940)
Ich denke dein (1940)
Trocknet nicht (1940, unpublished)
Zweiful (1940)
The Bird's Nest (1941)
General Store (1941)
Horses of Magic (1941)
Song at Dusk (1941)
Traveling (1941, unpublished)
Were I to Die (1941, unpublished)
L'amant des roses (1942)
Mein Herz (1942)
Men (1942)
Nicht mit Engeln (1942)
Hymne (1943)
In Tauris (1944)
Look on this horizon (1944, unpublished)
To the Unknown Soldier (1944)
Lullaby for a Forester's Child (1945)
Rêve (1945)
O Proserpina (1946)
Spring Come not too Soon (1947)
The Christmas Story (1948)
The Bailey and the Bell (1950)
Einfaches Lied (1955, unpublished)
My Lady Comes (1957)
Three Hokku (1958)

Orchestral works

Poema (1922)
Stars (1927; New York, 1963)
Sand (1928; New York, 1963)
Castellana, 2 pianos, orchestra (1930)
Dirge (1931)
Axiom (1932)
American Piece (1933)
Coulennes (1936)
Potomac River (1940)
Paean (1941)
Agreeable Overture (1948)
Rock (1954; New York, 1963)
The Holy Baby of the Madonna (1958)

Chamber music

Fugue, string quartet (1922)
Violin Sonata, D (1922; New York, 1962)
Ballade Fantasque (1927)
3 Restaurant Pieces (1927)
Little Suite, string quartet (1928)
Piano Quartet (1928)
Suite mélancholique (1931)
Patria (1932)
Quatuor, string quartet (1939)
3 Pieces After Emily Dickinson, string quartet (1941)
Interlude between 2 Pieces, flute, piano (1942)
Wind Quintet (1957)

Piano music

Andante douloureux (1910)
Nocturne (1913; New York, 1925)
Prelude (1920)
Valse dansante, 2 pianos (1922, unpublished)
Berceuse (1924; New York, 1925)
Estudia brillante (1925, unpublished)
3 Spanish Folk Tunes, 2 pianos (1925; New York, 1926)
Whimsy (1931)
Stars (1934)
Trifle (1933, unpublished)
Cards, ballet for 2 pianos (1936, unpublished)
Le jongleur de Notre Dame, ballet for 2 pianos (1959, unpublished)

Organ music

Elegy (1939)
For a Wedding (1940, unpublished)

Also transcriptions of works by J. S. Bach for 1 and 2 pianos.^[3]

Discography

Music by Mary Howe (1998) – performed by John Martin, Mary Howe, William Strickland, and Catholic University of America Chamber Arts Society, Performed by Tokyo Imperial Philharmonic Orchestra and Vienna Philharmonic
Love's Seasons: Songs of Mary Howe and Robert Ward (2004) by Sandra McClain and Margo Garrett
Stars (1927) – Hans Kindler and the National Symphony Orchestra of Washington, D.C., on 29 January 1941 for RCA Victor (78rpm: 11-8608) and reissued on CD in 1999 (Biddulph WHL 063).
Songs and Duets (2021) – Courtney Maina (soprano), Christopher Leach (tenor), Mary Dibbern (piano), Toccata Classics TOCC0634
Between Us: Music for Two by Mary Howe (2022) – includes the Violin Sonata (1922), and Ballade Fantastique, Three Restaurant Pieces, Partita, Merles de Coulenne, Interlude between Two Pieces, various performers, Navona NV6432

Citations

^ Indenbaum (1993), pp. 11-14.
^ McClain (1992), p. 17.
^ ^a ^b ^c Indenbaum and Oja (2001).
^ Goss, Madeleine (1952).
^ Works Cited Indenbaum, Dorothy. Mary Howe: Composer, Pianist and Music Activist, New York University, United States -- New York, 1993, p.128. ProQuest, https://manowar.tamucc.edu/login?url=https://www.proquest.com/dissertations-theses/mary-howe-composer-pianist-music-activist/docview/304073289/se-2.
^ Indenbaum (1993), pp. 104-105.
^ Indenbaum, Dorothy. Mary Howe: Composer, Pianist and Music Activist, New York University, United States -- New York, 1993, pp. 128-129. ProQuest, https://manowar.tamucc.edu/login?url=https://www.proquest.com/dissertations-theses/mary-howe-composer-pianist-music-activist/docview/304073289/se-2.
^ Mary Howe Papers, JPB 04-39. Music Division, The New York Public Library for the Performing Arts.
^ Works Cited Indenbaum, Dorothy. Mary Howe: Composer, Pianist and Music Activist, New York University, United States -- New York, 1993, p. 134. ProQuest, https://manowar.tamucc.edu/login?url=https://www.proquest.com/dissertations-theses/mary-howe-composer-pianist-music-activist/docview/304073289/se-2.
^ Indenbaum (1993), pp. 116-24.
^ McClain (1992), p. 20.
^ Indenbaum, D. (1993). Mary howe: Composer, pianist and music activist (Order No. 9317667). Available from ProQuest Dissertations & Theses Global. (304073289). Retrieved from https://manowar.tamucc.edu/login?url=https://www.proquest.com/dissertations-theses/mary-howe-composer-pianist-music-activist/docview/304073289/se-2
^ Mary Howe Papers, JPB 04-39. Music Division, The New York Public Library for the Performing Arts.

Sources

Goss, Madeleine (1952). Modern Music-Makers: Contemporary American Composers. New York: E. P. Dutton & Co.
Indenbaum, Dorothy (1993). Mary Howe: Composer, Pianist and Music Activist (PhD thesis). New York University. Retrieved 4 September 2024.
Indenbuam, Dorothy; Oja, Carol J. (20 January 2001). "Howe, Mary". Grove Music Online. doi:10.1093/gmo/9781561592630.article.49205.
McClain, Sandra Clemmons (4 May 1992). The Solo Vocal Repertoire of Mary Carlisle Howe with Stylistic and Interpretive Analyses of Selected Works (EdD thesis). Columbia University.