Marcus Schmickler
German composer, musician, and producer (born 1968)
Marcus Schmickler |
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Birth name | Marcus Schmickler |
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Also known as | Pluramon |
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Born | November 15, 1968 Cologne, Germany |
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Origin | Cologne, Germany |
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Genres | Contemporary classical music, Computer music, Postmodernism, New Complexity, New Simplicity |
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Occupation(s) | composer, producer |
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Labels | A-Musik, Mille Plateaux, Editions Mego |
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Website | www.piethopraxis.org |
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Musical artist
Marcus Schmickler (born November 15, 1968, in Cologne) is a German composer, musician, and producer. He is also known under the pseudonym Pluramon.
Background
In 1968 he was born as the son of an industrial salesman and a baker's daughter in Cologne. Soon his parents moved to Kuerten where he met the music of Karlheinz Stockhausen. In 1991, after spending a year in London, he started studying music in Cologne and became a member of the seminal collective Kontakta. 1992 his first solo release appeared with the French label Odd Size. In 1995, he was co-initiator of the DJ collective Brüsseler-Platz-10a-Musik, together with Georg Odijk and Jan St. Werner (Mouse on Mars), associated with the A-Musik record store and label. A-Musik became his main record label since 1996.
Since 1995 he works as a composer, for film[1][2] theater[3] and radio play.[4] In 1996 he released one of the first fully digitally produced post-rock albums under the pseudonym Pluramon on the German label Mille Plateaux. After a concert in Cologne, in 1998, he became a member of the 12-piece electro-acoustic ensemble MIMEO (Music in Movement Electronic Orchestra). In 1999, he completed his studies in electronic music with Hans Ulrich Humpert and the composition with Johannes Fritsch with a thesis on Gottfried Michael Koenig.
In 2000 he published jointly with Thomas Lehn the CD Bart, which was reviewed to be one of the most impressive synth-improv performances ever.[5] In September 2001 he recorded the Pluramon album Dreams Top Rock with American singer Julee Cruise and went on an extended tour through South America on the initiative of Goethe-Institut in 2003. Since 2004 he has been working on various theater projects, with among others, Felix Ensslin.[6] [7]He created numerous works of electronic music, and compositions for choir, chamber ensemble, and orchestra. In 2009 he composed Bonn Patternizationon on behalf of the International Year of Astronomy 2009 and the German Music Council, a sonification with projections based on astrophysical data.[8] Since 2015, Schmickler has worked as faculty at Bard College in Annandale-On-Hudson,[9] at California Institute for the Arts in Los Angeles County and the Institute For Music and Media in Düsseldorf.
Marcus Schmickler has received prizes and scholarships, including the Rome Prize of the German Academy Villa Massimo, Ars Electronica,[10] from the state of North Rhine-Westphalia[11] and curated festival programs in the Academy of Arts, Berlin[11] and the ZKM.[11] He was a longtime member of the jury of the Deutscher Musikrat (German Music Council, a member of the International Music Council). As an author, he wrote articles on various topics of electronic music.[12][13]
Partial discography
- Solo
- Sky Dice / Mapping the Studio, editions Mego, 2021
- Richters Patterns, Tochnit Aleph, 2020
- Particle/Matter-Wave/Energy, Kompakt, 2019
- Rule of Inference, a-Musik, 2011
- Bari Workshop, Presto?!, 2011
- Palace of Marvels [queered pitch], Editions Mego, 2010
- Altars of Science, Editions Mego, 2007
- DEMOS for Choir, a-Musik, 2005
- Param, a-Musik, 2001
- Sator Rotas, a-Musik, 1999
- Wabi Sabi, a-Musik, 1996
- Onea Gako, Odd Size, 1993
- As Pluramon
- The Monstrous Surplus, Karaoke Kalk, 2007
- Dreams Top Rock, Karaoke Kalk, 2003
- Bitsand Riders, Mille Plateaux, 2000
- Render Bandits, Mille Plateaux, 1998
- Pickup Canyon, Mille Plateaux, 1996
- With MIMEO
- Wigry, Bolt Records, 2011
- Sight, Cathnor, 2008
- Lifting Concrete Lightly, Serpentine Gallery, 2004
- The Hands of Caravaggio, Erstwhile Records, 2001
- Electric Table & Chair, Grob, 2000
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- Collaborations
- Marcus Schmickler/Jaki Liebezeit / Hayden Chisholm "Timekeepers II", a-Musik, 2023
- Marcus Schmicker/Thomas Lehn "Neue Bilder", Mikroton Recordings, 2017
- Marcus Schmickler John Tilbury "Timekeepers", A-Musik, 2015
- Marcus Schmickler Julian Rohrhuber "Politiken der Frequenz", Tochnit Aleph / Editions Mego, 2014
- Marcus Schmickler/Thomas Lehn Live Double Séance [Antaa Kalojen Uida], Editions Mego, 2011
- R/S USA, Pan, 2011
- Schmickler/Gratkowski/Nabatov Deployment, Leo Records, 2010
- Marcus Schmickler/Thomas Lehn Navigation im Hypertext, a-Musik, 2008
- Marcus Schmickler/Thomas Lehn Kölner Kranz, a-Musik, 2008
- R/S One(snow mud rain), Erstwhile Records, 2007
- Marcus Schmickler with Hayden Chisholm Amazing Daze, Häpna, 2007
- Marc Ushmi Doshhammer Mixes (without Label), 2007
- Claudio Bohorquez, Solo and Accompaniment, Aulos, 2006
- Marcus Schmickler/John Tilbury Variety, a-Musik, 2005
- Schmickler/Lehn/Rowe/Nakamura Untitled, Erstwhile Records, 2004
- Schmickler/Lehn Amplify Balance 7 CD Box, Erstwhile Records, 2004
- Marcus Schmickler/Thomas Lehn / Keith Rowe Rabbit Run, Erstwhile Records, 2003
- Marc Ushmi meets Reverend Galloway Mein Kopf verlor ein Dach, Whatness, 2003
- Soundcultures, Suhrkamp, 2003
- Marc Ushmi/Thomas Brinkmann Chevrolet Corvette Max Ernst, 2001
- Marcus Schmickler/Thomas Lehn Bart, Erstwhile Records, 2000
- 2:3 Oswald Wiener zum 65. Geburtstag, Supposé, 2000
- Prix Ars Electronica Cyber Arts 2000 Ars Electronica Center, 2000
- Brüsseler Platz-10a-Musik Wittener Tage für neue Kammermusik, WDR, 1998
- Brüsseler Platz-10a-Musik sT, Sieben, 1997
- Brüsseler Platz-10a-Musik / Agentur Bilwet 1000 Fehler, Supposé, 1996
- Pol Baby I Will Make You Sweat Odd Size, 1995
- Pol Transomuba, Odd Size, 1994
- Kontakta s/T, Odd Size, 1992
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References
External links
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