Lydia had three sisters and four brothers. Her aunt was Maria Zankovetska, a famous Ukrainian actress. She received education in the Mariinsky Women's Gymnasium in Kamianets-Podilskyi. Together with other students, she sang in the church choir, she had her own solo parties, drawing attention with a magic voice that ran under the dome of the cathedral. Residents of Kamianets called the girl "Singing Bird".[citation needed]
Lipkowska was a member of the Metropolitan Opera (the "Met") in New York City from 1909 until 1911.[1][6] She made her debut at the Met as Violetta in La Traviata on November 18, 1909, with Caruso as Alfredo.[7] She concurrently was a member of the Boston Opera Company for the 1909/1910 and 1910/1911 seasons; making her debut in Boston in November 1909. Her Boston roles included Gilda, Lakmé, Rosina in The Barber of Seville, Violetta, and the title roles in Manon and Lucia di Lammermoor.[3][2] She also performed with the Chicago Grand Opera Company in 1910.[1] While in Boston, Lipkowska was honored by The Lenox Hotel, which put on its menu the "cup Lydia" and the "Soufflé à la Lipkowska". She petitioned a judge for an injunction against the hotel, claiming that the menu items were "injuring her reputation and holding her up to ridicule".[8]
In 1912, Lipkowska charged New York gangster Sam Schepps with usury over his refusal to return two diamonds worth $80,000 that she had pawned to him. Lipkowska said that she had borrowed $12,000 from Schepps, had left the diamonds with him as security, and that he sought $5000 in interest before he would return the jewels.[9] That same year she returned to Henry Russell's Boston Opera Company for the 1912/1913 season.[10]
Lipowska married Russian baritone Georges Baklanoff a few years prior to the outbreak of World War I; but the marriage ended in divorce.[2] The couple appeared in numerous operas together in the years leading up to that war at the Opéra de Monte-Carlo; also collaborating frequently with tenor Giovanni Martinelli.[2] In 1914, she sang in the world premiere of Amilcare Ponchielli's I Mori di Valenza at the Opéra de Monte-Carlo.[1] In 1914/1915, Lipkowska was a resident artist at La Scala in Milan.[11] In that city, she continued her vocal training with Vittorio Vanza.[2]
Lipkowska was once again committed to the Mariinsky Theatre when the Russian Revolution began in 1917.[12] Lipkowska fled the capital with her daughter, Aidenna, when the Bolsheviks seized power during the October Revolution of that year.[12] The family lived in a remote area of the Caucasus region of Southern Russia, until once again fleeing the Bolshevik armies for the city of Odesa.[12] There she befriended a French military officer, Pierre Bodin, who helped Lipkowska and her daughter to once again escape the invading Bolshevik armies in April 1919, by securing the family passage on a ship to Constantinople.[12] Lipkowska married Pierre Bodin,[12] and upon her marriage she emigrated to France in 1919.[1]
After retiring from the stage, Lipkowska lived in Romania where she was active as a voice teacher. One of her students was the soprano Virginia Zeani.[1] She came out of retirement for one last performance at the Odessa Opera in 1941, to perform the role of Violetta one last time.[2] In 1945 she relocated to Paris, and later moved to Milan before finally settling in Lebanon where she lived her final years.[1][2] She died in Beirut at the age of 75.[1]
