Lottie Lyell (born Charlotte Edith Cox, 23 February 1890 – 21 December 1925) was an Australian actress, screenwriter, editor and filmmaker. She is regarded as Australia's first film star,[1] and also contributed to the local industry during the silent era through her collaborations with director and writer Raymond Longford.
She was born in Balmain, a suburb in Sydney, New South Wales in 1890.[2] By 1912, Lyell had become romantically involved with Longford. The couple lived together in Brisbane and formed one of the most productive and influential partnerships in the history of Australian cinema. Although Longford was separated, his Catholic wife would not divorce him and he was never able to marry Lyell. Lyell fell ill with tuberculosis and died at her home in Roseville, North Sydney on 21 December 1925. Longford died in 1959, and is buried alongside Lyell at Macquarie Park Cemetery and Crematorium.
Career
Charlotte Cox started her acting career at the age of 17. She took the stage name of Lottie Lyell, and in 1910 at age 20 had her theatre breakthrough, when she performed as Maggie Brown in An Englishman's Home. The travelling theatre company took Lyell on tour for the show and she performed across Australia, including Tasmania, and New Zealand. After visiting 85 towns, the tour ended when a flood held up the production in Murtoa, Victoria. Lyell's later theatre successes continued when she joined the Clark and Meynell Company.
Raymond Longford
Graves of Lottie Lyell and Raymond Longford at Macquarie Park.
The following year, Lyell exchanged live theatre for a new, modern medium – film. She debuted in Alfred Rolfe's Captain Midnight, The Bush King[citation needed] and by late 1911 her lead role in Raymond Longford's The Romantic Story of Margaret Catchpole (1911) transformed her into Australia's first international film star. The British magazine Punch wrote of the film, "This big film is the best that has been made in Australia".
Lyell and Longford formed one of the most influential and pioneering partnerships in Australian film history. In 1913 Lyell starred in 'Neath Austral Skies as Eileen Delmont. Notably in this role she performed her own stunts, which included riding a horse with a knife between her teeth and diving into the sea. Another Longford/Lyell film made in 1913, Australia Calls, contained some 'special effects' such as cardboard planes flying down wires, annihilating some Sydney landmarks.
Although Longford offered to film battlefronts during the Great War from 1914 until 1918, the Australian Government declined his offer. Longford and Lyell would never make a war related feature during the First World War.
In 1919, Lyell portrayed Doreen in The Sentimental Bloke, which is now regarded as the landmark piece of the Longford/Lyell collaborations. Lyell is believed to have also contributed to the screenplay, art direction, editing and production. In 1921, Lyell wrote, edited and co-directed The Blue Mountains Mystery to much critical acclaim. Longford and Lyell formed Longford-Lyell Australian Motion Picture Productions in 1922. Lyell also returned to acting in 1922 with Rudd's New Selection.[3]
She was active until her death in 1925, and two of her screenplays, Peter Vernon's Silence and The Pioneers, were made into films the following year.
Final years
In the early 1920s, Lyell's health declined. Lyell's sister, Lynda Cox, died in September 1925 at her residence, "Nurang," in Lord Street, Roseville.[4][5]
^"Family Notices". The Daily Telegraph. No. 14, 292. New South Wales, Australia. 29 September 1925. p. 4. Retrieved 12 March 2024 – via National Library of Australia.
^"Family Notices". The Daily Telegraph. No. 14, 364. New South Wales, Australia. 22 December 1925. p. 6. Retrieved 12 March 2024 – via National Library of Australia.
^"Advertising". The Daily Telegraph. No. 14, 365. New South Wales, Australia. 23 December 1925. p. 8. Retrieved 12 March 2024 – via National Library of Australia.
