American Fantasy (or Fantasia) (1893) (Originally written for band)
Badinage (1895)
Suite Romantique, Op.31 (1900)
I. Visions
II. Aubade
III. Triomphe d'Amour
IV. Fête Nuptial
Hero and Leander, Op.33 (1901)
Auditorium Festival March (1901)
Pan Americana: Morceau characteristique (1901)
Suite Woodland Fancies, Op.34 (1902)
I. Morning of the Mountains
II. Forest Sylphs
III. Twilight
IV. Autumn Frolics
Suite Columbus, Op.35 (1904)
I. Dawn and Sunrise in Alhambra
II. At la Rabida (At the Convent)
III. Murmurs of the sea
IV. Triumph : The vision of Columbus
Indian Summer: An American Idyll (1919)
Three pieces for string orchestra (1912–1922)
I. Air de Ballet
II. Forget-me-not
III. Sunset
Suite of Serenades (1924)
I. Chinese
II. Spanish
III. Cuban
IV. Oriental
Concerto pieces
Suite for Cello and Orchestra, Op.3 (1882)
I. Allegro Moderato
II. Scherzo
III. Andante
IV Serenade: Andantino grazioso
V. Tarantelle
Cello Concerto No.1, Op.8 in D Major (1882)
Fantastia on "The Desire" (Schubert) for Cello and Orchestra (1891)[2]
Fantasia on Cavalleria rusticana (Mascagni) for Violin and Orchestra (1893)[2]
Légende for Cello and Orchestra (1893)
Cello Concerto No.2, Op.30 in E minor (1894)
Five pieces for Cello and Orchestra (1900) (arrangement from Sam Dennison and Orchestrated by Lynn Harrell)
I. Yesterthoughts, Op.37
II. Pensée amoureuse
III. Puchinello, Op.38
IV. Ghazel
V. The Mountainbrook
L'Encore for Flute, Clarinet and Orchestra (1910)
Chamber music
Cello and piano
Berceuse (1884)
Scherzino (1885)
Three pieces (1900–1906)
I. Romance
II. Pensée Amoureuse
III. Petite Valse
La Serenata (1911)
Alla Mazurka
Bagatelle
Polonaise
Violin and piano
A La Valse (1915)
Canzonetta, Opus 12, No. 4 (1928)
Little Red Lark (an arrangement of an old Irish melody)
Mirage
Other
Reveré for English Horn and French Horn Quartet
Piano
Serenade 4 May (1884)
La Ghazel: Improvisation (1900)
La Coquette: Valze Brilliante (1900)
The Mountainbrook: Imitative (1900)
On the Promenade: Morceau (1900)
Yesterthoughts: Meditation, Op.37 (1900)
Puchinello: Characteristic, Op.38 (1900)
Pan Americana: Morceau characteristique (1901)
Whispering Willows: Intermezzo (1915)
Devotion (A Love Sonnet for the Piano) (1921)
Duo (1923)
Fleurette: Waltz (1903)
Indian Summer: An American Idyll (1919)
Marion Davies March (1922)
Under the Elms, Souvenir de Saratoga
World's Progress March (1916)
Cantata and choral works
Call to Freedom (aka God Shall Guide Us, 1918)
The Captive, op. 25 (1892; contata for soprano solo, baritone solo, chorus and orchestra)
Christ Is Risen
Columbia Anthem (unison chorus with piano, later arr. by Herbert for orchestra and band, 1898)
Eventide, op. 20 (for male chorus) (from Wanderer's Songs)
O'Donnell Aboo! (1915)
Orange, White and Blue (Written for ceremonies in 1916, in commemoration if the landing of the first Dutch settlers on Manhattan Island, May 4, 1626. The orange, white and blue flag of this Dutch colony was raised at Battery Park.)
The Cruiskeen Lawn (dedicated to the Mendelsohn Glee Club, N. Y., 1913)
The Hail of the Friendly Sons (for men's voices, a cappella, 1913)
The New Ireland (for men's voices, a cappella, 1914)
The Sunken City, op. 20, no. 1 (for men's voices, a cappella, 1897)
Widow Machree (by Samuel Lover; arr. by Herbert, 1915)
