Cat. |
Year |
Title |
Genre |
Notes
|
P 001 |
1893 |
Piccola ouverture |
Orchestra: small orchestra |
|
P 002 |
1894 |
Preludio |
Orchestra: small orchestra |
|
P 003 |
1894 |
Harmonics schoolwork |
Schoolwork |
|
P 004 |
1895 |
Harmonics schoolwork |
Schoolwork |
|
P 005 |
1896 |
Polyphony schoolwork |
Schoolwork |
|
P 006 |
1896 |
Andante |
Chamber music: piano |
|
P 007 |
1896 |
Andante |
Chamber music: piano |
|
P 008 |
1896 |
L'ultima ebbrezza! |
Song: voice and instrument |
Romance for piano and soprano. Text by Ada Negri
|
P 009 |
1896 |
Lagrime! |
Song: voice and instrument |
Romance for piano and tenor. Text by Ada Negri
|
P 010 |
1896 |
Allegro da concerto in B minor |
Chamber music: piano |
|
P 011 |
1896 |
Notturno |
Song: voice and instrument |
Romance for piano and tenor. Text by Ada Negri
|
P 012 |
1897 |
Tanto bella! |
Song: voice and instrument |
Romance for piano and tenor
|
P 013 |
1897 |
Gösdemlan (Scorze di melone) |
Chamber music: piano |
Piano four hands
|
P 014 |
1897 |
Counterpoint schoolwork |
Schoolwork |
|
P 015 |
1897 |
Sonata in D minor |
Chamber music |
For violin and piano
|
P 016 |
1897 |
Sonata in F minor |
Chamber music: piano |
|
P 017 |
1897 |
Salutazione angelica |
Song: choir, voice and orchestra |
For soprano, choir and orchestra
|
P 018 |
1898 |
String quartet no. 1 in D major |
Chamber music |
|
P 019 |
1898 |
Cortège |
Chamber music |
For string quartet. After Moritz Moszkowski
|
P 020 |
1898 |
String quartet no. 2 in B flat major |
Chamber music |
|
P 021 |
1898 |
Quintet in G minor |
Chamber music |
For wind instruments
|
P 022 |
1898 |
Suite No. 1 in G major |
Chamber music: piano |
|
P 023 |
1898 |
Preludio con fuoco in B flat minor / Fuga reale a tre voci in C major |
Chamber music: piano |
|
P 024 |
1899 |
Christus |
Song: choir, voice and orchestra |
Cantata in 2 parts
|
P 025 |
1899 |
Fuga reale |
Schoolwork |
For 4 voices
|
P 026 |
1900 |
Fuga |
Schoolwork |
For string quartet
|
P 027 |
1900 |
Double quartet in D minor |
Chamber music |
For 4 violins, 2 violas, 2 cellos
|
P 028 |
1900 |
Symphonic variations |
Orchestra: large orchestra |
|
P 029 |
1900 |
I persiani |
Song: choir, voice and orchestra |
Cantata. After Aeschylus. (First version)
|
P 030 |
1901 |
Preludio, corale e fuga |
Orchestra: large orchestra |
|
P 031 |
1901 |
Sei pezzi
- 1. Berçeuse
- 2. Melodia
- 3. Leggenda
- 4. Valse caressante
- 5. Serenata
- 6. Aria
|
Chamber music |
For violin and piano
|
P 032 |
1901 |
Aria |
Orchestra: string orchestra |
For strings and organo
|
P 033 |
1901 |
String quintet |
Chamber music |
Unfinished
|
P 034 |
1901 |
Suite in E major |
Orchestra: large orchestra |
Revision: P 051
|
P 035 |
1902 |
Quintet in F minor |
Chamber music |
For piano and string quartet
|
P 036 |
1902 |
Leggenda |
Orchestra: instrument and orchestra |
For violin and orchestra
|
P 037 |
1902 |
Waltz in C sharp minor |
Chamber music: piano |
For piano four hands
|
P 038 |
1902 |
Berçeuse |
Chamber music |
For strings
|
P 039 |
1902 |
Miranda |
Song: voice and instrument |
For voice and piano. Text by Antonio Fogazzaro
|
P 040 |
1902 |
Piano Concerto in A minor |
Orchestra: instrument and orchestra |
|
P 041 |
1902 |
Suite |
Orchestra: string orchestra |
For strings
|
P 042 |
1902 |
Melodia e Valse caressante |
Orchestra: instrument and orchestra |
For flute and strings
|
P 043 |
1903 |
Suite |
Chamber music: piano |
|
P 044 |
1903 |
Sei pezzi
- 1. Valse caressante
- 2. Canone
- 3. Notturno
- 4. Minuetto
- 5. Studio
- 6. Intermezzo-Serenata
- Preludio in D minor, p043a
|
Chamber music: piano |
|
P 045 |
1903 |
Humoreske |
Orchestra: instrument and orchestra |
For violin and orchestra
|
P 046 |
1903 |
String quartet in D flat major |
Chamber music |
|
P 047 |
1903 |
Minuetto |
Orchestra: string orchestra |
For strings
|
P 048 |
1903 |
Di sera |
Orchestra: instrument and orchestra |
Adagio for 2 oboes and strings
|
P 049 |
1903 |
Violin Concerto in A major |
Orchestra: instrument and orchestra |
|
P 050 |
1903 |
Fantasia slava in G minor |
Orchestra: instrument and orchestra |
For piano and orchestra
|
P 051 |
1903 |
Suite in E major
- 1. Adagio - Allegro vivo
- 2. Adagio
- 3. Allegretto vivace
- 4. Allegro energico
|
Orchestra: large orchestra |
Revision of P 034
|
P 052 |
1904 |
Storia breve |
Song: voice and instrument |
For mezzo-soprano and piano. Text by Ada Negri
|
P 053 |
1904 |
String quartet no. 3 in D major |
Chamber music |
|
P 054 |
1904 |
Serenata |
Orchestra: small orchestra |
|
P 055 |
1905 |
Re Enzo |
Opera |
Libretto by Alberto Donini
|
P 056 |
1905 |
Preludio |
Chamber music |
For organ
|
P 057 |
1905 |
Suite. Pour instruments d'archet et flûte |
Orchestra: instrument and orchestra |
For flute and strings
|
P 058 |
1905 |
Suite in G major
- 1. Preludio
- 2. Aria
- 3. Pastorale
- 4. Cantico
|
Orchestra: string orchestra |
For strings and organ
|
P 059 |
1906 |
Burlesca |
Orchestra: large orchestra |
|
P 060 |
1906 |
I persiani |
Song: choir, voice and orchestra |
Cantata. After Aeschylus. (Second version)
|
P 061 |
1906 |
Quartet in D major |
Chamber music |
For quinton, viola d'amore, viola da gamba, viola da basso
|
P 062 |
1906 |
Cinque pezzi
- 1. Romanza
- 2. Aubade
- 3. Madrigale
- 4. Berçeuse
- 5. Humoresque
|
Chamber music |
For violin and piano
|
P 063 |
1906 |
Luce |
Song: voice and instrument |
For mezzo-soprano and piano. Text by Ada Negri
|
P 064 |
1906 |
Nebbie |
Song: voice and instrument |
For mezzo-soprano and piano. Text by Ada Negri
|
P 065 |
1906 |
Nevicata |
Song: voice and instrument |
For mezzo-soprano and piano. Text by Ada Negri
|
P 066 |
1906 |
Contrasto |
Song: voice and instrument |
For mezzo-soprano and piano. Text by Carlo Zangarini
|
P 067 |
1906 |
Invito alla danza |
Song: voice and instrument |
For mezzo-soprano and piano. Text by Carlo Zangarini
|
P 068 |
1906 |
Scherzo |
Song: voice and instrument |
For soprano and piano. Text by Carlo Zangarini
|
P 069 |
1906 |
Stornellatrice |
Song: voice and instrument |
For soprano and piano. Text by Carlo Zangarini and Alberto Donini
|
P 070 |
1906 |
Stornello from Re Enzo |
Song: voice and instrument |
For 1/2 voices and piano. Text by Alberto Donini
|
P 071 |
1906 |
Cinque canti all'antica
- 1. L'udir talvolta (text by Giovanni Boccaccio)
- 2. Ma come potrei (text by Giovanni Boccaccio)
- 3. Ballata (text by Giovanni Boccaccio)
- 4. Bella porta di rubini
- 5. Canzone di Re Enzo (text by Alberto Donini)
|
Song: voice and instrument |
For mezzo-soprano and piano
|
P 072 |
1906 |
Sonata II |
Transcriptions |
For viola d'amore and cembalo. Original music by Attilio Ariosti
|
P 073 |
1906 |
Sonata VI in D major |
Transcriptions |
For viola d'amore and cembalo. Original music by Attilio Ariosti
|
P 074 |
1907 |
Notturno |
Orchestra: large orchestra |
|
P 075 |
1908 |
Concerto all'antica |
Orchestra: instrument and orchestra |
For violin and orchestra. Also known as Concerto in stile antico
|
P 076 |
1908 |
Al mulino |
Opera |
Unfinished. Libretto by Alberto Donini
|
P 077 |
1908 |
Sonata VI |
Transcriptions |
For violin and piano. Original music by Pietro Locatelli
|
P 078 |
1908 |
Sonata in C |
Transcriptions |
For violin and piano. Original music by Nicola Porpora
|
P 079 |
1908 |
Pastorale |
Transcriptions |
For violin and piano. Original music by Giuseppe Tartini
|
P 080 |
1908 |
Sonata in E |
Transcriptions |
For violin and piano. Original music by Giuseppe Tartini
|
P 081 |
1908 |
Sonata in A minor |
Transcriptions |
For violin and piano. Original music by Francesco Maria Veracini
|
P 082 |
1908 |
Sonata VI |
Transcriptions |
For violin and piano. Original music by Francesco Maria Veracini
|
P 083 |
1908 |
Sonata VII |
Transcriptions |
For violin and piano. Original music by Francesco Maria Veracini
|
P 084 |
1908 |
Sonata in re F XIII n. 6 |
Transcriptions |
For violin and piano. Original music by Antonio Vivaldi
|
P 085 |
1908 |
Sonata in E minor |
Transcriptions |
For violin, strings and organ. Original music by Johann Sebastian Bach
|
P 086 |
1908 |
Pastorale |
Transcriptions |
For violin and strings. Original music by Giuseppe Tartini
|
P 087 |
1908 |
Ciaccona |
Transcriptions |
For violin, strings and organ. Original music by Tomaso Antonio Vitali
|
P 088 |
1908 |
Il lamento di Arianna |
Transcriptions |
Harmonization and orchestration by Repighi. Original music by Claudio Monteverdi
|
P 089 |
1909 |
Sei melodie
- 1. In alto mare (text by Enrico Panzacchi)
- 2. Abbandono (text by Annie Vivanti)
- 3. Mattinata (text by Gabriele D'Annunzio)
- 4. Povero cor (text by Arturo Graf)
- 5. Si tu veux (text by Victor Hugo)
- 6. Soupir (text by Sully Prudhomme)
|
Song: voice and instrument |
For voice and piano
|
P 090 |
1909 |
Sei liriche
- 1. O falce di luna
- 2. Van li effluvi de le rose (text by Gabriele D'Annunzio)
- 3. Au milieu du jardin (text by Jean Moréas)
- 4. Nöel ancien
- 5. Serenata indiana (text by P. B. Shelley)
- 6. Pioggia (text by Vittoria Aganoor Pompilj)
|
Song: voice and instrument |
For mezzo-soprano and piano. First series
|
P 091 |
1909 |
String quartet in D minor (Ernst ist das Leben, heiter ist die Kunst) |
Chamber music |
|
P 092 |
1910 |
Tre pezzi |
Chamber music |
For organ
|
P 093 |
1910 |
Pietà ti prenda, mio Dio |
Transcriptions |
Aria for contralto. After Bach's St Matthew Passion
|
P 094 |
1910 |
Semirâma |
Opera |
Libretto by Alessandro Cerè
|
P 094a |
1910 |
Semirâma |
Song: voice and instrument |
Version for voice and piano of the opera P 094
|
P 095 |
1911 |
Aretusa |
Song: voice and orchestra |
Poemetto lirico for mezzo-soprano and orchestra. Text after P. B. Shelley
|
P 095a |
1911 |
Aretusa |
Song: voice and instrument |
Version for voice and piano of P 095
|
P 096 |
1911 |
E se un giorno tornasse... |
Song: voice and instrument |
Recitativo per mezzo-soprano. Text by Vittoria Aganoor Pompilj
|
P 097 |
1912 |
Sei liriche
- 1. Notte (text by Ada Negri)
- 2. Su una violetta morta (text by P. B. Shelley)
- 3. Le repos en Égypte (text by Albert Samain)
- 4. Noël ancien (n. 2)
- 5. Piccola mano bianca
- 6. Nel giardino (text by Francesco Rocchi)
|
Song: voice and instrument |
For mezzo-soprano and piano. Second series
|
P 098 |
1912 |
Antiche cantate d'amore
- 1. Al tramontar del giorno (original music by Bernardo Pasquini)
- 2. Quanta invidia mi fai (original music by Benedetto Marcello)
- 3. Cantata (original music by Benedetto Marcello)
- 4. Son come farfallette
- 5. Evviva Rosabella (original music by Baldassare Galuppi)
|
Transcriptions |
For voice and piano
|
P 099 |
1914 |
Ouverture carnevalesca |
Orchestra: large orchestra |
|
P 100 |
1914 |
Marie Victoire |
Opera |
Libretto by Edmond Guiraud
|
P 101 |
1914 |
Il tramonto |
Song: voice and orchestra |
Poemetto lirico for mezzo-soprano and string quartet. Text after P. B. Shelley
|
P 101a |
1914 |
Il tramonto |
Song: voice and instrument |
Version for voice and piano of P 101
|
P 102 |
1914 |
Sinfonia drammatica |
Orchestra: large orchestra |
|
P 103 |
1915 |
Quattro rispetti toscani
- 1. Quando nasceste voi
- 2. Venitelo a vedere 'l mí piccino
- 3. Viene di là, lontano lontano
- 4. Razzolan, sopra a l'aia, le galline
|
Song: voice and instrument |
For soprano and piano. Text by Arturo Birga
|
P 104 |
1915 |
La sensitiva |
Song: voice and orchestra |
Poema lirico for mezzo-soprano and orchestra. Text after P. B. Shelley
|
P 104a |
1915 |
La sensitiva |
Song: voice and instrument |
Version for voice and piano of P 104
|
P 105 |
1915 |
Canzone e danza. Sopra temi popolari russi per coro e orchestra. La canzone degli alatori e la canzone della strada |
Song: choir, voice and orchestra |
|
P 105b
|
1916
|
Toccata in D Dorian
|
Chamber music: piano
|
|
P 106 |
1916 |
Fontane di Roma
- 1. La fontana di Valle Giulia all'alba
- 2. La fontana del Tritone al mattino
- 3. La fontana di Trevi al meriggio
- 4. La fontana di Villa Medici al tramonto
|
Orchestra: large orchestra |
Symphonic poem
|
P 107 |
1917 |
Deità silvane
- 1. I fauni
- 2. Musica in horto
- 3. Egle
- 4. Acqua
- 5. Crepuscolo
|
Song: voice and instrument |
For soprano and piano. Text by Antonio Rubino
|
P 108 |
1917 |
Cinque liriche
- 1. I tempi assai lontani
- 2. Canto funebre (text by P. B. Shelley)
- 3. Par les soires
- 4. Par l'etreinte (text by Jacques de Fersen)
- 5. La fine (text by Rabindranath Tagore)
|
Song: voice and instrument |
For voice and piano
|
P 109 |
1917 |
Antiche danze ed arie per liuto. Prima suite (secolo XVI)
- 1. Balletto detto "Il conte Orlando" (original music by Simone Molinaro)
- 2. Gagliarda (original music by Vincenzo Galilei)
- 3. Villanella
- 4. Passo mezzo e mascherada
|
Transcriptions |
For orchestra
|
P 110 |
1917 |
Violin Sonata in B minor |
Chamber music |
For violin and piano
|
P 111 |
1917 |
Passacaglia |
Transcriptions |
For piano. Original music for organ by Girolamo Frescobaldi
|
P 112 |
1917 |
Preludio e fuga in G minor |
Transcriptions |
For piano. Original music for organ by Girolamo Frescobaldi
|
P 113 |
1917 |
Toccata e fuga in A minor |
Transcriptions |
For piano. Original music for organ by Girolamo Frescobaldi
|
P 114 |
1917 |
Antiche danze ed arie per liuto. Prima suite (secoli XVI-XVII)
- 1. Balletto detto "Il conte Orlando" (original music by Simone Molinaro)
- 2. Villanella
- 3. Gagliarda (original music by Vincenzo Galilei)
- 4. Italiana
- 5. Siciliana
- 6. Passacaglia (original music by Ludovico Roncalli)
|
Transcriptions |
For piano
|
P 115 |
1917 |
Fontane di Roma |
Chamber music: piano |
Version for piano four hands of P 106
|
P 116 |
1917 |
Antiche danze ed arie per liuto. Prima suite (secolo XVI) |
Transcriptions |
Version for piano four hands of P 114
|
P 117 |
1918 |
Ai lancieri "Vittorio Emanuele II" |
Song: choir, voice and orchestra |
Hymn for voices and trumpets
|
P 118 |
1918 |
Nun komm der Heiden Heiland |
Transcriptions |
For violin, cellos and double basses. Original music by Johann Sebastian Bach, on "Nun komm, der Heiden Heiland"
|
P 119 |
1918 |
Il flauto di Pane |
Song: voice and orchestra |
|
P 120 |
1918 |
La Boutique fantasque |
Ballet |
After music by Gioachino Rossini
|
P 120a |
1918 |
La Boutique fantasque |
Chamber music: piano |
Version for piano of P 120
|
P 121 |
1919 |
La donna sul sarcofago |
Song: voice and instrument |
For voice and piano. Text by Gabriele D'Annunzio
|
P 122 |
1919 |
La statua |
Song: voice and instrument |
For voice and piano. Text by Gabriele D'Annunzio
|
P 123 |
1919 |
Due liriche
- 1. Voici Noël
- 2. Il pleut, bergère (after L'hymnaire d'Adonis by J. de Fersen)
|
Song: voice and instrument |
For voice and piano
|
P 124 |
1919 |
Ballata delle gnomidi in A major |
Orchestra: large orchestra |
Symphonic poem after a text by Carlo Clausetti
|
P 125 |
1920 |
Quattro liriche
- 1. Un sogno
- 2. La Najade
- 3. La sera
- 4. Sopra un'aria antica
|
Song: voice and instrument |
For voice and piano. Text from Il poema paradisiaco by Gabriele D'Annunzio
|
P 126 |
1920 |
Le astuzie femminili |
Transcriptions |
Opera by Domenico Cimarosa revised by Respighi
|
P 127 |
1920 |
Intermezzo from La serva padrona |
Transcriptions |
Original music by Giovanni Paisiello
|
P 128 |
1920 |
Sèvres de la vieille France |
Ballet |
|
P 128a |
1920 |
Sèvres de la vieille France |
Chamber music: piano |
Piano version of P 128
|
P 129 |
1920 |
La pentola magica |
Ballet |
|
P 129a |
1920 |
La pentola magica |
Chamber music: piano |
Piano version of P 129
|
P 130 |
1920 |
Scherzo veneziano |
Ballet |
|
P 131 |
1920 |
Tre preludi sopra melodie gregoriane |
Chamber music: piano |
|
P 132 |
1921 |
Quattro liriche su parole di poeti armeni.
- 1. No, non è morto il figlio tuo
- 2. La mamma è come il pane caldo
- 3. Io sono la madre (text by Costant Zarian)
- 4. Mattino di luce, sole di giustizia
|
Song: voice and instrument |
For voice and piano
|
P 133 |
1921 |
Adagio con variazioni |
Orchestra: instrument and orchestra |
For cello and orchestra
|
P 134 |
1921 |
La bella addormentata nel bosco |
Opera |
Libretto by Gian Bistolfi. Marionette version of P 176
|
P 135 |
1921 |
Concerto gregoriano |
Orchestra: instrument and orchestra |
For violin and orchestra
|
P 135a |
1921 |
Concerto gregoriano |
Chamber music |
Version for violin and piano of P 135
|
P 136 |
1922 |
La primavera |
Song: choir, voice and orchestra |
Lyric poem
|
P 136a |
1922 |
La primavera |
Song: voice and instrument |
Version for voice and piano of P 136
|
P 137 |
1922 |
Belfagor |
Opera |
Libretto by Claudio Guastalla
|
P 138 |
1923 |
Antiche danze e arie per liuto. Seconda suite (secoli XVI-XVII)
- 1. Laura soave (original music by Fabritio Caroso)
- 2. Danza rustica (original music by Jean-Baptiste Besard)
- 3. Campanae parisienses (unknown author) - Aria (original music by Marin Mersenne)
- 4. Bergamasca (original music by Bernardo Gianoncelli)
|
Transcriptions |
For orchestra
|
P 139 |
1923 |
Antiche danze e arie per liuto. Seconda suite (secoli XVI-XVII) |
Transcriptions |
Piano version of P 138
|
P 140 |
1924 |
Belfagor |
Orchestra: large orchestra |
Ouverture from P 137
|
P 141 |
1924 |
Pini di Roma
- 1. I pini di villa Borghese
- 2. I pini presso una catacomba
- 3. I pini del Gianicolo
- 4. I pini della Via Appia
|
Orchestra: large orchestra |
Symphonic poem
|
P 142 |
1924 |
Pini di Roma |
Chamber music: piano |
Version for piano four hands of P 141
|
P 143 |
1924 |
Quattro arie scozzesi
- 1. Wen the Key come Hame
- 2. Within a Mile of Edinburgh
- 3. My Heart in the Highlands
- 4. The Pipe of Dundee
|
Song: voice and instrument |
For voice and piano
|
P 144 |
1924 |
Quartetto dorico |
Chamber music |
For string quartet
|
P 145 |
1925 |
Concerto in modo misolidio |
Orchestra: instrument and orchestra |
For piano and orchestra
|
P 145a |
1925 |
Concerto in modo misolidio |
Chamber music: piano |
Version for two pianos of P 145
|
P 146 |
1925 |
Poema autunnale |
Orchestra: instrument and orchestra |
For violin and orchestra
|
P 146a |
1925 |
Poema autunnale |
Chamber music |
Version for violin and piano of P 146
|
P 147 |
1925 |
Deità silvane
- 1. I fauni
- 2. Musica in horto
- 3. Egle
- 4. Acqua
- 5. Crepuscolo
|
Song: voice and orchestra |
Lyrics for soprano and chamber orchestra
|
P 148 |
1925 |
Rossiniana
- 1. Capri e Taormina
- 2. Lamento
- 3. Intermezzo
- 4. Tarantella puro sangue
|
Orchestra: large orchestra |
Orchestral suite after Les riens by Gioachino Rossini
|
P 149 |
1926 |
Sei pezzi per bambini
- 1. Romanza
- 2. Canto di caccia siciliano
- 3. Canzone armena
- 4. Natale, Natale!
- 5. Cantilena scozzese
- 6. Piccoli Highlanders
|
Chamber music: piano |
For piano four hands
|
P 150 |
1926 |
Vetrate di chiesa. Quattro impressioni per orchestra
- 1. La fuga in Egitto
- 2. S. Michele Arcangelo
- 3. Il mattutino di S. Chiara
- 4. S. Gregorio Magno
|
Orchestra: large orchestra |
|
P 151 |
1927 |
Trittico botticelliano
- 1. La Primavera
- 2. L'adorazione dei Magi
- 3. La nascita di Venere
|
Orchestra: small orchestra |
|
P 152 |
1927 |
La campana sommersa |
Opera |
Libretto by Claudio Guastalla
|
P 153 |
1928 |
Impressioni brasiliane (Suite brasiliana)
- 1. Notte tropicale
- 2. Butantan
- 3. Canzone e danza
|
Orchestra: large orchestra |
|
P 154 |
1928 |
Gli uccelli
- 1. Preludio (after music by Bernardo Pasquini)
- 2. La colomba (after music by Jacques de Gallot)
- 3. La gallina (after music by Jean-Philippe Rameau)
- 4. L'usignolo
- 5. Il cucú (after music by Bernardo Pasquini)
|
Orchestra: small orchestra |
Suite for small orchestra
|
P 154a |
1928 |
Gli uccelli |
Chamber music: piano |
Piano version of P 154
|
P 155 |
1928 |
Canzone sarda |
Song: voice and instrument |
For voice and piano
|
P 156 |
1928 |
Toccata |
Orchestra: instrument and orchestra |
For piano and orchestra
|
P 157 |
1928 |
Feste Romane
- 1. Circenses
- 2. Il Giubileo
- 3. L'Ottobrata
- 4. La Befana
|
Orchestra: large orchestra |
Symphonic poem
|
P 158 |
1929 |
Preludio e fuga in D major |
Transcriptions |
For orchestra. Original music by Johann Sebastian Bach
|
P 159 |
1930 |
Passacaglia |
Transcriptions |
For orchestra. Original music by Johann Sebastian Bach
|
P 160 |
1930 |
5 Etude-tableaux |
Transcriptions |
Orchestration by Respighi. Original music by Sergei Rachmaninoff
|
P 161 |
1930 |
Vocalism |
Song: voice and instrument |
For soprano or tenor and piano
|
P 162 |
1930 |
Vocalism |
Song: voice and instrument |
For mezzo-soprano or baritone and piano
|
P 163 |
1930 |
Vocalism |
Song: voice and instrument |
For contralto or bass and piano
|
P 164 |
1930 |
Le funtanelle |
Song: voice and instrument |
For voice and piano. Popular melody from Abruzzo
|
P 165 |
1930 |
Due liriche
- 1. Mon elué
- 2. Kroung (La Cigogne)
|
Song: voice and instrument |
For voice and piano
|
P 166 |
1930 |
Lauda per la natività del Signore |
Song: choir, voice and orchestra |
For voices, choir, pastoral instruments and piano four hands. Text by Jacopone da Todi
|
P 167 |
1930 |
Tre Corali
- 1. Nun komm, der Heiden Heiland
- 2. Meine Seele erhebt den Herren
- 3. Wachet auf, ruft uns die Stimme
|
Transcriptions |
For orchestra. From Choralvorspiele for organ by Johann Sebastian Bach
|
P 168 |
1930 |
Suite della tabacchiera |
Chamber music |
Scherzo for wind instruments and piano four hands
|
P 169 |
1930 |
Metamorphoseon modi XII |
Orchestra: large orchestra |
Theme and variations for orchestra
|
P 170 |
1931 |
Maria egiziaca |
Opera |
Libretto by Claudio Guastalla
|
P 171 |
1931 |
Belkis, regina di Saba |
Ballet |
|
P 171a |
1931 |
Belkis, regina di Saba |
Song: voice and instrument |
Version for voice and piano of P 171
|
P 172 |
1931 |
Antiche danze ed arie per liuto. Terza suite (secoli XVI-XVII)
- 1. Italiana
- 2. Arie di corte (original music by Jean-Baptiste Besard)
- 3. Siciliana
- 4. Passacaglia (original music by Ludovico Roncalli)
|
Transcriptions |
For orchestra
|
P 173 |
1932 |
Huntingtower |
Orchestra: music for band |
Ballade for band
|
P 174 |
1933 |
Concerto a cinque |
Orchestra: instrument and orchestra |
For oboe, trumpet, violin, double bass, piano and string orchestra
|
P 175 |
1933 |
La fiamma |
Opera |
Libretto by Claudio Guastalla
|
P 176 |
1933 |
La bella dormente nel bosco |
Opera |
Libretto by Gian Bistolfi. Standard opera version of P 134
|
P 177 |
1934 |
Belkis, regina di Saba |
Orchestra: large orchestra |
Suite from ballet P 171
|
P 178 |
1934 |
Orfeo |
Transcriptions |
Revision by Respighi of the opera by Claudio Monteverdi. Libretto revised by Claudio Guastalla
|
P 179 |
1935 |
Didone |
Transcriptions |
Cantata for soprano and orchestra. Original music by Benedetto Marcello
|
P 180 |
1935 |
Lucrezia |
Opera |
Libretto by Claudio Guastalla. Music completed by Elsa Respighi and Ennio Porrino
|
P 181 |
Unknown |
Sonata in A minor |
Chamber music: piano |
First version
|
P 182 |
Unknown |
Sonata in A minor |
Chamber music: piano |
Second version
|
P 183 |
Unknown |
Presto |
Chamber music: piano |
|
P 184 |
Unknown |
Lento |
Chamber music: piano |
|
P 185 |
Unknown |
Scherzo |
Chamber music: piano |
|
P 186 |
Unknown |
Allegretto vivace |
Chamber music |
For violin and piano
|
P 187 |
Unknown |
Giga |
Chamber music |
For violin and piano
|
P 188 |
Unknown |
Adagio con variazioni |
Chamber music |
For cello and piano
|
P 189 |
Unknown |
Sonata |
Chamber music |
For cello and piano
|
P 190 |
Unknown |
String quartet in D major |
Chamber music |
|
P 191 |
Unknown |
Scherzo |
Chamber music |
For string quartet
|
P 192 |
Unknown |
La Pirrica |
Transcriptions |
For orchestra. Original music (Polacca and Preludio) by Frédéric Chopin
|
P 193 |
Unknown |
Untitled symphonic composition |
Orchestra: large orchestra |
Unfinished
|
P 194 |
Unknown |
Cello concerto in D major no. 2 |
Transcriptions |
Orchestral version. Original music by Luigi Boccherini
|
P 195 |
Unknown |
Follia di Spagna |
Transcriptions |
For violin and small orchestra. Original music by Arcangelo Corelli
|
P 196 |
Unknown |
Solvejgs Lied |
Transcriptions |
For choir. Original music by Edvard Grieg
|
P 197 |
Unknown |
Inno omerico ad Atena |
Song: choir, voice and orchestra |
Incidental music. Text by R. Cantarella. Unfinished
|
P 198 |
Unknown |
Kirie |
Song: voices |
Lost
|
P 199 |
Unknown |
Tre canti
- 1. Ballata
- 2. Stornellatrice
- 3. Notte
|
Song: voice and orchestra |
For baritone and orchestra
|