Genre
|
Opus
|
R
|
Date
|
French title (original title)
|
English title
|
Scoring
|
Notes
|
Opera |
— |
289 |
1864–1865 |
Le timbre d'argent |
The Silver Bell |
|
Drame lyrique in 4 acts; libretto by Jules Barbier and Michel Carré; first performance in 1877
|
Opera |
30 |
287 |
1872 |
La princesse jaune |
The Yellow Princess |
|
Opéra comique in 1 act; libretto by Louis Gallet
|
Opera |
47 |
288 |
1877 |
Samson et Dalila |
Samson and Dalila |
|
Opera in 3 acts; libretto by Ferdinand Lemaire
|
Opera |
— |
290 |
1879 |
Étienne Marcel |
Étienne Marcel |
|
Opera in 4 acts; libretto by Louis Gallet
|
Opera |
— |
291 |
1881–1882 |
Henry VIII |
Henry VIII |
|
Opera in 4 acts; libretto by Léonce Détroyat and Armand Silvestre
|
Opera |
— |
292 |
1887 |
Proserpine |
Proserpine |
|
Drame lyrique in 4 acts; libretto by Louis Gallet after Auguste Vacquerie
|
Opera |
— |
293 |
1887–1888 |
Ascanio |
Ascanio |
|
Opera in 5 acts; libretto by Louis Gallet after the play Benvenuto Cellini by Paul Meurice
|
Opera |
— |
294 |
1893 |
Phryné |
Phryné |
|
Opéra comique in 2 acts; libretto by Lucien Augé de Lassus
|
Opera |
— |
|
1895 |
Frédégonde |
Frédégonde |
|
Drame lyrique in 5 acts; libretto by Louis Gallet
|
Opera |
— |
295 |
1900–1901 |
Les barbares |
|
|
Tragédie lyrique in 3 acts; libretto by Victorien Sardou and Pierre-Barthélemy Gheusi
|
Opera |
— |
296 |
1902–1903 |
Hélène |
Hélène |
|
Poème lyrique in 1 act; libretto by the composer
|
Opera |
— |
297 |
1905 |
L'ancêtre |
L'ancêtre |
|
Drame lyrique in 3 acts; libretto by Lucien Augé de Lassus
|
Opera |
— |
298 |
1909–1910 |
Déjanire |
Déjanire |
|
Drame lyrique in 4 acts; libretto by the composer after the play by Louis Gallet; original version: 1892 incidental music for the play by Gallet
|
Ballet |
— |
306 |
1896 |
Javotte |
Javotte |
|
Ballet in 1 act; libretto by Jean-Louis Croze
|
Film |
128 |
331 |
1908 |
L'assassinat du duc de Guise |
The Assassination of the Duke of Guise |
|
produced Paris, Salle Charras, 16 November 1908
|
Incidental |
— |
|
1892 |
Déjanire |
Déjanire |
|
Incidental music for the play by Louis Gallet; revised as an opera in 1911
|
Incidental |
— |
317 |
1893 |
Antigone |
Antigone |
|
Incidental music for the play by Sophocles in French adaptation by Paul Meurice and Auguste Vacquerie
|
Incidental |
— |
312 |
1902 |
Parysatis |
Parysatis |
|
Incidental music for the play by Jane Dieulafoy
|
Incidental |
— |
320 |
1902 |
Andromaque |
Andromaque |
|
Incidental music for the play by Jean Racine
|
Incidental |
130 |
321 |
1908 |
La foi |
La foi |
|
Incidental music for the play by Eugène Brieux; also adapted for the concert stage as 3 Symphonic Pictures after "La Foi"
|
Incidental |
— |
|
1917 |
On ne badine pas avec l'amour |
|
|
Incidental music for the play by Alfred de Musset
|
Orchestral |
— |
|
c. 1850 |
Ouverture d'un opéra comique |
Comic Opera Overture in e minor |
for orchestra |
|
Orchestral |
— |
|
c. 1850 |
Scherzo en la majeur |
Scherzo in A major |
for chamber orchestra |
|
Orchestral |
— |
159 |
c. 1850 |
Symphonie en la majeur |
Symphony in A major |
for orchestra |
|
Orchestral |
2 |
|
1853 |
Symphonie nº 1 en mi bémol majeur |
Symphony No. 1 in E♭ major |
for orchestra |
|
Orchestral |
— |
162 |
1854 |
Ouverture d'un opéra comique inachevé en sol majeur |
Overture to an Unfinished Comic Opera in G major |
for orchestra |
|
Orchestral |
— |
163 |
1856 |
Symphonie en fa majeur "Urbs Roma" |
Symphony in F major "Urbs Roma" |
for orchestra |
|
Orchestral |
55 |
|
1859 |
Symphonie nº 2 en la mineur |
Symphony No. 2 in A minor |
for orchestra |
|
Orchestral |
49 |
165 |
1863 |
Suite en ré majeur - Prélude
- Sarabande
- Gavotte
- Romance
- Finale
|
Suite in D major - Prélude
- Sarabande
- Gavotte
- Romance
- Finale
|
for orchestra |
|
Orchestral |
— |
166 |
1863 |
Spartacus, Ouverture en mi bémol majeur |
Spartacus, Overture in E♭ major |
for orchestra |
after the tragedy by Alphonse Pagès
|
Orchestral |
7b |
177 |
1866, 1891 |
Rhapsodie bretonne |
Rhapsodie bretonne |
for orchestra |
1891 orchestration of 3 Rhapsodies sur des cantiques bretons for organ
|
Orchestral |
25 |
|
1869 |
Orient et occident |
|
for orchestra |
original for military band
|
Orchestral |
34 |
168 |
1871 |
Marche héroïque en mi bémol majeur |
Heroic March in E♭ major |
for orchestra |
also exists in versions for piano 4-hands (1870), and 2-piano 8-hands
|
Orchestral |
— |
|
1872 |
Chant du soir (Abendlied) |
Evening Song |
for orchestra |
transcription of Abendlied (for piano 4-hands), Op. 85 No. 12 from 12 Klavierstücke für kleine und große Kinder by Robert Schumann; also a version for piano 2-hands
|
Orchestral |
31 |
169 |
1872 |
Le rouet d'Omphale en la majeur |
The Spinning Wheel of Omphale in A major |
for orchestra |
|
Orchestral |
39 |
170 |
1873 |
Phaéton en ut majeur |
Phaéton in C major |
for orchestra |
|
Orchestral |
40 |
171 |
1874 |
Danse macabre, Poème symphonique en sol mineur |
Danse macabre, Symphonic Poem in G minor |
for orchestra |
|
Orchestral |
50 |
172 |
1877 |
La jeunesse d'Hercule en mi bémol majeur |
|
for orchestra |
|
Orchestral |
60 |
173 |
1880 |
Suite algérienne en ut majeur - Prélude
- Rhapsodie mauresque
- Rêverie du soir
- Marche militaire française
|
|
for orchestra |
recorded by the composer in piano reduction in 1919
|
Orchestral |
63 |
175 |
1880 |
Une nuit à Lisbonne en mi bémol majeur |
|
for orchestra |
|
Orchestral |
64 |
174 |
1880 |
La jota aragonese en la majeur |
|
for orchestra |
|
Orchestral |
69 |
|
1881 |
Hymne à Victor Hugo |
Hymn to Victor Hugo |
for orchestra (with chorus ad libitum) |
|
Orchestral |
78 |
176 |
1886 |
Symphonie nº 3 ("avec orgue") en ut mineur |
Symphony No. 3 "Organ Symphony" in C minor |
for orchestra |
|
Orchestral |
93 |
|
1892 |
Sarabande et rigaudon en mi majeur |
Sarabande and Rigaudon in E major |
for orchestra |
|
Orchestral |
117 |
180 |
1902 |
Marche du couronnement |
Coronation March in E♭ major |
for orchestra |
written for the Coronation of Edward VII of the United Kingdom
|
Orchestral |
130 |
|
1908 |
Trois tableaux symphoniques d'après La foi |
3 Symphonic Pictures after "La Foi" |
for orchestra |
adapted from the incidental music for the play by Eugène Brieux
|
Orchestral |
133 |
181 |
1910 |
Ouverture de fête en fa majeur |
|
for orchestra |
|
Orchestral |
— |
|
1915 |
Hail! California |
Hail! California |
for orchestra, band and organ |
composed for the 1915 Panama–Pacific International Exposition[1]
|
Band |
25 |
|
1869 |
Orient et occident |
|
for military band |
also arranged for orchestra by the composer
|
Band |
— |
|
1900 |
Hymne franco-espagnol |
|
|
|
Band |
125 |
|
1908 |
Sur les bords du Nil, Marche militaire |
|
for military band |
also for piano 4-hands
|
Band |
152 |
|
1918 |
Vers la victoire, Pas redoublé pour musique militaire |
|
for military band |
Two-step; also for piano 4-hands
|
Band |
155 |
153 |
1918 |
Marche interalliée |
|
for military band |
also for piano 4-hands
|
Concertante |
6 |
183 |
1857 |
Tarantelle |
Tarantelle in A minor |
for flute, clarinet and orchestra |
|
Concertante |
17 |
185 |
1858 |
Concerto pour piano nº 1 en ré majeur |
Piano Concerto No. 1 in D major |
for piano and orchestra |
|
Concertante |
58 |
184 |
1858 |
Concerto pour violon nº 2 en ut majeur |
Violin Concerto No. 2 in C major |
for violin and orchestra |
|
Concertante |
20 |
186 |
1859 |
Concerto pour violon nº 1 en la majeur |
Violin Concerto No. 1 in A major |
for violin and orchestra |
|
Concertante |
16b |
211 |
1862, 1919 |
Suite - Prélude
- Sérénade
- Gavotte
- Romance
- Tarantelle
|
Suite - Prélude
- Sérénade
- Gavotte
- Romance
- Tarantelle
|
for cello and orchestra |
original version for cello and piano
|
Concertante |
28 |
188 |
1863 |
Introduction et rondo capriccioso en la mineur |
Introduction and Rondo Capriccioso in A minor |
for violin and orchestra |
|
Concertante |
22 |
190 |
1868 |
Concerto pour piano nº 2 en sol mineur |
Piano Concerto No. 2 in G minor |
for piano and orchestra |
|
Concertante |
29 |
191 |
1869 |
Concerto pour piano nº 3 en mi bémol majeur |
Piano Concerto No. 3 in E♭ major |
for piano and orchestra |
|
Concertante |
37 |
192 |
1871 |
Romance en ré bémol majeur |
Romance in D♭ major |
for flute and piano or orchestra |
|
Concertante |
33 |
193 |
1872 |
Concerto pour violoncelle nº 1 en la mineur |
Cello Concerto No. 1 in A minor |
for cello and orchestra |
|
Concertante |
36 |
195 |
1874 |
Romance en fa majeur |
Romance in F major |
for horn (or cello) and orchestra |
|
Concertante |
48 |
196 |
1874 |
Romance en ut majeur |
Romance in C major |
for violin and orchestra |
|
Concertante |
44 |
197 |
1875 |
Concerto pour piano nº 4 en ut mineur |
Piano Concerto No. 4 in C minor |
for piano and orchestra |
|
Concertante |
— |
|
c. 1878 |
Cadences pour le concerto en sol de Beethoven |
Cadenzas for Beethoven's Piano Concerto No. 4 |
for piano |
|
Concertante |
61 |
198 |
1880 |
Concerto pour violon nº 3 en si mineur |
Violin Concerto No. 3 in B minor |
for violin and orchestra |
|
Concertante |
62 |
|
1880 |
Morceau de concert en mi mineur |
Concert Piece in E minor |
for violin and orchestra |
|
Concertante |
67 |
189 |
1885 |
Romance en mi majeur |
Romance in E major |
for horn (or cello) and orchestra |
also for horn (or cello) and piano
|
Concertante |
70 |
37 |
1884 |
Allegro appassionato en ut dièse mineur |
Allegro appassionato in C♯ minor |
for piano and orchestra |
also for piano solo
|
Concertante |
73 |
|
1884 |
Rhapsodie d'Auvergne en ut majeur |
Rhapsody of the Auvergne in C Major |
for piano and orchestra |
also for piano solo
|
Concertante |
76 |
124 |
1885 |
Wedding Cake, Caprice-valse en la bémol majeur |
Wedding Cake, Caprice-valse in A♭ major |
for piano and orchestra |
|
Concertante |
83 |
202 |
1887 |
Havanaise en mi majeur |
Havanaise in E major |
for violin and orchestra |
|
Concertante |
94 |
|
1887 |
Morceau de concert en fa mineur |
Concert Piece in F minor |
for horn and orchestra |
|
Concertante |
89 |
204 |
1891 |
Africa en sol mineur |
Africa in G minor |
for piano and orchestra |
Also for piano solo
|
Concertante |
103 |
205 |
1896 |
Concerto pour piano nº 5 "L'Égyptien" en fa majeur |
Piano Concerto No. 5 "Egyptian" in F major |
for piano and orchestra |
|
Concertante |
— |
|
1900 |
Cadences pour le concerto de violon de Beethoven |
Cadenzas for Beethoven's Violin Concerto |
for violin |
|
Concertante |
119 |
|
1902 |
Concerto pour violoncelle nº 2 en ré mineur |
Cello Concerto No. 2 in D minor |
for cello and orchestra |
|
Concertante |
122 |
207 |
1904 |
Caprice andalou en sol majeur |
Caprice andalou in G major |
for violin and orchestra |
|
Concertante |
— |
|
1906 |
Andante extrait d'un concerto pour piano |
|
for violin and orchestra (or piano) |
transcription of movement II from Piano Concerto No. 21, K.467 by Wolfgang Amadeus Mozart
|
Concertante |
132 |
208 |
1910 |
La muse et le poète en mi mineur |
La muse et le poète in E minor |
for violin, cello and orchestra (or piano) |
|
Concertante |
— |
281 |
1911 |
Cadences pour le concerto en mi bémol de Mozart |
Cadenzas for Mozart's Piano Concerto No. 22, K.482 |
for piano |
|
Concertante |
— |
279 |
1911 |
Cadences pour le concerto en ut mineur de Mozart |
Cadenzas for Mozart's Piano Concerto No. 24, K.491 |
for piano |
|
Concertante |
154 |
|
1918 |
Morceau de concert en sol majeur |
Concert Piece in G major |
for harp and orchestra |
|
Concertante |
156 |
210 |
1919 |
Cyprès et lauriers en ré mineur |
|
for organ and orchestra |
|
Concertante |
162 |
212 |
1920 |
Odelette en ré majeur |
Odelette in D major |
for flute and orchestra |
|
Chamber music |
— |
107 |
1851–1853 |
Quatuor en mi majeur pour piano et cordes |
Piano Quartet in E major |
for violin, viola, cello and piano |
|
Chamber music |
14 |
|
1855 |
Quintette en la mineur pour piano et cordes |
Piano Quintet in A minor |
for 2 violins, viola, cello and piano |
|
Chamber music |
— |
|
1859 |
Caprice brillant en si mineur |
Caprice brillant in B minor |
for violin and piano |
|
Chamber music |
16 |
112 |
1862 |
Suite - Prélude
- Sérénade
- Scherzo
- Romance
- Finale
|
Suite - Prélude
- Sérénade
- Scherzo
- Romance
- Finale
|
for cello and piano |
also a version for cello and orchestra
|
Chamber music |
18 |
|
1863 |
Trio nº 1 en fa majeur pour piano, violon et violoncelle |
Piano Trio No. 1 in F major |
for violin, cello and piano |
|
Chamber music |
15 |
114 |
1865 |
Sérénade en mi bémol majeur |
Sérénade in E♭ major |
for piano, organ, violin, and viola or cello |
|
Chamber music |
27 |
|
1868 |
Romance |
Romance in B♭ major |
for violin, piano and organ |
|
Chamber music |
— |
|
1869 |
Marche religieuse de Lohengrin |
|
for violin, harmonium and piano |
transcription from the opera Lohengrin by Richard Wagner
|
Chamber music |
— |
|
c. 1870 |
Les odeurs de Paris |
|
for chamber ensemble |
|
Chamber music |
38 |
|
1871 |
Berceuse en si bémol majeur |
Berceuse in B♭ major |
for violin and piano |
|
Chamber music |
32 |
|
1872 |
Sonate pour violoncelle nº 1 en ut mineur |
Cello Sonata No. 1 in C minor |
for cello and piano |
|
Chamber music |
41 |
|
1875 |
Quatuor en si bémol majeur pour piano et cordes |
Piano Quartet in B♭ major |
for violin, viola, cello and piano |
|
Chamber music |
43 |
194 |
1875 |
Allegro appassionato en si mineur |
Allegro appassionato in B minor |
for cello and piano (or orchestra) |
version with orchestra, R 119
|
Chamber music |
— |
|
1875 |
Orphée, Poème symphonique |
|
for violin, cello and piano |
transcription of the symphonic poem Orpheus, S.98 (1853–1854) by Franz Liszt
|
Chamber music |
51 |
|
1877 |
Romance en ré majeur |
Romance in D major |
for cello and piano |
|
Chamber music |
65 |
122 |
1881 |
Septuor en mi bémol majeur |
Septet in E♭ major |
for trumpet, 2 violins, viola, cello, double bass and piano |
|
Chamber music |
67 |
|
1885 |
Romance en mi majeur |
Romance in E major |
for horn (or cello) and piano |
also for horn (or cello) and orchestra
|
Chamber music |
75 |
123 |
1885 |
Sonate pour violon nº 1 en ré mineur |
Violin Sonata No. 1 in D minor |
for violin and piano |
|
Chamber music |
— |
125 |
1886 |
Le carnaval des animaux, grande fantaisie zoologique |
The Carnival of the Animals (Le cygne) |
for 2 pianos, 2 violins, viola, cello, double bass, flute (also piccolo), clarinet, glass harmonica and xylophone |
|
Chamber music |
79 |
126 |
1887 |
Caprice sur des airs danois et russes |
|
for flute, oboe, clarinet and piano |
|
Chamber music |
91 |
127 |
1892 |
Chant saphique |
|
for cello and piano |
|
Chamber music |
92 |
129 |
1892 |
Trio nº 2 en mi mineur pour piano, violon et violoncelle |
Piano Trio No. 2 in E minor |
for violin, cello and piano |
|
Chamber music |
95 |
|
1893 |
Fantaisie |
Fantaisie |
for harp |
in A minor
|
Chamber music |
102 |
130 |
1896 |
Sonate pour violon nº 2 en mi bémol majeur |
Violin Sonata No. 2 in E♭ major |
for violin and piano |
|
Chamber music |
108 |
|
1897 |
Barcarolle en fa majeur |
Barcarolle in F major |
for violin, cello, harmonium and piano |
|
Chamber music |
— |
|
1897 |
Nocturne sur des motifs d'Hellé, opéra d'Alphonse Duvernoy |
|
for violin and piano |
transcription after the 1896 opera Hellé by Victor Alphonse Duvernoy; also a version for piano solo
|
Chamber music |
112 |
|
1899 |
Quatuor à cordes nº 1 en mi mineur |
String Quartet No. 1 in E minor |
for 2 violins, viola and cello |
|
Chamber music |
123 |
135 |
1905 |
Sonate pour violoncelle nº 2 en fa majeur |
Cello Sonata No. 2 in F major |
for cello and piano |
|
Chamber music |
124 |
|
1907 |
Fantaisie |
Fantaisie |
for violin and harp |
|
Chamber music |
136 |
|
1912 |
Triptyque - Prémice
- Vision congolaise
- Joyeuseté
|
Triptyque |
for violin and piano |
|
Chamber music |
143 |
|
1915 |
Élégie |
Élégie [No. 1] |
for violin and piano |
|
Chamber music |
144 |
140 |
1915 |
Cavatine en ré bémol majeur |
Cavatine in D♭ major |
for trombone and piano |
|
Chamber music |
— |
|
c. 1918 |
L'air de la pendule |
|
for violin and piano |
|
Chamber music |
153 |
|
1918 |
Quatuor à cordes nº 2 en sol majeur |
String Quartet No. 2 in G major |
for 2 violins, viola and cello |
|
Chamber music |
158 |
143 |
1919 |
Prière |
|
for cello (or violin) and organ |
version for violin, R 144
|
Chamber music |
160 |
145 |
1920 |
Élégie |
Élégie [No. 2] |
for violin and piano |
|
Chamber music |
166 |
146 |
1921 |
Sonate pour hautbois en ré majeur |
Oboe Sonata in D major |
for oboe and piano |
|
Chamber music |
167 |
147 |
1921 |
Sonate pour clarinette en mi bémol majeur |
Clarinet Sonata in E♭ major |
for clarinet and piano |
|
Chamber music |
168 |
148 |
1921 |
Sonate pour basson en sol majeur |
Bassoon Sonata in G major |
for bassoon and piano |
|
Chamber music |
— |
108 |
1853 |
Adagio en mi bémol majeur |
Adagio in E♭ major |
for horn and organ |
|
Chamber music |
— |
|
|
Gavotte |
Gavotte |
for cello and piano or orchestra |
|
Keyboard |
1 |
|
1852 |
Trois morceaux |
3 Pieces |
for harmonium |
|
Keyboard |
8 |
110 |
1858 |
Six Duos |
6 Duets |
for harmonium and piano |
|
Keyboard: organ |
— |
|
c. 1853 |
Deux pièces |
2 Pieces |
for organ |
|
Keyboard: organ |
— |
78 |
1857 |
Fantaisie en mi bémol majeur |
Fantaisie in E♭ major |
for organ |
|
Keyboard: organ |
9 |
80 |
1859 |
Bénédiction nuptiale |
Bénédiction nuptiale in F major |
for organ |
|
Keyboard: organ |
— |
|
1863 |
La prédication aux oiseaux, St François d'Assise, Légende |
|
for organ |
transcription of the first St. Francis Legend, S. 175 No. 1 by Franz Liszt
|
Keyboard: organ |
13 |
80 |
1865 |
Élévation, ou communion |
Élévation, or Communion in E major |
for organ or harmonium |
|
Keyboard: organ |
7 |
87 |
1866 |
3 Rhapsodies sur des cantiques bretons, Pélérinage au pardon de Sainte Anne-la-Palud |
|
for organ |
orchestrated in 1891 as Rhapsodie bretonne, Op. 7b
|
Keyboard: organ |
99 |
|
1894 |
Trois préludes et fugues - Prélude et fugue en mi majeur
- Prélude et fugue en si majeur
- Prélude et fugue en mi bémol majeur
|
3 Préludes and Fugues - Prélude and Fugue in E major
- Prélude and Fugue in B major
- Prélude and Fugue in E♭ major
|
for organ |
|
Keyboard: organ |
101 |
|
1895 |
Fantaisie nº 2 en ré bémol majeur |
Fantaisie No. 2 in D♭ major |
for organ |
|
Keyboard: organ |
107 |
96 |
1897 |
Marche religieuse en fa majeur |
|
for organ |
|
Keyboard: organ |
109 |
|
1898 |
Trois préludes et fugues - Prélude et fugue en ré mineur
- Prélude et fugue en sol majeur
- Prélude et fugue en ut majeur
|
3 Préludes and Fugues - Prélude and Fugue in D minor
- Prélude and Fugue in G major
- Prélude and Fugue in C major
|
for organ |
|
Keyboard: organ |
150 |
100 |
1916–1917 |
Sept improvisations |
7 Improvisations |
for organ |
|
Keyboard: organ |
157 |
|
1919 |
Fantaisie nº 3 en ut majeur |
Fantaisie No. 3 in C major |
for organ |
|
Keyboard: organ |
— |
|
|
Cinq morceaux |
5 Pieces |
for organ or harmonium |
|
Keyboard: organ |
— |
|
|
Morceau |
|
for organ |
|
Keyboard: organ |
— |
|
|
Prélude en fa majeur |
Prélude in F major |
for organ |
|
Keyboard: piano |
135 |
54 |
1912 |
Six Études pour la main gauche seule - Prélude
- Alla fuga
- Moto perpetuo
- Bourrée
- Élégie
- Gigue
|
6 Études for the Left Hand - Prélude
- Alla fugue
- Moto perpetuo
- Bourrée
- Élégie
- Gigue
|
for piano left hand |
|
Keyboard: piano |
— |
|
c. 1850 |
Variations sur le chœur de Judas Macchabée |
Variations on the Chorus from Judas Maccabaeus |
for piano 4-hands |
theme: "See, the Conqu'ring Hero Comes!", Act III chorus from the oratorio Judas Maccabaeus, HWV 63 by George Frideric Handel
|
Keyboard: piano |
11 |
|
1855 |
Duettino |
Duettino in G major |
for piano 4-hands |
|
Keyboard: piano |
59 |
|
1880 |
König Harald Harfagar |
König Harald Harfagar |
for piano 4-hands |
|
Keyboard: piano |
81 |
61 |
1887 |
Feuillet d'album |
|
for piano 4-hands |
|
Keyboard: piano |
86 |
150 |
1887 |
Pas redoublé en si bémol majeur |
|
for piano 4-hands |
|
Keyboard: piano |
105 |
63 |
1896 |
Berceuse en mi majeur |
Berceuse in E major |
for piano 4-hands |
|
Keyboard: piano |
125 |
|
1908 |
Sur les bords du Nil, Marche militaire |
|
for piano 4-hands |
original for military band
|
Keyboard: piano |
152 |
|
1918 |
Vers la victoire, Pas redoublé pour musique militaire |
|
for piano 4-hands |
original: two-step for military band; arrangement by the composer
|
Keyboard: piano |
155 |
64 |
1918 |
Marche interalliée |
|
for piano 4-hands |
original for military band; arrangement by the composer
|
Keyboard: piano |
163 |
65 |
1921 |
Marche dédiée aux étudiants d'Alger |
|
for piano 4-hands with chorus ad libitum |
|
Keyboard: piano |
8b |
70 |
1858, 1897 |
Duo |
Duo |
for 2 pianos |
after the 6 Duets for harmonium and piano
|
Keyboard: piano |
35 |
66 |
1874 |
Variations sur un thème de Beethoven |
Variations on a Theme of Beethoven in E♭ major |
for 2 pianos |
theme: Trio from movement III, Menuetto, of Ludwig van Beethoven's Piano Sonata No. 18, Op. 31 No. 3 (1802)
|
Keyboard: piano |
96 |
69 |
1884 |
Caprice arabe |
|
for 2 pianos |
|
Keyboard: piano |
— |
|
1884 |
Lenore, poème symphonique pour orchestre d'après la Ballade de Bürger |
Lenore, Symphonic Poem after the Ballade de Bürger |
for 2 pianos |
transcription of the symphonic poem by Henri Duparc
|
Keyboard: piano |
77 |
67 |
1885 |
Polonaise en fa mineur |
Polonaise in F minor |
for 2 pianos |
|
Keyboard: piano |
87 |
68 |
1889 |
Scherzo |
|
for 2 pianos |
|
Keyboard: piano |
106 |
71 |
1898 |
Caprice héroïque |
|
for 2 pianos |
|
Keyboard: piano |
— |
|
1907 |
Sonate en si bémol mineur de Frédéric Chopin, Op. 35 |
Sonata in B♭ Minor by Frédéric Chopin, Op. 35 |
for 2 pianos |
transcription
|
Keyboard: piano |
— |
|
1914 |
Sonate en si mineur de Franz Liszt |
Sonata in B Minor by Franz Liszt |
for 2 pianos |
transcription
|
Keyboard: piano |
— |
7 |
1841 |
Andante en sol majeur |
Andante in G major |
for piano |
|
Keyboard: piano |
— |
15 |
1842 |
Allegretto en mi bémol majeur |
Allegretto in E♭ major |
for piano |
|
Keyboard: piano |
— |
|
c. 1843 |
Valse |
Waltz |
for piano |
|
Keyboard: piano |
3 |
25 |
1855 |
Six bagatelles |
6 Bagatelles |
for piano |
|
Keyboard: piano |
— |
|
1858 |
Scherzo du Songe d'une nuit d'été de Mendelssohn |
Scherzo from "A Midsummer Night's Dream" by Mendelssohn |
for piano |
transcription from A Midsummer Night's Dream by Felix Mendelssohn
|
Keyboard: piano |
— |
|
1858–1859 |
Trois transcriptions de quatuors de Beethoven - Adagio du 6me quatuor
- Scherzo du 7me quatuor
- Finale du 9me quatuor
|
3 Transcriptions from String Quartets by Beethoven |
for piano |
transcription of string quartet movements by Ludwig van Beethoven
|
Keyboard: piano |
— |
|
c. 1861 |
Adagio de la 3e cantate d'église |
|
for piano |
transcription after Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Air de la 36e cantate d'église |
|
for piano |
transcription after Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Andante de la 3e Sonate de Violon |
|
for piano |
transcription from Sonata for Violin No. 2, BWV 1003 by Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Andantino de la 8e cantate d'église |
|
for piano |
transcription after Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Bourrée de la 2e Sonate de Violon |
|
for piano |
transcription of Tempo di Borea from Partita for Violin No. 1, BWV 1002 by Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Chœur de la 30e cantate d'église |
|
for piano |
transcription after Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Fugue de la 5e Sonate de Violon |
|
for piano |
transcription from Sonata for Violin No. 3, BWV 1005 by Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Gavotte de la 6e Sonate de Violon |
|
for piano |
transcription of Gavotte en rondeau from Partita for Violin No. 3, BWV 1006 by Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Introduction et air de al 15e cantate d'église |
|
for piano |
transcription after Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Largo de la 5e Sonate de Violon |
|
for piano |
transcription from Sonata for Violin No. 3, BWV 1005 by Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Ouverture de la 28e cantate d'église [sic] |
|
for piano |
transcription from Cantata No. 29, BWV 29 after Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Presto de la 35e cantate d'église |
|
for piano |
transcription after Johann Sebastian Bach
|
Keyboard: piano |
— |
|
c. 1861 |
Récitativ et air de la 30e cantate d'église |
|
for piano |
transcription after Johann Sebastian Bach
|
Keyboard: piano |
— |
|
1862 |
Kermesse et valse de Faust, opéra de C. Gounod |
|
for piano |
transcription from the opera Faust by Charles Gounod
|
Keyboard: piano |
21 |
|
1862 |
Mazurka nº 1 en sol mineur |
Mazurka No. 1 in G minor |
for piano |
|
Keyboard: piano |
— |
|
1867 |
Caprice sur les airs de ballet d'Alceste de Gluck |
|
for piano |
transcription after the opera Alceste by Christoph Willibald Gluck
|
Keyboard: piano |
— |
|
1867 |
Menuet d'Orphée |
|
for piano |
transcription from the opera Orphée et Eurydice by Christoph Willibald Gluck
|
Keyboard: piano |
— |
|
1869 |
Andante de la 36me symphonie d'Haydn |
|
for piano |
transcription from Symphony No. 36 by Joseph Haydn
|
Keyboard: piano |
— |
|
1869 |
Chœur des Derviches Tourneurs tiré des Ruines d'Athèns de Beethoven |
Dervish Chorus from The Ruins of Athens |
for piano |
transcription of the chorus from The Ruins of Athens, Op. 113 by Ludwig van Beethoven
|
Keyboard: piano |
— |
|
1869 |
Paraphrase sur Mandolinata de E. Paladilhe |
Mandolinata |
for piano |
transcription of the song by Émile Paladilhe
|
Keyboard: piano |
— |
|
1870 |
Improvisation sur la Beethoven-Cantate de F. Liszt |
Improvisation on the Beethoven Cantata by Franz Liszt |
for piano |
transcription after Franz Liszt
|
Keyboard: piano |
23 |
31
|
1871 |
Gavotte en ut mineur |
Gavotte in C minor |
for piano |
|
Keyboard: piano |
24 |
|
1871 |
Mazurka nº 2 en sol mineur |
Mazurka No. 2 in G minor |
for piano |
|
Keyboard: piano |
— |
|
1871 |
Paraphrase sur la Isleña (Havanaise), mélodie de Paladilhe |
La Isleña (Havanaise) |
for piano |
transcription of the song by Émile Paladilhe
|
Keyboard: piano |
— |
|
1871 |
Romance sans paroles en si mineur |
Romance sans paroles in B minor |
for piano |
|
Keyboard: piano |
— |
|
1872 |
Chant du soir (Abendlied) |
Evening Song |
for piano |
transcription for piano, 2-hands, of the original Abendlied for piano 4-hands, Op. 85 No. 12 from 12 Klavierstücke für kleine und große Kinder by Robert Schumann; also a version for orchestra
|
Keyboard: piano |
70 |
200 |
1884 |
Allegro appassionato en ut dièse mineur |
Allegro appassionato in C♯ minor |
for piano |
also for piano with orchestra ad libitum
|
Keyboard: piano |
— |
|
1875 |
Paraphrase sur Gallia, Cantate de C. Gounod |
|
for piano |
transcription of the 1871 oratorio by Charles Gounod
|
Keyboard: piano |
52 |
35 |
1877 |
Six Études - Prélude
- Pour l'indépendence des doigts
- Prélude et fugue en fa mineur
- Étude de rythme
- Prélude et fugue en la majeur
- En forme de valse
|
6 Études - Prélude
- Pour l'indépendence des doigts
- Prélude et fugue in F minor
- Étude de rythme
- Prélude et fugue in A major
- En forme de valse
|
for piano |
|
Keyboard: piano |
56 |
34 |
1872 |
Menuet et valse |
Menuet and Waltz |
for piano |
|
Keyboard: piano |
— |
|
1880 |
Andante de la 94me symphonie "La surprise" d'Haydn |
|
for piano |
transcription of movement II from Symphony No. 94 by Joseph Haydn
|
Keyboard: piano |
66 |
|
1882 |
Mazurka nº 3 en si mineur |
Mazurka No. 3 in B minor |
for piano |
|
Keyboard: piano |
72 |
|
1884 |
Album - Prélude
- Carillon
- Toccata
- Valse
- Chanson napolitaine
- Finale
|
Album |
for piano |
|
Keyboard: piano |
— |
|
1884 |
Andantino |
Andantino |
for piano |
|
Keyboard: piano |
— |
|
1884 |
Chanson des Maucroix de J. Durand |
|
for piano |
transcription of the song by Jacques Durand
|
Keyboard: piano |
73 |
201 |
1884 |
Rhapsodie d'Auvergne en ut majeur |
|
for piano |
also for piano and orchestra; recorded by the composer for Welte-Mignon, 13 December 1905
|
Keyboard: piano |
— |
|
1885 |
Improvisation |
Improvisation |
for piano |
|
Keyboard: piano |
80 |
40 |
1887 |
Souvenir d'Italie en sol majeur |
|
for piano |
|
Keyboard: piano |
85 |
42 |
1889 |
Les cloches du soir en la bémol majeur |
|
for piano |
|
Keyboard: piano |
88 |
43 |
1890 |
Valse canariote en la mineur |
Valse canariote in A minor |
for piano |
|
Keyboard: piano |
90 |
|
1891 |
Suite en fa majeur - Prélude et fugue
- Menuet
- Gavotte
- Gigue
|
Suite in F major - Prélude and Fugue
- Menuet
- Gavotte
- Gigue
|
for piano |
|
Keyboard: piano |
97 |
45 |
1894 |
Thème varié |
Theme and Variations |
for piano |
|
Keyboard: piano |
— |
|
1895 |
La mort de Thaïs, Paraphrase de concert sur l'opéra de J. Massenet |
The Death of Thaïs, Concert paraphrase |
for piano |
transcription after the opera Thaïs by Jules Massenet
|
Keyboard: piano |
100 |
|
1895 |
Souvenir d'Ismaïlia |
|
for piano |
|
Keyboard: piano |
104 |
47 |
1896 |
Valse mignonne en mi bémol majeur |
|
for piano |
|
Keyboard: piano |
— |
|
1897 |
Nocturne sur des motifs d'Hellé, opéra d'Alphonse Duvernoy |
|
for piano |
transcription after the 1896 opera Hellé by Victor Alphonse Duvernoy; also a version for violin and piano
|
Keyboard: piano |
— |
|
c. 1898 |
Quatre morceaux |
4 Pieces |
for piano |
|
Keyboard: piano |
110 |
48 |
1898 |
Valse nonchalante en ré bémol majeur |
|
for piano |
|
Keyboard: piano |
— |
|
1899 |
Deux fantaisies écrites pour le luth par D. Luis Milan de Valence (Compositeur espagnol du XVIe siècle) |
|
for piano |
transcription after Luis de Milán
|
Keyboard: piano |
111 |
49 |
1899 |
Six Études - Tierces majeures et mineures
- Traits chromatiques
- Prélude et fugue en mi bémol mineur
- Les cloches de Las Palmas
- Tierces majeures chromatiques
- Toccata (d'après le cinquième concerto)
|
6 Études |
for piano |
|
Keyboard: piano |
120 |
51 |
1903 |
Valse langoureuse |
|
for piano |
|
Keyboard: piano |
— |
|
1909 |
Feuillet d'album |
Album Leaf |
for piano |
|
Keyboard: piano |
139 |
55 |
1912 |
Valse gaie |
|
for piano |
|
Keyboard: piano |
161 |
|
1920 |
Six Fugues |
6 Fugues |
for piano |
|
Keyboard: piano |
169 |
58 |
1921 |
Feuillet d'album |
Album Leaf |
for piano |
|
Choral: sacred |
— |
|
c. 1851 |
Moïse sauvé des eaux |
|
|
Oratorio; words by Victor Hugo
|
Choral: sacred |
4 |
|
1855 |
Messe |
Mass |
for 4 solo voices, chorus, orchestra and organ |
|
Choral: sacred |
5 |
|
1856 |
Tantum ergo |
Tantum ergo |
for chorus and organ |
|
Choral: sacred |
12 |
|
1858 |
Oratorio de Noël |
|
for solo voices, chorus, string quartet, harp and organ |
Oratorio
|
Choral: sacred |
— |
|
1858 |
Veni creator en ut majeur |
Veni creator in C major |
for chorus with organ ad libitum |
|
Choral: sacred |
— |
|
c. 1860 |
Ô Saint Autel, Cantique en ré majeur |
|
for 3 altos, chorus and piano |
Canticle
|
Choral: sacred |
— |
|
c. 1860 |
Pour vous bénir, Signeur, Cantique en mi majeur |
|
for 3 altos, chorus and piano |
Canticle; words by A. Cuinet
|
Choral: sacred |
42 |
|
1865 |
Cœli enarrant (Psaume XVIII) |
Cœli enarrant (Psalm 18) |
for solo voices, chorus and orchestra |
|
Choral: sacred |
45 |
|
1875 |
Le déluge |
The Flood |
for solo voices, chorus and orchestra |
Oratorio; words by Louis Gallet
|
Choral: sacred |
54 |
|
1878 |
Requiem |
Requiem |
for solo voices, chorus and orchestra |
|
Choral: sacred |
— |
|
1904 |
Offertoire pour la Toussaint en fa majeur |
|
for chorus, organ with cello and double bass ad libitum |
first version
|
Choral: sacred |
— |
|
1904, 1913 |
Offertoire pour la Toussaint en fa majeur |
|
for chorus and orchestra |
second version 1913
|
Choral: sacred |
127 |
|
c. 1908 |
Psaume CL "Laudate Dominum" |
Psalm 150 "Praise Ye the Lord" |
for double mixed chorus, orchestra and organ |
|
Choral: sacred |
140 |
|
1913 |
La terre promise |
The Promised Land |
for vocal soloists, chorus and orchestra |
Oratorio in 3 parts; words by Hermann Klein
|
Choral: sacred |
145 |
|
1914 |
Ave Maria |
Ave Maria |
for mixed chorus a cappella |
|
Choral: sacred |
147 |
|
1914 |
Tu es Petrus |
Tu es Petrus |
for male chorus and organ |
|
Choral: sacred |
148 |
|
1915 |
Quam Dilecta |
Quam Dilecta, Motet |
for mixed chorus and organ with harp ad libitum |
|
Choral: sacred |
149 |
|
1916 |
Laudate Dominum |
Laudate Dominum |
for mixed chorus a cappella |
|
Choral: sacred |
— |
|
|
Ave verum en ré majeur |
Ave verum in D major |
for female chorus, organ and horn obbligato |
|
Choral: sacred |
— |
|
|
Neuf chants religieux latins |
9 Sacred Latin Chants |
|
|
Choral: sacred |
— |
|
|
Psaume CXXXVI "Super flumina Babylonis" |
Psalm 136 "Super flumina Babylonis" |
for chorus |
|
Choral: sacred |
— |
|
|
Six chœurs religieux |
6 Sacred Choruses |
|
|
Choral |
— |
|
c. 1848 |
Imogine |
|
|
Cantata
|
Choral |
— |
|
c. 1848 |
Les Israëlites sur la montagne d'Oreb |
|
|
Oratorio; fragment
|
Choral |
— |
|
c. 1848 |
Télésille |
|
|
Cantata; words by Amable Tastu
|
Choral |
— |
|
c. 1849 |
Cantate |
Cantata |
|
words by Amable Tastu
|
Choral |
— |
|
c. 1850 |
La rose |
|
|
|
Choral |
— |
|
1852 |
Le Retour de Virginie, Cantate |
|
for 3 voices and orchestra |
|
Choral |
— |
|
1852 |
Les cloches |
|
|
Symphonic ode
|
Choral |
— |
|
1852 |
Fugue et chœur |
Fugue and Chorus |
|
|
Choral |
— |
|
1852 |
Ode à Sainte-Cécile |
|
for vocal soloists, chorus and orchestra |
|
Choral |
— |
|
1857 |
La toilette de la marquise de Présalé |
|
|
|
Choral |
— |
|
1858 |
Macbeth |
Macbeth |
for chorus and orchestra |
|
Choral |
19 |
|
1867 |
Les noces de Prométhée |
|
for narrator, soprano, baritone, double mixed chorus and orchestra |
libretto by Romain Cornut
|
Choral |
— |
|
1867 |
Sérénade d'hiver |
|
for male chorus |
words by Henri Cazalis
|
Choral |
— |
|
1875 |
La nuage |
|
|
|
Choral |
46 |
|
1876 |
Les soldats de Gédéon |
|
for male chorus |
words by Louis Gallet
|
Choral |
53 |
|
1878 |
L'art d'être grand-père, Deux chœurs - Chanson de grand-père
- Chanson d'ancêtre
|
|
1. for female chorus and orchestra 2. for baritone, male chorus and orchestra |
words by Victor Hugo
|
Choral |
57 |
|
1879 |
La lyre et la harpe |
|
for solo voices, chorus and orchestra |
words by Victor Hugo
|
Choral |
69 |
|
1881 |
Hymne à Victor Hugo |
Hymn to Victor Hugo |
for orchestra with chorus ad libitum |
|
Choral |
68 |
|
1882 |
Deux chœurs - Calme des nuits
- Les fleurs et les arbres
|
2 Choruses |
for mixed chorus with piano ad libitum |
|
Choral |
71 |
|
1884 |
Deux chœurs - Les marins de Kermor
- Les titans
|
2 Choruses |
for chorus a cappella |
words by Théobald Saint-Félix
|
Choral |
74 |
|
1885 |
Saltarelle |
Saltarelle |
for male chorus |
words by Émile Deschamps
|
Choral |
84 |
|
1888 |
Les guerriers |
|
for male chorus |
words by Georges Audigier
|
Choral |
26b |
|
1891 |
Nuit persane - La solitaire
- La vallée de l'union
- Fleurs de sang
- Songe d'opium
|
|
for tenor, alto, narrator, mixed chorus and orchestra |
words by Armand Renaud (1836–1895)
|
Choral |
113 |
|
1899 |
Chants d'automne |
|
for male chorus a cappella |
words by S. Sicard
|
Choral |
114 |
|
1900 |
La nuit |
|
for soprano, female chorus and orchestra |
words by Georges Audigier
|
Choral |
115 |
|
1900 |
Le feu céleste |
|
for narrator, soprano, chorus, orchestra and organ |
words by Armand Silvestre
|
Choral |
121 |
|
1903 |
À la France |
|
for male chorus with mixed chorus ad libitum |
words by Jules Combarieu (1859–1916)
|
Choral |
— |
|
1905 |
Ode d'Horace |
|
for male chorus a cappella |
|
Choral |
126 |
|
1906 |
La gloire de Corneille |
|
for soloists, chorus and orchestra |
Cantata; words by Sébastien-Charles Leconte (1860–1934) and Pierre Corneille
|
Choral |
129 |
|
1909 |
Le matin |
|
for male chorus a cappella |
words by Alphonse de Lamartine
|
Choral |
131 |
|
1911 |
La gloire |
|
for tenor, baritone, mixed chorus and piano |
words by Lucien Augé de Lassus
|
Choral |
134 |
|
1912 |
Aux aviateurs |
|
for male chorus |
words by Jean Bonnerot
|
Choral |
137 |
|
1912 |
Aux mineurs |
|
for male chorus |
words by Jean Bonnerot
|
Choral |
138 |
|
1912 |
Hymne au printemps |
|
for male chorus |
words by Jean Bonnerot
|
Choral |
141 |
|
1913 |
Deux chœurs - Des pas dans l'allée: Madrigal
- Trinquons: Chanson à boire
|
2 Choruses |
for mixed chorus a cappella |
1. words by Maurice Boukay 2. words by Pierre-Jean de Béranger
|
Choral |
142 |
|
1914 |
Hymne au travail |
|
for male chorus |
words by Jean Bonnerot
|
Choral |
151 |
|
1917 |
Trois chœurs - Chansons des aiguilles
- Salut au chevalier
- Le sourire
|
3 Choruses |
for female chorus and piano |
1. words by Jean Bonnerot 2. words by Paul Fournier 3. words by Jean Mirval
|
Choral |
— |
|
1920 |
Hymne à Jeanne d'Arc |
|
for chorus and organ |
|
Choral |
164 |
|
— |
Aux conquérants de l'air |
|
for chorus of 2 equal voices and piano |
|
Choral |
165 |
|
— |
Le printemps |
|
for chorus of 2 equal voices and piano |
words by Jean de La Fontaine
|
Choral |
— |
|
— |
Canon |
|
for female chorus a cappella |
|
Vocal: sacred |
— |
|
c. 1844 |
À Saint Joseph, Cantique |
|
|
Canticle
|
Vocal: sacred |
— |
|
c. 1844 |
Dans ce beau moi, Cantique |
|
|
Canticle
|
Vocal: sacred |
— |
|
c. 1844 |
Nous qu'en ces lieux, Cantique |
|
|
Canticle
|
Vocal: sacred |
— |
|
c. 1844 |
Reçois mes hommages, Cantique |
|
|
Canticle
|
Vocal: sacred |
— |
|
c. 1855 |
La madonna col bambino, Cantique en fa majeur |
|
for alto and piano |
Canticle; words by St. Alfonso di Liguori
|
Vocal: sacred |
— |
|
1858 |
O salutaris en si bémol majeur |
O salutaris in B♭ major |
for soprano, alto, baritone and organ |
|
Vocal: sacred |
— |
|
c. 1859 |
Ave Maria en si bémol majeur |
Ave Maria in B♭ major |
for soprano and organ |
|
Vocal: sacred |
— |
|
c. 1859 |
Ave Maria en mi majeur |
Ave Maria in E major |
for baritone and organ |
|
Vocal: sacred |
— |
|
c. 1860 |
Ave Maria en la majeur |
Ave Maria in A major |
for 2 altos and organ |
|
Vocal: sacred |
— |
|
c. 1860 |
Ave verum en si bémol majeur |
Ave verum in B♭ major |
for soprano, alto, tenor, bass and organ |
|
Vocal: sacred |
— |
|
c. 1860 |
Heureux qui du cœur de Marie, Cantique en la majeur |
|
for alto (or chorus) and piano |
Canticle
|
Vocal: sacred |
— |
|
c. 1860 |
O salutaris en la majeur |
O salutaris in A major |
for alto and organ |
|
Vocal: sacred |
— |
|
c. 1860 |
Reine des cieux, Cantique en la bémol majeur |
|
for alto (or chorus) and piano |
Canticle
|
Vocal: sacred |
— |
|
c. 1860 |
Sub tuum en fa mineur |
Sub tuum in F minor |
for soprano, alto and organ |
|
Vocal: sacred |
— |
|
c. 1860 |
Tantum ergo en mi bémol majeur |
Tantum ergo in E♭ major |
for 2 sopranos, alto and organ with chorus ad libitum |
|
Vocal: sacred |
— |
|
c. 1863 |
Ave verum en si mineur |
Ave verum in B minor |
for soprano, alto and organ |
|
Vocal: sacred |
— |
|
1865 |
Ave Maria en la majeur |
Ave Maria in A major |
for soprano or tenor and organ |
|
Vocal: sacred |
— |
|
1865 |
Inviolata en ré majeur |
Inviolata in D major |
for alto and organ |
|
Vocal: sacred |
— |
|
1869 |
O salutaris en la bémol majeur |
O salutaris in A♭ major |
for soprano, alto, baritone and organ |
|
Vocal: sacred |
— |
|
1875 |
O salutaris en mi bémol majeur |
O salutaris in E♭ major |
for soprano and organ |
|
Vocal: sacred |
— |
|
1884 |
O salutaris en mi majeur |
O salutaris in E major |
for tenor, baritone and organ |
|
Vocal: sacred |
— |
|
1884 |
O salutaris en mi bémol majeur |
O salutaris in E♭ major |
for alto and organ |
|
Vocal: sacred |
— |
|
1885 |
Deus Abraham en fa majeur |
Deus Abraham in F major |
for alto and organ |
|
Vocal: sacred |
— |
|
1885 |
Pie Jesu en ut mineur |
Pie Jesu in C minor |
for bass and organ |
|
Vocal: sacred |
— |
|
1898 |
Panis angelicus en fa majeur |
Panis angelicus in F major |
for tenor or soprano, string quartet or organ |
|
Vocal: sacred |
— |
|
1917 |
Litanies à la Sainte Vierge |
|
for voice and organ |
|
Vocal |
— |
|
|
Les heures |
|
for narrator and piano |
|
Vocal |
— |
|
1841 |
Ariel |
|
for voice and piano |
|
Vocal |
— |
|
1841 |
Le soir |
|
for voice and piano |
words by Marceline Desbordes-Valmore
|
Vocal |
— |
|
c. 1841 |
La maman |
|
for voice and piano |
words by Amable Tastu
|
Vocal |
— |
|
1844 |
Tandis que sur vos ans |
|
for voice and piano |
|
Vocal |
— |
|
c. 1847 |
La Golfe de Baya |
|
for voice and piano |
words by Alphonse de Lamartine
|
Vocal |
— |
|
1849 |
Télésille |
|
for voice and piano |
words by Amable Tastu
|
Vocal |
— |
|
1850 |
Bergeronnette |
|
for voice and piano |
words by J. Lombard
|
Vocal |
— |
|
1850 |
Lamento |
|
for voice and piano |
words by Théophile Gautier
|
Vocal |
— |
|
1850 |
Le lac |
|
for voice and piano |
words by Alphonse de Lamartine
|
Vocal |
— |
|
1851 |
Guitare |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
— |
|
1851 |
Le poète mourant |
|
for voice and piano |
words by Alphonse de Lamartine
|
Vocal |
— |
|
1851 |
Le rendezvous |
|
for voice and piano |
words by Eugène Fiéffé
|
Vocal |
— |
|
1851 |
Rêverie |
|
for voice and orchestra |
words by Victor Hugo
|
Vocal |
— |
|
1852 |
Idylle |
|
for voice and piano |
words by Deschoulières
|
Vocal |
— |
|
c. 1852 |
L'automne |
|
for voice and piano |
words by Alphonse de Lamartine
|
Vocal |
— |
|
1852 |
Le pas d'armes du Roi Jean |
|
for voice and orchestra |
words by Victor Hugo
|
Vocal |
— |
|
1852 |
Mélodie |
|
for voice and orchestra |
words by Alphonse de Lamartine
|
Vocal |
— |
|
1853 |
Le feuille de peuplier |
|
for voice and orchestra |
words by Amable Tastu
|
Vocal |
— |
|
1854 |
Ruhethal |
|
for voice and piano |
words by Ludwig Uhland
|
Vocal |
— |
|
c. 1854 |
La chasse du burgrave |
|
for voice and piano |
lost
|
Vocal |
— |
|
c. 1854 |
La porta dell'inferno |
|
for voice and piano |
words by Dante
|
Vocal |
— |
|
c. 1855 |
La cloche |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
— |
|
c. 1855 |
L'attente |
|
for voice and orchestra |
words by Victor Hugo
|
Vocal |
— |
|
1855 |
Le lever de la lune |
|
for voice and piano |
words by Ossian
|
Vocal |
— |
|
1855 |
Le sommeil des fleurs |
|
for voice and piano |
words by G. de Penmarch
|
Vocal |
— |
|
1855 |
Pastorale, Duettino |
|
for 2 voices and piano |
words by Destouches
|
Vocal |
— |
|
c. 1855 |
Plainte |
|
for voice and orchestra |
words by Amable Tastu
|
Vocal |
— |
|
c. 1855 |
Viens! |
|
for soprano, baritone and piano |
words by Victor Hugo
|
Vocal |
— |
|
1856 |
À la lune |
|
for voice and piano |
|
Vocal |
— |
|
c. 1857 |
La mort d'Ophélie, Ballade |
|
for voice and piano |
words by Ernest Legouvé after William Shakespeare
|
Vocal |
— |
|
1857 |
Le soir descend sur la colline, Barcarolle |
|
for alto, tenor and piano |
|
Vocal |
— |
|
c. 1858 |
Pourquoi t'exiler |
|
for voice and piano |
|
Vocal |
— |
|
c. 1858 |
Souvenances |
|
for voice and piano |
words by Ferdinand Lemaire
|
Vocal |
— |
|
c. 1860 |
Alla riva del Tebro |
|
for voice and piano |
|
Vocal |
— |
|
c. 1860 |
Étoile du matin |
|
for soprano or tenor and piano |
words by Camille Distel
|
Vocal |
— |
|
c. 1860 |
Extase |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
10 |
|
1860 |
Scène d'Horace |
|
for soprano, baritone and orchestra |
words by Pierre Corneille
|
Vocal |
— |
|
1862 |
Soirée en mer |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
— |
|
c. 1863 |
Canzonetta toscana |
|
for voice and piano |
|
Vocal |
— |
|
c. 1864 |
Le matin |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
— |
|
c. 1865 |
Claire de lune |
|
for voice and piano |
words by Catulle Mendès
|
Vocal |
— |
|
1865 |
Heures passées |
|
for voice and piano |
words by A. Lenfaut
|
Vocal |
— |
|
1865 |
L'enlèvement |
|
for voice and orchestra |
words by Victor Hugo
|
Vocal |
— |
|
1868 |
Le chant de ceux qui s'en vont sur la mer |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
— |
|
1868 |
La coccinelle |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
— |
|
1868 |
Maria-Lucrezia |
|
for voice and piano |
words by Ernest Legouvé
|
Vocal |
— |
|
c. 1868 |
Tristesse |
|
for voice and piano |
words by Ferdinand Lemaire
|
Vocal |
— |
|
c. 1869 |
À quoi bon attendre |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
— |
|
c. 1869 |
Marquise, vous souvenez-vous?, Menuet |
|
for mezzo-soprano or baritone and piano |
words by François Coppée
|
Vocal |
26 |
|
1870 |
Mélodies persanes - La brise
- La splendeur vide
- La solitaire
- Sabre en main
- Au cimetière
- Tournoiement (Songe d'opium)
|
|
for voice and piano |
words by Armand Renaud (1836–1895)
|
Vocal |
— |
|
1870 |
Si vous n'avez rien à me dire |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
— |
|
1871 |
A Voice by the Cedar Tree |
A Voice by the Cedar Tree |
for voice and piano |
words by Alfred, Lord Tennyson
|
Vocal |
— |
|
1871 |
Désir de l'Orient |
|
for voice and piano |
words by the composer
|
Vocal |
— |
|
1871 |
El desdichado, Bolero |
|
for 2 voices and orchestra |
words by Jules Barbier
|
Vocal |
— |
|
1871 |
My Land |
My Land |
for voice and piano |
words by T. Davis
|
Vocal |
— |
|
1872 |
Dans ton cœur |
|
for voice and piano |
words by Henri Cazalis
|
Vocal |
— |
|
1872 |
Danse macabre |
|
for voice and piano |
words by Henri Cazalis
|
Vocal |
— |
|
c. 1877 |
Vogue, vogue la galère, Barcarolle |
|
for voice and harmonium ad libitum |
words by Jean Aicard
|
Vocal |
— |
|
1879 |
Night Song of Preciosa |
Night Song of Preciosa |
for voice and piano |
words by Isaac Ginner
|
Vocal |
— |
|
1880 |
Dans les coins bleus |
|
for voice and piano |
words by Charles Augustin Sainte-Beuve
|
Vocal |
— |
|
1885 |
Chanson à boire du vieux temps |
|
for voice and piano |
words by Nicolas Boileau-Despréaux
|
Vocal |
— |
|
1885 |
Ronde |
|
for voice and piano |
words by François Coppée
|
Vocal |
— |
|
1885 |
Une flûte invisible |
|
for voice and flute |
words by Victor Hugo
|
Vocal |
82 |
|
1887 |
La fiancée du timbalier |
|
for mezzo-soprano and orchestra |
words by Victor Hugo
|
Vocal |
— |
|
1888 |
Suzette et Suzon |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
— |
|
1890 |
Guitares et mandolines |
|
for voice and piano |
words by the composer
|
Vocal |
— |
|
1890 |
Présage de la croix |
|
for voice and piano |
words by Stéphan Bordèse
|
Vocal |
— |
|
1891 |
Aimons-nous |
|
for voice and orchestra |
words by Théodore de Banville
|
Vocal |
— |
|
1891 |
Amour viril |
|
for voice and piano |
words by Georges Boyer
|
Vocal |
— |
|
1892 |
Là-bas |
|
for voice and piano |
words by Jean-Louis Croze
|
Vocal |
— |
|
1892 |
Les fées |
|
for voice and orchestra |
words by Théodore de Banville
|
Vocal |
— |
|
1892 |
Les fleurs |
|
for voice and piano |
words by V. de Collerville
|
Vocal |
— |
|
1892 |
Le rossignol |
|
for voice and piano |
words by Théodore de Banville
|
Vocal |
— |
|
1892 |
Madeleine |
|
for voice and piano |
words by Alfred Tranchant
|
Vocal |
— |
|
1892 |
Romance |
|
for voice and harp |
words by Émile Bergerat
|
Vocal |
— |
|
1893 |
Fière beauté |
|
for voice and orchestra |
words by Augustin Mahot
|
Vocal |
— |
|
1893 |
La sérénité |
|
for mezzo-soprano or baritone and piano |
words by Marie-Anne Barbier
|
Vocal |
— |
|
1893 |
Peut-être? |
|
for voice and piano |
words by Jean-Louis Croze
|
Vocal |
— |
|
1893 |
Primavera |
|
for mezzo-soprano or baritone and piano |
words by Paul Stuart
|
Vocal |
— |
|
1893 |
Vive Paris, vive la France |
|
for voice and piano |
words by Alfred Tranchant
|
Vocal |
— |
|
1894 |
La libellule |
|
for voice and orchestra |
words by the composer
|
Vocal |
98 |
|
1894 |
Pallas Athéné |
|
for soprano and orchestra |
words by Jean-Louis Croze
|
Vocal |
— |
|
1894 |
Pourquoi rester seulette? |
|
for voice and piano |
words by Jean-Louis Croze
|
Vocal |
— |
|
1896 |
Vénus |
|
for 2 voices and piano |
words by the composer
|
Vocal |
— |
|
1897 |
Madrigal |
|
for voice and piano |
words by Molière
|
Vocal |
— |
|
1898 |
Alla riva del Tebro |
|
for voice and piano |
arrangement of a madrigal by Giovanni Pierluigi da Palestrina
|
Vocal |
— |
|
1898 |
Les vendanges |
|
for voice and orchestra |
words by S. Sicard
|
Vocal |
— |
|
1898 |
Lever de soleil sur le Nil |
|
for voice and orchestra |
words by the composer
|
Vocal |
— |
|
1898 |
Si je l'osais |
|
for voice and piano |
words by Alfred Tranchant
|
Vocal |
— |
|
1898 |
Sonnet |
|
for voice and piano |
words by the composer
|
Vocal |
— |
|
1900 |
Les cloches de la mer |
|
for voice and piano |
words by the composer
|
Vocal |
116 |
329 |
1900 |
Lola |
Lola |
for soprano and orchestra |
words by Stéphan Bordèse
|
Vocal |
— |
|
1901 |
Désir d'amour |
|
for baritone and piano |
words from the Spanish, Deseo de amor, by Francisco Perpiñá
|
Vocal |
— |
|
1901 |
Elle |
|
for voice and piano |
words by Charles Lecocq
|
Vocal |
118 |
|
1902 |
Romance du soir |
|
for soprano, alto, tenor and bass |
words by Jean-Louis Croze
|
Vocal |
— |
|
1903 |
L'arbre |
|
for voice and piano |
words by Jean Moréas
|
Vocal |
— |
|
1903 |
Sœur Anne |
|
for voice and piano |
words by André Pressat
|
Vocal |
— |
|
1906 |
Le fleuve |
|
for voice and piano |
words by Georges Audigier
|
Vocal |
— |
|
1907 |
L'étoile |
|
for voice and piano |
words by Prince Haïdar-Pacha
|
Vocal |
— |
|
1907–1921 1907 1921 1921 1920 1921 |
Cinq poèmes de Ronsard - L'amour oyseau
- L'amour blessé
- À Sainte-Blaise
- Grasselette et Maigrelette
- L'amant malheureux
|
5 Poems of Ronsard |
for voice and piano |
words by Pierre de Ronsard
|
Vocal |
— |
|
1907 |
Soir romantique |
|
for voice and piano |
words by Comtesse de Noailles
|
Vocal |
— |
|
1907 |
Violons dans le soir |
|
for voice, violin and piano |
words by Comtesse de Noailles
|
Vocal |
— |
|
1908 |
Fomicacicadéide |
|
for voice and piano |
|
Vocal |
— |
|
1910? |
La cigale et la fourmi |
|
for voice and piano |
words by Jean de La Fontaine
|
Vocal |
— |
|
1912 |
Le vent dans la plaine |
|
for voice and piano |
words by Paul Verlaine
|
Vocal |
146 |
|
1914 |
La cendre rouge, Dix poèmes lyriques - Prélude
- Âme triste
- Douceur
- Silence
- Pâques
- Jour de pluie
- Amoroso
- Mai
- Petite main
- Reviens
|
|
for voice and piano |
words by Georges Docquois (1863–1927)
|
Vocal |
— |
|
1914 |
Les sapins |
|
for voice and piano |
words by Paul Martin
|
Vocal |
— |
|
1914 |
Vive la France |
|
for voice and piano |
words by Paul Fournier
|
Vocal |
— |
|
1915 |
La Française |
|
for voice and piano |
words by Miguel Zamacoïs
|
Vocal |
— |
|
c. 1915 |
Ne l'oubliez pas |
|
for voice and piano |
words by Mme. Félix Regnault
|
Vocal |
— |
|
1915 |
S'il est un charmant gazon |
|
for voice and piano |
words by Victor Hugo
|
Vocal |
— |
|
1917 |
Honneur à l'Amérique |
|
for voice and piano |
words by Paul Fournier
|
Vocal |
— |
|
1918 |
Angélus |
|
for voice and piano or orchestra |
words by Pierre Aguétant
|
Vocal |
— |
|
1918 |
Où nous avons aimé |
|
for voice and piano or orchestra |
words by Pierre Aguétant
|
Vocal |
— |
|
1918 |
Papillons |
|
for voice and piano or orchestra |
words by Renée de Léché
|
Vocal |
— |
|
1918 |
Victoire! |
|
for voice and piano |
words by Paul Fournier
|
Vocal |
159 |
|
1919 |
Hymne à la paix |
|
for high voice and piano |
words by J. L. Faure
|
Vocal |
— |
|
1921 |
Vieilles chansons - Temps nouveau
- Avril
- Villanelle
|
|
for voice and piano |
1. words by Charles d'Orléans 2. words by Rémy Belleau 3. words by Jean Vauquelin de la Fresnaye
|
Vocal |
— |
|
— |
Antwort |
|
for voice and piano |
words by Ludwig Uhland
|
Vocal |
— |
|
— |
Chanson de Fortunio |
|
for voice and piano |
words by Alfred de Musset
|
Vocal |
— |
|
— |
L'echo de la harpe |
|
for voice and piano |
|
Vocal |
— |
|
— |
God Save the King |
God Save the King |
for voice and piano |
words in French translation
|
Vocal |
— |
|
— |
Primavera |
|
for voice and piano |
words by Charles d'Orléans
|
Vocal |
— |
|
— |
Sérénade |
|
for voice and orchestra |
words by L. Mangeot
|
Vocal |
— |
|
— |
Toi |
|
for voice and piano |
words by Édouard St. Chaffray
|