In 1850–1 he travelled to Greece, Syria, and Egypt. In 1853 he made his debut at the Paris Salon, exhibiting four landscapes of Nablus and Beirut, and of the shores of the Dead Sea, which attracted critical acclaim. In 1855–6 he visited Egypt, travelling up the Nile in the company of another painter, Edouard Imer. A second trip to Egypt in 1856 was largely spent making studies for his painting Pilgrims going to Mecca, now in the Musée d'Orsay.[1]
As well as his paintings of Middle Eastern subjects he painted portraits and landscapes of Normandy and the Sologne throughout his career, and in 1867 bought land at Montboulan. He died in Paris in 1877.[1]
The Banks of the Nile ("Bords du Nil (Vieux Caire), Barques"}. Saint-Omer, Musée de l'hôtel Sandelin.[3]
Approach to an Egyptian Village.
The Dead Sea ("La Mer morte") 1866. Paris, Musée du quai Branly.[4]
The Nile — near Rosetta.
Montboulan in Sologne ("le gué de Montboulan, en Sologne"), 1877. Paris, musée d'Orsay.[5]
Gallery
La dahabieh engravée
Ulysses And The Sirens by Léon Belly
View of Shubra
References
^ abcStevens, Mary Anne, ed. (1984). The Orientalists, Delacroix to Matisse: European Painters in North Africa and the Near East (exhibition catalogue). London: Royal Academy of Arts. p. 113. ISBN9780297784173.
This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Belly, Léon Auguste Adolphe". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.
Further reading
Pouillon, F., Dictionnaire des Orientalistes de Langue Française, KARTHALA, 2008, p. 75