Will Kraus (born 1994 or 1995),[1] known mononymously as Kraus, is an American shoegaze musician. In 2021, Carly Wu of Far Out Magazine elected his second studio album Path as the 18th best shoegaze album of all time.[2]
Kraus started working on his first album, End Tomorrow, in early 2016. After finishing it, he emailed several labels and music writers. Brian Justie from Terrible Records accepted to release the album.[1]End Tomorrow was released on September 9 that year.[3] On September 28, a music video for the song "Pitch Fucker" was premiered by Stereogum.[4] Kraus released "Reach" as a single of his second album Path on February 7, 2018.[5][6] The album's second single, "Bum", was released on February 28.[7]Path was released on March 9.[8] Ian Cohen of Pitchfork gave a 7.3/10 review,[9] and Chicago Reader's Leor Galil also talked positively about the album.[10] He released a music video for "Bum" on June 6.[11] On the 28th, he released "More",[12] a single from his EP Idyll, released on July 27, 2018.[13]
On July 8, 2021, Kraus released "Glass Valley" as a single of his upcoming third album, View No Country.[14] He also released the singles "VNC",[15] "Given"[16] and "Redshift".[17] The full album was released on October 22.[18] On December 5, he released the album Never Structures using pseudonym Saline.[19] On March 5, 2022, Kraus released Eye Escapes, a collection of recordings from 2016 to 2021, mostly from a lost album between Path and View No Country.[20] On February 27, 2023, Kraus released the EP Anything Else.[21]
Kraus produced and co-wrote Wisp's "Pandora", which was included in her EP of the same name released on April 5, 2024.[22]
Musical style and legacy
Kraus has been described as a noise rock, noise pop, dream pop and shoegaze musician and has been compared to My Bloody Valentine.[1][4][9][11] Chris DeValle of Stereogum said that End Tomorrow is "a bombastic technicolor headfuck built from insane drums, celestial dreampop surges, and heavily processed vocals."[4] In 2019, Far Out Magazine's Carly Wu elected Path as the 18th best shoegaze album of all time, declaring that it is "unfailingly one of the most brilliant contemporary shoegaze albums ever" and that it ascends "to pure perfection".[2] In 2022, Stereogum mentioned Kraus in an article about "the new wave of American shoegaze".[23]