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Huysman Gallery
	Location in Los Angeles metropolitan area
Established	December 1960
Dissolved	Summer 1961
Location	740 N. La Cienega Blvd.; Los Angeles, California
Coordinates	34°05′05″N 118°22′34″W / 34.0848°N 118.3761°W
Type	Art gallery
Founder	Henry Hopkins

The Huysman Gallery was an art gallery in Los Angeles, California that operated from December 1960 to summer 1961.^[2]^[3]^{[note 1]} It was located at 740 North La Cienega Boulevard, across the street from the noted Ferus Gallery.^[1]^[5] Curator Henry Hopkins,^[6] who founded the gallery, named it after the French decadent novelist Joris-Karl Huysmans.^[7] The gallery showcased the works of several young artists who later had great success, including Joe Goode, Ed Ruscha, and Larry Bell.^[5]

War Babies exhibition

The gallery's most famous exhibition, War Babies, ran from May 29, 1961 to June 17, 1961.^[3] It showed the work of Goode, Bell, Ed Bereal, and Ron Miyashiro, all of whom were born in the late 1930s and experienced World War II in their early childhood.^[5] According to Hopkins, "the exhibition title was selected by Goode to establish a birth point in time and to indicate a sense of post-war internationalism."^[8] War Babies was one of the earliest racially integrated exhibitions^[8] and "was a daring challenge to the prevailing norms and mores of postwar America and its underlying racial stereotypes and identity politics."^[5] The participating artists played off the work of the nearby Ferus artists.^[9] Goode contributed thickly painted images of stars along with a cardboard box nailed to the gallery wall, Miyashiro contributed paintings suggestive of sinister eroticism, Bereal contributed leather pouches that stank of oil, and Bell contributed a "saddle painting".^[9] The mix of styles present in the exhibition was indicative of the fluidity of the Los Angeles art scene in the early 1960s.^[9]

The exhibition's poster, created by Jerry McMillan and Joe Goode, ultimately attracted more attention than the exhibition itself.^[9] It depicted the four participating artists seated at a table covered with an American flag as a tablecloth.^[5]^[8] Each of the artists was posed with a prop playing off an ethnic or religious stereotype: Bell (Jewish) held a bagel, Bereal (African American) held a watermelon, Miyashiro (Japanese American) held chopsticks, and Goode (Catholic) held a mackerel.^[5]^[8] Liberals and conservatives alike criticized the poster; the John Birch Society denounced the gallery for flag desecration.^[1]^[5]^[8] Following the controversy surrounding War Babies, the gallery's backers—a group of three lawyers—withdrew their support for the gallery.^[4]^[9] The gallery closed in summer 1961, soon after the close of the War Babies exhibition.^[3]^[1]

Notes

^ Most sources say the gallery was founded in 1960. However, Henry Hopkins once wrote that the gallery was founded in 1961.^[4]

References

^ ^a ^b ^c ^d "Poster for 'War Babies' Exhibition". Getty Center. Retrieved June 21, 2014.
^ ^a ^b Kristine McKenna (2009). The Ferus Gallery: a place to begin. Steidl. ISBN 978-3-86521-610-6.^{[page needed]}
^ ^a ^b ^c ^d ^e "Huysman Gallery". Getty Center. Retrieved June 21, 2014.
^ ^a ^b Hopkins, Henry. "Museum Director, Educator: Henry Hopkins". In Hertz, Richard (2011). The Beat and the Buzz: Inside the L.A. Art World. Hol Art Books. pp. 126, 128. ISBN 978-1-936102-20-4.
^ ^a ^b ^c ^d ^e ^f ^g Willick, Damon (Spring 2010). "L.A.'s Art Historian: Henry T. Hopkins, 1928–2009". X-TRA. 2 (3). Retrieved June 21, 2014.
^ "Henry Hopkins papers (1950-2005)". Getty Research Institute. hdl:10020/cifa2006m1. Retrieved November 27, 2020.
^ Bradnock, Lucy. "Name Games". In Rebecca Peabody; Lucy Bradnock (2011). Pacific Standard Time: Los Angeles Art, 1945–1980. Getty Research Institute and the J. Paul Getty Museum. p. 75. ISBN 978-1-60606-072-8.
^ ^a ^b ^c ^d ^e Whiting, Cecile (2010). "California War Babies: Picturing World War Two in the 1960s". Art Journal. 69 (3): 41. doi:10.1080/00043249.2010.10791383.
^ ^a ^b ^c ^d ^e Bradnock, Lucy and Rani Singh. "Papa's Got a Brand New Bag". In Rebecca Peabody; Lucy Bradnock (2011). Pacific Standard Time: Los Angeles Art, 1945–1980. Getty Research Institute and the J. Paul Getty Museum. pp. 110–12. ISBN 978-1-60606-072-8.