The film opened in limited release within the United States on 3 December 2004, in New York City and Los Angeles, and opened on additional screens throughout the country two weeks later. The film grossed $11,050,094 at the United States box office and then went on to significantly overperform in home video market in the United States.[3]
In AD 859, as the Tang dynasty declines, several rebel groups emerged. The largest of them is the House of Flying Daggers in Fengtian, who battle the corrupt government. Its members steal from the rich and give to the poor, gaining the locals' support. Two police officers, Leo and Jin, are ordered to kill the group leader within ten days, an impossible task given no one even knows the leader's identity.
To accomplish this, Leo arrests Mei, a blind dancer suspected of being the previous leader's daughter. Pretending to be a rebel sympathiser, Jin breaks Mei out of the jailhouse, gaining her trust. The two travel to the Flying Dagger headquarters, with Leo trailing behind with reinforcements. Slowly, Mei and Jin fall in love.
To make the deception more realistic, Leo and his policemen pretend to ambush the pair. Later, though, they are ambushed for real by soldiers. At a secret meeting, Leo explains that the military has gotten involved and wants Jin and Mei dead.
A few days later, Jin and Mei are attacked again in a bamboo forest and almost killed, before the House of Flying Daggers saves them and takes them to their headquarters. At this point, Mei is revealed to have been faking her blindness and is not the former leader's daughter. Furthermore, she is engaged to Leo, who turns out to be the Flying Daggers' mole. The Flying Daggers are not afraid of the military and are actually looking forward to an open battle.
A heartbroken Leo tells Mei that he waited for her for three years since he went undercover, and asks how she could fall in love with Jin after only three days, only to be told she has her heart set on Jin. Leo tries to attack Mei, but their superior Nia intervenes and gives him new assignments, separating them. Mei is ordered to execute Jin. She frees him instead but refuses to run away with him. Later, Mei changes her mind and rides after Jin, but is ambushed by Leo, who casts two daggers at her. Mei manages to deflect one while the other seemingly kills her. Jin and Leo fight but are evenly matched. A raging blizzard falls upon them, while the military approaches the House.
With both men badly wounded and exhausted, Leo prepares to kill Jin with Nia's dagger. Mei reappears, Leo's dagger still stuck in her chest, and threatens to kill Leo with it. Jin begs her to save herself. After several tense moments, Leo decides to pretend to throw his dagger, intending to die by Mei's dagger while sparing Jin. However, Mei attempts to use her dagger to intercept Leo's dagger in flight. The result is that neither Leo nor Jin dies, but only Mei. In the end, Leo stumbles away in guilt while Jin cries over Mei's body, singing a song praising her as a "rare beauty", the likes of which he will never see again. Whether the House won against the military is left ambiguous.
Anita Mui was originally cast for a major role, which was to be her final film appearance. She died of cervical cancer before any of her scenes were filmed. After her death on 30 December 2003, director Zhang Yimou decided to alter the script rather than find a replacement. The film is dedicated to her memory.
To prepare for her role, Zhang Ziyi lived for two months with a blind girl who had lost her sight at the age of 12 because of a brain tumor. Takeshi Kaneshiro injured his leg when he went horseback riding. As a result, Yimou had Kaneshiro spend two scenes sitting or kneeling down to alleviate the pain, which was stated in Yimou's audio commentary.
Most of the film was shot in Ukraine's Carpathian Mountains (the Hutsul Region National Park), such as the scenes in the snow or birch forests. The cast and production team spent 70 days on location from September to October 2003, and were largely based in Kosiv.[4] The notable bamboo forest sequences were filmed in China. However, due to the early snowfall, the filmmakers opted to alter the script and certain sequences, rather than wait for the snow to thaw, as the leaves were still on the trees. Zhang Yimou later stated that despite the unpredictable weather forcing the alterations, he had achieved the desired effect in the scenery, and was happy with the final result.[5]
Like its predecessor Hero, House of Flying Daggers uses wuxing colour theory, in both a deliberate and ironic manner.
The film features the theme of a beautiful woman who brings woe to two men. This theme is borrowed from a famous poem written by the Han dynasty poet Li Yannian (李延年):
In the north there is a beauty; peerless and independent.
A glance from her will overthrow a city; another glance will overthrow a nation.
One would rather not know whether it will be a city or a nation that will be overthrown.
As it would be difficult to behold such a beauty again.
Release
Box office
House of Flying Daggers opened in North America on 3 December 2004 in 15 theatres. It grossed US$397,472 ($26,498 per screen) in its opening weekend. The film's total North American gross is $11,050,094. Afterwards, the film went on to earn at least 50% more in the United States home video market than at the theatrical box office.[3]
The film made an additional $81,751,003 elsewhere in the world, bringing its total worldwide box-office gross to $92,801,097. It was also the third-highest-grossing foreign-language film in the North American market in 2004.[6]
At film review aggregation website Metacritic, the film received an average score of 89 out of 100, based on 37 reviews.[11]Rotten Tomatoes gives the film a score of 87%, based on reviews from 171 critics, and an average rating of 7.7/10. The website's critical consensus states: "The visual splendor of the movie makes up for the weak story".[12] Metacritic also ranked the film at the end of the year as the fifth-best reviewed film of 2004.[13]
Phil Hall of Film Threat wrote: "Quite simply, House of Flying Daggers is a film that sets several new standards for production and entertainment values. It is a wild riot of color, music, passion, action, mystery, pure old-fashioned thrills, and even dancing. With an endless supply of imagination and a kinetic force of nature in its amazing star Zhang Ziyi, House of Flying Daggers cuts all other films to shreds."[14] Desson Thomas of The Washington Post praised the director Zhang Yimou's use of color in the film as "simply the best in the world", and described the film as: "the slow-motion trajectory of a small bean, hurled from a police captain's hand, is a spectacular thing. It's a stunning, moving image, like a hummingbird caught in action."[15] While Kevin Thomas of the Los Angeles Times praised the film by stating: "House of Flying Daggers finds the great Chinese director at his most romantic in this thrilling martial arts epic that involves a conflict between love and duty carried out to its fullest expression."[16]
A. O. Scott of The New York Times described the film as: "A gorgeous entertainment, a feast of blood, passion, and silk brocade." The review also stated: "House of Flying Daggers for all its fire and beauty, may leave you a bit cold in the end."[17]Roger Ebert of the Chicago Sun Times gave the film four out of four stars and states: "Forget about the plot, the characters, the intrigue, which are all splendid in House of Flying Daggers, and focus just on the visuals", and Ebert also states: "the film is so good to look at and listen to that, as with some operas, the story is almost beside the point, serving primarily to get us from one spectacular scene to another."[18]House of Flying Daggers was placed at number 93 on Slant's best films of the 2000s.[19] and ranked number 77 in Empire's "The 100 Best Films Of World Cinema" in 2010.[20]
Home media
In the United Kingdom, the film was watched by 1.7 million viewers on Channel 4 in 2007, making it the year's most-watched foreign-language film on British television.[21] It was later watched by 600,000 viewers on Channel 4 in 2009, again making it the year's most-watched foreign-language film on Channel 4.[22] Combined, the film drew a 2.3 million UK viewership on Channel 4 in 2007 and 2009.
