"Hot for Teacher" is a song by the American rock band Van Halen, taken from their sixth studio album, 1984. The song was written by band members Eddie Van Halen, Alex Van Halen, Michael Anthony and David Lee Roth, and produced by Ted Templeman. It was released as the fourth and final single from the album in October 1984, and was the final single released during the band's 1974–1985 era.
The song features Alex Van Halen's double bass drum performance, and its music video, featuring the band as both adults and young students. Unusually for a single, it begins with a 30-second drum solo, followed by another 30 seconds of instrumental introduction. The ending of this song comes from a studio demo from the band's club days, entitled "Voodoo Queen".
The music video (directed by Pete Angelus and David Lee Roth,[9] and produced by Jerry Kramer and Glenn Goodwin, choreographed by Vincent Paterson with concept/treatment by Anthony Nasch) was filmed at John Marshall High School,[10] with Phil Hartman performing the voice of Waldo, the video's protagonist. Waldo, an awkward boy with large glasses and a bow tie, is put on the school bus by his over-protective mother. He is terrified by the unruly kids on the bus; the driver played by Roth, tells him "si'down, Waldo!" as the opening drums begin. Along with Waldo, the "kid versions" of Van Halen face the trials and tribulations of grade school. Two models appear as teachers in the video, Donna Rupert (1981 Miss Canada pageant runner up), who plays the chemistry teacher, and Norwegian actress Lillian Müller, who plays the Phys Ed teacher.[11] Both teachers tear off their dresses to reveal a bikini, to the cheers of the students. As the kids leave at the end of the school day, the bus driver (again played by Roth) picks them up in a yellow 1932 Ford Phaetonhot rod "school bus," the back of which is emblazoned with "Hot For Teacher." At the end of the video, the kids are shown to have grown up to become a gynecologist (Alex Van Halen), a sumo wrestler (Michael Anthony), a psychiatric hospital patient (Eddie Van Halen), and a game show host (Roth). Waldo's whereabouts and career are unknown but the video hints at him becoming a pimp, the total opposite of his child self. This is intercut with scenes with the band members dressed in red suits and dancing to the song under a disco ball.
An initial controversy arose when the video showed all the band members performing a quick crotch-grab during the "...so bad..." part of the chorus; at first, the 1980s NBC late-night show Friday Night Videos added black-box censor bars to the crotch-grabs but eventually relented and removed the black-box from their video.
One potentially controversial scene managed to go unnoticed for many years, until Angelus unveiled it in the 2011 book MTV Ruled the World: The Early Years of Music Video by Greg Prato: "One thing I remember about that video that a lot people don’t know or maybe didn’t see. When Dave turns into the television show host, we had an idea. I thought, 'You know ... there hasn’t been a really substantial urine stain on MTV. Ever, when you really think about it. So let’s pour a lot of water on David’s crotch. Let’s make it look like he really just pissed himself. And then let’s see if anyone sees it when we hand the video into the record company and MTV.' And nobody did! I know this sounds absolutely pathetic to say, but we probably pulled off the first and most substantial urine stain in the history of television. So we’ve got that going for us."[12]
Reception
Cash Box said that the song "shows [Van Halen] at their absolute zenith," saying that "multi-watt voltage surges through this speeding hard rock anthem, with Eddie Van Halen again proving why he is the best."[13]
In 2009 it was named the 36th best hard rock song of all time by VH1.[14] Chuck Klosterman of Vulture.com ranked it the sixth-best Van Halen song, calling it "the encapsulation of almost everything Van Halen is known for, all within the space of five minutes: Athletic drumming, an extended guitar introduction that transitions into a thick principal riff, vocals that are spoken more than sung, two interlocked solos, and lyrics that are technically demeaning but somehow come across as non-toxic and guileless."[15]
