Harold Galper (born April 18, 1938)[1] is an American jazz pianist, composer, arranger, bandleader, educator, and writer.
Biography
He was born in Salem, Massachusetts, United States.[2] Galper studied classical piano as a boy, but switched to jazz which he studied at the Berklee College of Music from 1955 to 1958.[1] He hung out at Herb Pomeroy's club, the Stable, hearing local Boston musicians such as Jaki Byard, Alan Dawson and Sam Rivers. Galper started sitting in and became the house pianist at the Stable and later on, at Connelly's and Lenny's on the Turnpike.[2] He went on to work in Pomeroy's band.
Between 1973 and 1975, Galper played in the Cannonball Adderley Quintet replacing George Duke.[2] He performed in New York and Chicago jazz clubs in the late 1970s. Around this time, Galper recorded several times with guitarist John Scofield for the Enja label.[2]
For 10 years (1980–1990) he was a member of Phil Woods's quintet.[1]
Galper left the Woods group in August 1990 to start touring and recording with his new trio with Steve Ellington on drums and Jeff Johnson on bass. From 1990 to 1999, his group was on the road six months a year.
Galper is internationally known as an educator. His theoretical and practical articles have appeared in six of Down Beat editions. His scholarly article on the psychology of stage fright, originally published in the Jazz Educators Journal, has subsequently been reprinted in four other publications.
Randy Brecker (trumpet, electric trumpet), Michael Brecker (tenor sax, soprano sax), Jonathan Graham (electric guitar), Bob Mann (electric guitar), Victor Gaskin and Charles LaChappelle (double bass, bass guitar), Bill Goodwin (drums), Billy Hart (drums)
Forward Motion: From Bach To Bebop. A Corrective Approach to Jazz Phrasing, AuthorHouse, 17 July 2003, ISBN978-1410712141
The Touring Musician: A Small Business Approach to Booking Your Band on the Road, Alfred Publishing, 10 January 2007, ISBN978-0739046890
References
^ abcRinzler, Paul; Kernfeld, Barry (2002). "Galper, Hal". In Barry Kernfeld (ed.). The New Grove Dictionary of Jazz, Vol. 2 (2nd ed.). New York: Grove's Dictionaries Inc. p. 8. ISBN1561592846.
