Hendrik Petrus Berlage (Dutch pronunciation:[ˈɦɛndrɪkˈpeːtrʏzˈbɛrlaːɣə]; 21 February 1856 – 12 August 1934) was a Dutch architect and designer. He is considered one of the fathers of the architecture of the Amsterdam School.
Life and work
Hendrik Petrus Berlage, son of Nicolaas Willem Berlage and Anna Catharina Bosscha, was born on 21 February 1856 in Amsterdam in the Netherlands.[1] Anna Catharina Bosscha's uncle was Johannes Bosscha, a scientist who taught in Polytechnische School te Delft.
Berlage studied architecture at the Zurich Institute of Technology between 1875 and 1878 after which he traveled extensively for three years through Europe. In the 1880s he formed a partnership in the Netherlands with Theodore Sanders which produced a mixture of practical and utopian projects. A published author, Berlage held memberships in various architectural societies including CIAM I.
Berlage was influenced by the Neo-Romanesque brickwork architecture of Henry Hobson Richardson and of the combination of structures of iron seen with brick of the Castle of the Three Geckos of Domènech i Montaner. This influence is visible in his design for the Amsterdam Commodities Exchange, for which he would also draw on the ideas of Viollet-le-Duc. The load-bearing bare brick walls and the notion of the primacy of space, and of walls as the creators of form, would be the constitutive principles of the 'Hollandse Zakelijkheid'.
A visit Berlage made to the U.S. in 1911 greatly affected his architecture. From then on the organic architecture of Frank Lloyd Wright would be a significant influence. Lectures he gave when returned to Europe would help to disseminate Wright's thoughts in Germany.
A notable overseas commission was the 1916 Holland House,[2] built as offices for a Dutch shipping company in Bury Street in the City of London (behind Norman Foster's 30 St Mary Axe of 2003).[3]
Considered the "Father of Modern architecture" in the Netherlands and the intermediary between the Traditionalists and the Modernists, Berlage's theories inspired most Dutch architectural groups of the 1920s, including the Traditionalists, the Amsterdam School, De Stijl and the New Objectivists. He received the British RIBARoyal Gold Medal in 1932.
Bock, Manfred (1983). Anfange einer neuen Architektur. Berlages Beitrag zur architektonischen Kultur der Niederlande im ausgehenden 19. Jahrhundert [Beginnings of a new architecture. Berlage's contribution to the architectural culture of the Netherlands in the late 19th century] (in German). 's Gravenhage/Wiesbaden. OCLC10778197.{{cite book}}: CS1 maint: location missing publisher (link)
Fiell, Charlotte; Fiell, Peter (2005). Design of the 20th Century (25th anniversary ed.). Köln: Taschen. p. 107. ISBN9783822840788. OCLC809539744.
Gaillard, Karin; Dokter, Betsy (1992). Berlage en Amsterdam Zuid';'Berlage en de toekomst van Amsterdam Zuid' [Berlage and Amsterdam South';'Berlage and the future of Amsterdam South] (in Dutch). Amsterdam. ISBN9789064501746.{{cite book}}: CS1 maint: location missing publisher (link)
Kohlenbach, Bernhard (1991). H.P. Berlage: Schriften zur Architektur [H.P. Berlage: Writings on Architecture] (in German) (German ed.). Basel: Birkhäuser. ISBN3-7643-2587-9.
Polano, Sergio; Fanelli, Giovanni; Van Rossem, Vincent (2002). Hendrik Petrus Berlage. Phaidon Press. ISBN1-904313-11-6.
Singelenberg, Pieter (1972). H.P. Berlage. Idea and style. The quest for modern architecture. Utrecht: Haentjens Dekker & Gumbert.