Clarke is active in poetry circles throughout Canada, the US, the Caribbean and Europe. He is also a founding member of the music collective Afro-Métis Nation, which put out its first album, Constitution, in May 2019. The group derives its name from the artists' mixed Africadian and Mi'kmaq descent. Clarke has described the group's sound as "a mash-up of southern-fried blues and saltwater spirituals, with Nashville guitars, Mi’kmaw-and-“African” drums, Highland bagpipes and Acadien fiddles."[7]
Writing career
Clarke has self-published much of his work, including seventeen collections of poetry, two novels and four works of drama and opera. He has also served as editor for collections of African-Canadian writers and poets in anthologies and studies such as Border Lines (1995), Eyeing the North Star (1997), Odysseys Home (2002), Fire on the Water (2002), Directions Home (2012) and Locating Home (2017). His work draws upon a range of literary and artistic traditions (both "high" and "low") and is inclusive of political, historical and spatial themes. His artistic influences include Shakespeare, Miles Davis, Ezra Pound, Pierre Elliott Trudeau and Malcolm X. His poetic and academic careers overlap in their particular emphasis on the perspectives of the African descendants in Canada and Nova Scotia especially the African-American slaves’ descendants who settled on the East coast of Nova Scotia, whom he calls "Africadian." He writes that it is a word that he "minted from 'Africa' and 'Acadia' (the old name for Nova Scotia and New Brunswick), to denote the Black populations of the Maritimes and especially of Nova Scotia."[8]
Some of his poetry has also been set to music by the a cappella gospel quartet Four the Moment.[9]
He views "Africadian" literature as "literal and liberal—I canonize songs and sonnets, histories and homilies."[8] Clarke has stated that he found further writing inspiration in the 1970s and his "individualist poetic scored with implicit social commentary" came from the "Gang of Seven" intellectuals, "poet-politicos: jazz trumpeter Miles Davis, troubadour-bard Bob Dylan, libertine lyricist Irving Layton, guerrilla leader and poet Mao Zedong, reactionary modernist Ezra Pound, Black Power orator Malcolm X and the Right Honourable Pierre Elliott Trudeau."[10] Clarke found "as a whole, the group's blunt talk, suave styles, acerbic independence, raunchy macho, feisty lyricism, singing heroic and a scarf-and-beret chivalry quite, well, liberating."[10] His poetry and scholarship address and challenge historic encounters with racism, segregated areas, discrimination, hatred, forced relocation and a loss of a sense of identity and belonging experienced by the Black populations of Canada.
In his anthology, Fire On The Water, Clarke uses a biblical timeline stretching from Genesis to Psalms and Proverbs to Revelation to present Black writings and authors born within a specific period. These names reflect the Africadians’ and other Black peoples’ forebears and the first singers' own preferences for singing "the Lord’s song in this strange land."[8] In his book, These Are the Words, a collaboration with Canadian poet John B. Lee, Clarke translates one of the nine books of the Bible's apocrypha into English vernacular.[11]
In his 2007 play, Trudeau: Long March, Shining Path, Clarke describes Pierre Trudeau as "the Shakespearean character: a figure about whom it is almost impossible to say anything definitive because he is encompassed by so many contradictions, but that’s what makes him interesting." In presenting a multicultural Trudeau on the international stage, Clarke seeks to capture the human dimensions, the personality of Trudeau, rather than his politics, so as to emphasize the dialogues among key characters and "show the people as people, not just exponents of ideas."[12]
In 2012 Clarke was given substantial critical recognition in a volume devoted to the body of his writing, Africadian Atlantic: Essays on George Elliott Clarke, edited by Joseph Pivato.
In his 2016 and 2017 collections of poems, the names of which, Canticles I (MXXVI) and Canticles I (MMXVII), are a reference to Ezra Pound's The Cantos and The Song of Solomon, Clarke puts famous thinkers, explorers and rulers of the 17th, 18th and 20th centuries into a dialogue on slavery and heritage. Together, these collections make up the first part of a projected three-part epic. Canticles II: MMXIX was released in 2019.[13]
In his time as Poet Laureate of Toronto, Clarke created the Poets' Corner at City Hall, and worked with the Toronto Public Library to create the Toronto Poetry Map, an electronic map of the city that marks all sites referenced in Canadian poetry and presents the relevant lines to the viewer. He also founded the East End Poetry Festival. Clarke is also the first Canadian Parliamentary Poet Laureate to have his poems recited in the Houses and recorded in Hansard.[14]
Family
Clarke is a great-nephew of the late Canadian opera singer Portia White, politician Bill White and labour union leader Jack White. A seventh-generation African Canadian, Clarke is descended from African-American refugees from the War of 1812 who escaped enslavement in America and were relocated to Nova Scotia. He is the great-grandson of William Andrew White, an American-born Baptist preacher and missionary, army chaplain and radio pioneer, who was one of the very few black officers in the British army worldwide during World War I. Clarke also has Mi'kmaq Indigenous ancestry.
Awards and merits
In 1998, Clarke won the Portia White Prize for Artistic Achievement. In 2001, he won the Governor General's Award for poetry for his book Execution Poems, as well as the National Magazine Gold Medal for Poetry. He has also won the Dr. Martin Luther King Jr. Achievement Award (2004), the Pierre Elliott Trudeau Fellowship Prize (2005-2008), the Dartmouth Book Award for Fiction (2006), and the Eric Hoffer Book Award for Poetry (2009).[15]
On January 16, 2008, Clarke was made an honorary Fellow of the Haliburton Literary Society, the oldest literary society in North America, at the University of King's College, Halifax; and in 2009, he was a co-recipient of the William P. Hubbard Award for Race Relations from the City of Toronto for his achievements and commitment in making a distinct difference in racial relations in Toronto. Clarke was chosen expressly for "his local and national leadership role in creating an understanding and awareness of African and black culture and excellence in his contribution to redefining culture."[16]
In November 2012, Clarke became Toronto's fourth Poet Laureate.[17][18]
In 2018, thanks to a gift from Ms. Rebecca Gardiner, the George Elliott Clarke Scholarship Fund was established at Duke University.[20]
His 2021 book J'Accuse! (Poem versus Silence) was shortlisted for the 2022 ReLit Award for poetry.[21]
In 2022, Clarke was awarded the Queen Elizabeth II Platinum Jubilee Medal for his significant service to the province of Nova Scotia in the field of the Arts.[22]
Bibliography
"To Paris, Burning," In Constance Rooke (ed.), Writing Away: the PEN Canada Travel Anthology, McClelland & Stewart Inc., 1994.
Kamboureli, Smaro (1996), Making a Difference: Canadian Multicultural Literature. Toronto: Oxford University Press, pp. 491
Tracey, Lindalee (1999), A Scattering of Seeds: The Creation of Canada. Toronto: McArthur & Company.
Africadian Atlantic: Essays on George Elliott Clarke. ed. Joseph Pivato. Toronto: Guernica Editions, 2012. ISBN978-1-55071-627-6
Poetry
1983: Saltwater Spirituals and Deeper Blues, Lawrencetown Beach, Nova Scotia: Pottersfield. ISBN0-919001-12-2
1991: Fire on the Water: An Anthology of Black Nova Scotian Writing, Volume One. Lawrencetown Beach, Nova Scotia: Pottersfield, ISBN0-919001-67-X
1992: Fire on the Water: An Anthology of Black Nova Scotian Writing, Volume Two. Lawrencetown Beach, Nova Scotia: Pottersfield, ISBN0-919001-71-8
1995: Border Lines: Contemporary Poems in English. Edited by J.A. Wainwright, George Elliot Clarke and others. Mississauga, Ont.: Copp Clark, 1995. ISBN0773053425
1997: Eyeing the North Star: Directions in African-Canadian Literature. Toronto: McClelland & Stewart, 1997 ISBN0-7710-2125-9
2018: Locating Home: The First African-Canadian Novel and Verse Collections. Tightrope Books, 2018. ISBN1988040213
Criticism
2002: Odysseys Home: Mapping African-Canadian Literature. Toronto: University of Toronto Press, ISBN0-8020-8191-6
2011: Directions Home: Approaches to African-Canadian Literature. Toronto: University of Toronto Press, ISBN978-0-8020-9425-4
^ abcClarke, George Elliott, Fire on the Water: Anthology of Black Nova Scotian Writing, Volume One (1991), Porters Lake, Nova Scotia: Pottersfield Press.
Nora Tunkel: Tracing the Lyrics of the Unvoiced: G. E. Clarke, in Tunkel, Transcultural imaginaries. History and globalization in contemporary Canadian literature. Winter, Heidelberg 2012, S. 169–178. = Doct. thesis, Universität Wien, 2009
雅典公约海上旅客及其行李运输雅典公约簽署日1974年12月13日簽署地點 希臘雅典生效日1987年4月28日締約方24(截至2021年3月2日)[1]保存處国际海事组织秘书长語言英文、法文俄文(正式译本)西班牙文(正式译本) 海上旅客及其行李运输雅典公约(英語:Athens Convention relating to the Carriage of Passengers and their Luggage by Sea),简称雅典公约(英語:Athens Convention),是1974年国
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