Leonard Hilton McGurr (born November 17, 1955), known as Futura, and formerly known as Futura 2000,[1] is an American contemporary artist[2] and former graffiti artist.[3][4][5]
One of the most distinctive features of Futura's work is his abstract approach to graffiti. While the primary focus, during the 1980s, of the majority of graffiti artists was lettering, Futura pioneered abstract street art, which has since become more popular. Conversely, his aerosol strokes are regarded as different from those of his peers, as they are as thin as the fine lines usually associated with the use of an airbrush.
While he is primarily known as a graffiti artist, much of his work is as an illustrator and graphic designer of album covers, first becoming involved with The Clash; producing a sleeve for their "This Is Radio Clash" 7" single and handwriting the sleeve notes and lyrics sheet for their album Combat Rock (1982). He also toured extensively with The Clash during the Combat Rock tours, "performing" with them on stage by spray painting backdrops whilst the band performed. His rap appeared on the Clash song "Overpowered by Funk."
Years later James Lavelle resurrected Futura's career by getting him, alongside Ben Drury, to produce the artwork for several releases on Mo' Wax records; this also led to Futura producing the imagery which has largely defined Lavelle's Unkle project.
During the 1990s he was involved with clothing companies such as GFS, Subware and Project Dragon. More recently much of Futura's artwork has evolved into the production of collectible toys, sneakers; and a diverse range of creative media, working with Recon, Nike, Medicom Toy, Undercover, Supreme, Levi's and A Bathing Ape.
Futura also designs his own clothing under the label Futura Laboratories with a store located in Fukuoka, Japan.
Futura was interviewed and featured in the 2005 sneaker documentary Just For Kicks.
His 2012 exhibition Future-Shock was curated by Nemo Librizzi and shown by Andy Valmorbida in New York City.[9] Past galleries who have organized one man exhibitions include Fun Gallery, Tony Shafrazi Gallery, Philippe Briet Gallery, Galerie du Jour Agnès B., and Galerie Jérôme de Noirmont. Museum exhibitions include New York / New Wave at PS1 (1981),[10]Coming from the Subway at Groninger Museum (1992),[11]Beautiful Losers (2004) and Art in the Streets at Museum of Contemporary Art, Los Angeles (2011).[12]
In 2012, Futura designed the special edition Hennessy V.S. bottle.
In 2017, Futura designed a collection of T-shirts with Uniqlo.
In 2019, Futura designed a pointman bobblehead, a baseball jersey, and a baseball cap with the New York Mets.
In late 2019, Futura collaborated with Funko to design decals for a Star wars line sold exclusively at Target. Two designs were falsely claimed to be his but were in fact designed in-house by Funko [Red and Black Boba Fetts, both the 4 and 10 inch variants].
In 2020, Futura designed in collaboration with BMW a bespoke series of vehicles that were shown at Frieze LA 2020 in Los Angeles, US.[13]
In September 2020 a pair of Nike sneakers that he designed, known as the "Leonard Hilton McGurr ‘Futura’ Nike Dunk High Pro SB ‘FLOM’" sold at auction for US$63,000.[14][15]
Publications
1981: Events, Artist invite Artists. New York, US: New Museum. Text by Betty Fox. The New Museum of Contemporary Art, New York
1983: New Art at the Tate Gallery. Text by Michael Compton. Tate Gallery, London
1987: Spraycan Art. Texts by Henry Chalfant, James Prigoff, Thames & Hudson
1987: New York Now. Texts by Carl Haenlein. Kestner-Gesellschaft, Hanovre, Germany
1988: Subway Art. Texts by Martha Cooper et Henry Chalfant. Holt Paperbacks
1989: Futura 2000: Œuvres récentes. Text by Elisabeth Hess, Musée de Vire, Vire, France
1992: Coming from the Subway – New York Graffiti Art. Froukje Hoekstra, Stefan Eins et alt. Karl Muller Verlag ISBN978-9054770039[11]
1997: New York Graffiti Art: Coming From The Subway: Histoire et Developpement d’un Mouvement Controverse. Farthest Star, VBI, 1992, VBI 1997
1998: Generations of youth: youth cultures and history in twentieth-century America. Texts by Joe Austin, Michael Willard, NYU Press
1999: Pittura Dura: Dal Graffitismo alla Street Art. Texts by Luca Massimo Barbero, Renato Barilli et alt. Electa, Milan, Italy
2000: Futura. Texts by Ben Drury, Liz Farrelly, Andrew Holmes. Booth-Clibborn. ISBN978-1861541345.
2000: The new beats: culture, musique et attitudes du hip-hop. Texts by S. H. Fernando. Kargo
2001: The graffiti subculture: youth, masculinity, and identity in London and New York. Texts by Nancy Macdonald, Palgrave Macmillan
2002: Aerosol Kingdom – Subway Painters of New York City. Texts by Ivor L. Miller. University Press of Mississippi, Jackson, US
2004: Disruptive Pattern Material: An Encyclopedia of Camouflage. Texts by Hardy Blechman, Alex Newman. Firefly, US
2004: Experimental formats & packaging: creative solutions for inspiring graphic design. Texts by Roger Fawcett-Tang, Daniel Mason, Rotovision
2004: DPM – Disruptive Pattern Material. Texts by Hardy Blechman, Alex Newman. Frances Lincoln
2004: Beautiful Losers – Contemporary Art and Street Culture. Texts by Alex Baker, Thom Collins, Jeffrey Deitch et alt., Aaron Rose et Christian Strike, New York
2005: East Village US. texts by Dan Cameron, Liza Kirwin, Alan W. Moore, The New Museum of Contemporary Art, New York
2006: Can't stop won't stop: une histoire by la génération hip-hop. Texts by Jeff Chang. Allia
2006: Plastic culture: how Japanese toys conquered the world. Texts by Woodrow Phoenix, Kodansha International
2007: The Warhol economy: how fashion, art, and music drive New York City. Texts by Elizabeth Currid, Princeton University Press
2008: Street Art: The Graffiti Revolution. Texts by Cedar Lewisohn, Tate, London
2008: The Elms Lesters Book and Christmas Exhibition. Texts by Ben Jones, Paul Jones et alt. Elms Lesters Paintings Rooms, London
2009: Subway Art: 25th Anniversary Edition. Texts by Martha Cooper, Henry Chalfant, Chronicle Books
2009: American Graffiti. Margo Thompson. Parkstone
2009: Graffiti New York. Texts by Eric Felisbret, James Prigoff, Luke Felisbret, Abrams
2009: Natural Selection. Texts by Fiona McKinnon, Iain Cadby, Atkinson Gallery, Somerset, UK
2009: Blade – King of Kings. Henk Pijnenburg, Henk Pijnenburg
^Bike NYC: The Cyclist's Guide to New York City Ed Glazar, Marci Blackman, Michael Green - 2011
1628730021
Famous OG writers who've tattooed these walls, graff artists that have been around since the beginning, include Cope2 (alias Fernando Carlo)—the South Bronx native who grabbed mainstream attention with his 2005 Time magazine billboard ad on the side of a building in Soho; Futura 2000 (Leonard Hilton McGurr)—an oldschool bike messenger, recently commissioned to paint a limited edition track bike designed and produced by master frame builder Ernesto Colnago; and the ...
^Guerilla art -
Sebastian Peiter, Goetz Werner – 2009 –
185669593X Page 14
When Private Leonard Hilton McGurr returned to the Big Apple, he put his military skills to good use by trespassing in the yards of the Metropolitan Transport Authorities, bombing trains and city walls with other artists such as Ali, Duro and Dondi. In the early days of graffiti, Futura developed his distinctive style. While most writers focused on lettering and elaborate name tagging, Futura pioneered an abstract spray-paint approach with aerosol strokes as thin as airbrush lines. Futura's ...
^Christophe Deniau - 2016 Downtown Manhattan 78-82: De la no wave aux dancefloors
2367230943
La carrière de Futura 2000 (de son vrai nom Leonard Hilton McGurr) était alors en pleine ascension. Celuici s'était fait remarquer très jeune comme writer sur les rames de métro. Après des études à la School for Visual Arts afin d'y apprendre l'imprimerie, il va rapidement trouver son inspiration dans le métro de New York. Avec un style tout d'abord classique et tourné vers le lettrage, sa technique va s'affirmer par la suite et évoluer vers un style proche de celui de l'abstraction lyrique, ...
^ abFroukje Hoekstra (1992). Coming from the subway, New York graffiti art (in Dutch). Groningen : Groninger Museum and Benjamin & Partners. p. 134. ISBN9789054770039. OCLC921058574.