Domenico Montagnana (24 June 1686 – 6 March 1750)[1] was an Italian master luthier based in Venice, Italy. He is regarded as one of the finest violin and cello makers of his time.
His pieces, particularly his cellos, are sought after by orchestras, notable musicians or collectors, and many form parts of collections in museums. The record price for this luthier was $903,924 in 2010 for a violin.[2][3]
Biography
Montagnana was born in Lendinara, Italy in 1686. His father, Paolo, was a shoemaker. He made stringed musical instruments (violins, violas, cellos and double basses) in Venice. He was apprenticed in Matteo Sella's workshop (probably also associated with Matteo Goffriller) and after that he opened his own shop, active from 1712, located in Calle degli Stagneri, with insignia "Alla Cremona".
Typically 1 cm shorter than a "forma B" cello made by Stradivarius, and 2 cm wider between the C bouts, the signature sound of a Montagnana cello is "uncomplicated" to play (according to Jacqueline du Pré's description of the Montagnana cello played by Martin Lovett of the Amadeus Quartet ). One can hit the bow hard on a Montagnana cello while playing, and the sound will continue to come out and become more interesting. As a contrast, for a Stradivarius cello, in general, you have to coax it out (based on a famous description of Jacqueline du Pré's Davidov Stradivarius reputedly made by Yo-Yo Ma: "Jackie's unbridled dark qualities went against the Davydov. You have to coax the instrument. The more you attack it, the less it returns").
Montagnana met a Venetian woman living in the Calle degli Stagneri/Santo Bartolomeo district, Caterina Berti, whom he married. The couple lived in Venice and had six daughters.
Following the birth of their last child, Caterina began suffering from progressive paralysis, which eventually led to her death in 1748. It seems that this final blow was too much for Montagnana, who until then had been seeking refuge in his workshop and spending a much longer time than usual on the meticulous details of his instruments. His health began to decline rapidly, for unspecified causes and, by February 1750, he was bedridden. His death certificate states that he died after being confined to his bed for one month with "hypochondria".
He died in Venice, Italy in 1750. His workshop was then inherited by Giorgio Serafin, the nephew of Sanctus Seraphin.
