After university, in 1993 he co-founded a drama collective with fellow students Graham Eatough and Nick Powell called Suspect Culture, based in Glasgow. Their work was highly influenced by European theatre.[1][2][3] Greig would go on to write the texts for almost all of their shows until 2004, including Timeless (1997), Mainstream (1999), Candide 2000 (2000), Casanova (2001), Lament (2002), and 8000m (2004).[citation needed]
Greig produced around 50 plays, texts, adaptations, translations, and libretti in the first two decades of his career. Dr Korczak's Example (2004) is a play for young people and Danny 306 + Me 4 Ever (1999) is for puppets. He has produced adaptations of Tintin in Tibet (2005) for the Barbican, London, and Charlie and the Chocolate Factory (2013) for the Theatre Royal, Drury Lane. The Strange Undoing of Prudencia Hart (2011) for the National Theatre of Scotland was designed to be toured to and performed in pubs; partnering with Punchdrunk, it played an extended run from November 2016 to April 2017 at the Heath restaurant in the McKittrick Hotel, home of the similarly immersive theatrical experience Sleep No More in New York City. He has provided English-language versions of foreign plays, including Camus's Caligula (2003), and Strindberg's Creditors (2008). In 2013, he wrote The Events, in which different local choirs perform the musical numbers every night. Lyn Gardner, in The Guardian, chose this as her best piece of theatre in 2013.[7] With local politician Sarah Beattie-Smith of the Scottish Green Party, Greig curated the political discussion show Two Minute Manifesto which toured Scotland in 2015.[8] In 2018 it was announced that he would adapt the classic film Local Hero for the stage, with music by Mark Knopfler. The production opened at Edinburgh's Royal Lyceum Theatre in March 2019. Its 2020 transfer to the Old Vic in London[9] was postponed due to the COVID-19 pandemic in the UK.[10]
Greig took over from Mark Thomson as artistic director of Edinburgh's Royal Lyceum Theatre in 2016.[11] He adapted Aeschylus' The Suppliant Women for the Lyceum in October 2016.[12] The 2019 opening of Greig's first original new play in six years, Adventures With The Painted People, at the Pitlochry Festival Theatre was cancelled due to the COVID-19 pandemic.[13]
Themes
Despite the richness and variety of Greig's work, some persistent concerns and motifs are visible. A yearning for connection between characters, despite enormous personal, social, cultural and political distances between them; international and global links, represented through travel, desire, fantasies of other cultures; great value placed on imagination, creativity, wonder.[according to whom?]