None of the band members particularly liked "Dance to the Music" when it was first recorded and released. The song, and the accompanying Dance to the Music LP, were made at the insistence of CBS Records executive Clive Davis, who wanted something more commercially viable than the band's 1967 LP, A Whole New Thing. Bandleader Sly Stone crafted a formula, blending the band's distinct psychedelic rock leanings with a more pop-friendly sound. The result was what saxophonistJerry Martini called "glorified Motown beats. 'Dance to the Music' was such an unhip thing for us to do."[6]
About the song
However, "Dance to the Music" did what it was supposed to do: it launched Sly and the Family Stone into the pop consciousness. Even toned down for pop audiences, the band's radical sound caught many music fans and fellow recording artists completely off guard. "Dance to the Music" featured four co-lead singers, black musicians and white musicians in the same band, and a distinct blend of instrumental sounds: rockguitar riffs from Sly's brother Freddie Stone, a funk bassline from Larry Graham, Greg Errico's syncopateddrum track, Sly's gospel-styled organ playing, and Jerry Martini and Cynthia Robinson on the horns.
An unabashed party record, "Dance to the Music" opens with Robinson screaming to the audience, demanding that they "get on up...and dance to the music!" before the Stone brothers and Graham break into an a cappellascat before the song's verses begin. The actual lyrics of the song are sparse and self-referential. The song serves as a Family Stone theme song of sorts, introducing Errico, Robinson, and Martini by name. After calling on Robinson and Martini for their solo, Sly tells the audience that "Cynthia an' Jerry got a message that says...", which Robinson finishes: "All the squares go home!"[7][8] The Stone Brothers and Graham repeat the a cappella portion before the refrain of the repeated title is mentioned over and over with the sound of the instruments dropping out, except for the electric guitar, being played in the upper register, before the song's fade.
The song mentions the line: "Ride, Sally, Ride", a lyric from the Wilson Pickett hit song "Mustang Sally" (1966).
Legacy
"Dance to the Music" was one of the most influential songs of the late-1960s. The Sly and the Family Stone sound became the dominating sound in African-American pop music for the next three years, and many established artists, such as The Temptations and their producer Norman Whitfield, Diana Ross & the Supremes, The Impressions, The Four Tops, The 5th Dimension, and War began turning out Family Stone-esque material. The Temptations' single "Cloud Nine" was inspired by "Dance to the Music" and was a top ten hit, winning a Grammy Award. "Dance to the Music" and the later Family Stone singles also helped lead to the development of funk music.
Later in 1968, Sly and the Family Stone released an alternate version of "Dance to the Music" as a novelty single, under the guise The French Fries. This recording was a French language version called "Danse à la Musique", with the group's vocals sped-up in a style similar to that of The Chipmunks.
In 2001, the DVD for the animated film Shrek added "Dance to the Music" to the additional segment "Shrek in the Swamp Karaoke Dance Party", alongside other classic songs such as "YMCA", "Like a Virgin" and "Baby Got Back".
^ abHowland, John (2021). Hearing Luxe Pop Glorification, Glamour, and the Middlebrow in American Popular Music. University of California Press. p. 244.
^Sclafani, Tony (2013). "Sly and the Family Stone". The Grateful Dead FAQ: All That's Left to Know About the Greatest Jam Band in History. Rowman & Littlefield. ISBN978-1617135835.