While searching in Manila's Chinatown, he meets Stella, a cash-strapped mother who has been recently released after serving time for fraud. Despite her initial apprehensions and realization that Wilson's father was responsible for her imprisonment, she agrees to be a funeral mourner after accepting a 500-peso advanced payment from Wilson. Stella tags two of her friends, Aling Doray, a former B-star actress who waxes nostalgic about her former acting career under the stage name Rhoda Rivera, and Choleng, a pious woman who vows to avoid sinning after having repeated affairs with her friend's husband Ipe.
During their stint as professional mourners, the three bond and talk about their experiences, struggles, and dreams in life. Stella is sad because of the impending departure of her young son Bong, who will be moving to Cagayan de Oro, along with her former husband Guido and his new wife Cecile. She wants to have a decent and stable job so she can reclaim custody and reunite with her son. Doray frequently reminisces about her acting career, particularly as an extra in Darna and the Giants. Choleng is trying to resist Ipe's advances and end their affair and make up for it by doing more religious and charity works.
After the burial of his father, Wilson, who had a tumultuous relationship with his father, forgives him for not being a good father and starts appreciating the good things he has done. He calls Stella to inform her that a Japanese promotion company is hiring entertainers. Stella immediately applies and gets the job, where she becomes a successful karaoke actress. Doray gets an offer to reprise her role as an extra in a sequel of Darna and the Giants. Choleng finally ends her affair with Ipe and is now a marriage counselor in her parish.
Crying Ladies was based on Bayad Luha, a screenplay written by Meily in 2000 as part of his thesis for a screenwriting workshop by Filipino scriptwriter Armando Lao.[4][5] He later entered it into the Don Carlos Palanca Awards in 2001 where it won the Third Prize in Dulaang Pampelikula (Filipino Division). Unitel Pictures producer Tony Gloria read the screenplay and described it as "unput-downable." Gloria offered the lead role to Cuneta, due to their previous collaborations in Dear Heart, P.S. I Love You, and Forgive and Forget. The role of Aling Doray was initially offered to Nida Blanca before she was murdered. As such, the role had to be re-written for Hilda Koronel.[2]
Crying Ladies is the first Filipino film that makes extensive use of MILO Motion Control System and also the first Filipino film to be shot on the latest Kodak Eastman 2 film stock. It is the second Filipino movie to be locally recorded and mixed in Dolby SRD 5.1 technology.[4]
Release
Critical reception
Crying Ladies received mixed to positive reviews from critics. On review aggregator website Rotten Tomatoes, the film has an approval rating of 92% based on 13 reviews.[6] On Metacritic, the film has a score of 54% based on reviews from 5 critics, indicating "mixed or average reviews".[7]
The story was praised by several critics. A.O. Scott of New York Times wrote, "Its most winning attribute is a kind of sloppy, unassuming friendliness, a likability aptly reflected in its characters."[8]Kevin Thomas of Los Angeles Times described the film as "An endearing comedy that deftly blends sentiment and grit and features a clutch of top Filipino stars."[9] Eddie Cockrell of Variety praised Meily's direction and the cast's performance: “Crying Ladies moves smartly and evenly under the direction of debut helmer Mark Meily. Perfs sparkle, with each thesp comfortable navigating between broad comedy and legitimate pathos."[10]
The film received some negative reviews. Mark Holcomb of Village Voice criticized the editing, but still praised the film, particularly Cuneta's performance: "Cuneta delivers an engaging, surprisingly coarse performance, considering her onetime Philippines-sweetheart status, and the subtle revelations concerning ritual and loss in Meily’s story serve her well. More judicious editing was surely called for, but Crying Ladies succeeds as first-rate melodrama."[11]V.A. Musetto, writing for New York Post, also criticized the film: "There aren't many surprises as the story unfolds in soap-opera fashion, with a happy ending for all concerned."[9]
Crying Ladies was accompanied with a soundtrack during its theatrical release for the promotion of the album. The album contains pop/rock, R&B and OPM songs from various artists such as Kuh Ledesma, South Border and Parokya ni Edgar.[12] It's carrier single Rainbow became a radio smash hit in 2004.
