"Countess Bathory", like all songs on the album were written by vocalist and bassist Conrad "Cronos" Lant and guitarist Jeffrey "Mantas" Dunn. It was written when band drummer Tony "Abaddon" Bray was late for a session, so Dunn began jamming some new riffs while Lant would work the lyrics out. The band's roadie came in the room and began drumming for them, and soon after "Abaddon" would come in and tried to make up a new drum pattern, but Lant and Dunn felt the roadie's drum pattern worked best.[1]
"One day Abaddon was late for the sessions, so Jeff and I started trying out new laps and working on a text. One of our roadies, Ged Cook, who was the manager's brother, walked in and hit the drums. We started fooling around and so Countess Bathory was born." — Lant[2]
Lant also explained the origin of the song's opening riff, saying that it was inspired by the opening theme song of the children's show The Magic Roundabout.[2] The songs riff also bears resemblance to the intro of the 1991 Nirvana hit song "Smells Like Teen Spirit". Years later, Lant had the opportunity to ask Nirvana drummer Dave Grohl, whom he collaborated with on Grohl's heavy metalside projectProbot, if they had taken inspiration from the band's 1982 song. Grohl did not give Lant a response.[2] The song, along with the entire album was recorded in just 7 days, with Lant working long hours recording alongside the studio engineer and then mixing the tracks on his own.[1]
Music and lyrics
Elizabeth Báthory from Zay artist. Probably a copy of the other painting which is at the Hungarian National Museum in Budapest (also made by Zay). Mentioned in the Magyar Várak book, page 34.
Like other tracks on Black Metal, it is described as "speed, catchy speed, rhythmic explosions and cutting riffs".[3] The song tells of the ominous deeds and crimes of the Hungarian noblewoman Countess Elizabeth Báthory, the most prolific female murderer.[4] Elizabeth Bathory tortured and killed hundreds of young girls and women between 1590 and 1610. Stories began circulating of her vampiric tendencies including tales of her bathing in the blood of the virgin girls and women she murdered to retain her youth.[5] The final verse of the song describes Elizabeth at the end of her life and that there is "no blood to turn time back" as she is "crippled now with age". The Grim Reaper comes to collect her soul as she "welcomes death with open arms", the Reaper then "turns the page".
Reception
Regarded by critics and fans alike as one of Venom's best songs, it has since become a staple at Venom shows. AllMusic reviewer Eduardo Rivadavia referred to the song along with another track, "Bloodlust", as "absolute classics".[6]
^"Most prolific female murderer". Guinness World Records. Guinness World Records Limited. Retrieved 3 May 2018. The most prolific female murderer and the most prolific murderer of the western world, was Elizabeth Bathory, who practised vampirism on girls and young women. Described as the most vicious female serial killer of all time, the facts and fiction on the events that occurred behind the deaths of these young girls are blurred. Throughout the 15th century, she is alleged to have killed more than 600 virgins
