Since service personnel were, at that time, not encouraged to have professional lives outside the armed forces, British Army bandmaster F. J. Ricketts published "Colonel Bogey" and his other compositions under the pseudonym Kenneth J. Alford in 1914.[3] One supposition is that the tune was inspired by a British military officer who "preferred to whistle a descending minor third" rather than shout "Fore!" when playing golf.[4] It is this descending interval that begins each line of the melody. The name "Colonel Bogey" began in the late 19th century as an imaginary "standard opponent" in assessing a player's performance,[5] and by Edwardian times the Colonel had been adopted by the golfing world as the presiding spirit of the course.[6] Edwardian golfers on both sides of the Atlantic often played matches against "Colonel Bogey".[7]Bogey is now a golfing term meaning "one over par".[8]
Legacy
At the start of World War II, "Colonel Bogey" became a British institution when a popular song was set to the tune: "Hitler Has Only Got One Ball" (originally "Göring Has Only Got One Ball" after the Luftwaffe leader suffered a groin injury), essentially exalting rudeness.[1]
In episode 28 of The Benny Hill Show from 1976, the march was used in the Sale of the Half-Century game show sketch during a Name That Tune-style question. One of the contestants' answers was "After the Ball" after which the host (Benny Hill) responded with, "well, you're sort of half-right" referring to the anti-Hitler slur.
In the 1985 film The Breakfast Club, all the teenage main characters are whistling the tune during their Saturday detention when Principal Vernon (played by Paul Gleason) walks into the room.[12] It was also used in Short Circuit and Spaceballs.[2]
The Jawa like creatures called Dinks from the 1987 film Spaceballs whistled Colonel Bogey in three scenes.
In The Simpsons episode Stark Raving Dad, Bart initially writes a verse to a birthday song for Lisa to the tune of "Colonel Bogey March" albeit with jokey lyrics.
In The Fresh Prince of Bel-Air episode "I Know Why the Caged Bird Screams", the fictional ULA Peacocks have a fight song to the tune of the Colonel Bogey March. In the 2019, the Colonel Bogey March was used in the TV series The Man in the High Castle, in episode 8 of season 4. The song was featured in episode 5 of season 6 of Outlander, revealing a returning character from season 5. The song also continued through the credits. The Colonel Bogey March was used in the 2024 neo-noir television series Monsieur Spade from AMC and Canal+. Perhaps coincidentally, the main character, Sam Spade, was previously played by Humphrey Bogart, often called "Bogie".[13]
At the end of the ChuckleVision episode On the Hoof, Paul and Barry have to put on a marching band for a pompous government minister at an MI7 camp only for it to go awry. The latter brother plays the tune on a kazoo while the former just hits a tambourine.
English composer Malcolm Arnold added a counter-march, which he titled "The River Kwai March", for the 1957 dramatic film The Bridge on the River Kwai, set during World War II. The two marches were recorded together by Mitch Miller as "March from the River Kwai – Colonel Bogey" and it reached #20 in the US in 1958.
The Arnold march forms part of the orchestral concert suite made of the Arnold film score by Christopher Palmer published by Novello & Co in London.[17]
On account of the movie, the "Colonel Bogey March" is often miscredited as the "River Kwai March". While Arnold did use "Colonel Bogey" in his score for the movie, it was only the first theme and a bit of the second theme of "Colonel Bogey", whistled unaccompanied by the British prisoners several times as they marched into the prison camp. The British actor Percy Herbert, who appeared in The Bridge on the River Kwai, suggested the use of the song in the movie. According to Kevin Brownlow's interviews with the film's director David Lean, it was actually Lean who knew of the song and fought during the screenwriting process to have it whistled by the troops. He realized it had to be whistled rather than sung because the World War II-era lyrics (see "Hitler Has Only Got One Ball") were racy and would not get past the censors. Percy Herbert was used as a consultant on the film because he had first-hand experience of Japanese POW camps; he was paid an extra £5 per week by Lean.