Claudia Llosa Bueno (born 15 November 1976)[1] is a Peruvian film director, writer, producer, and author. She is recognized for her Academy-Award-nominated film, The Milk of Sorrow.[2]
Early life
Claudia Llosa was born on November 15, 1976, in Lima, Peru. Her mother, Patricia Bueno Risso, is an artist from Italy and her father, Alejandro Llosa Garcia worked in the engineering field. Her siblings are Patricia Llosa and Andrea Llosa. She is the niece of the Peruvian writer Mario Vargas Llosa and the film director Luis Llosa.
Llosa moved from Peru to Madrid in the late 1990s. From 1998 to 2001, she studied there at the film academy Escuela TAI. At the end of her studies ,she started working on the script for Madeinusa. She moved to Barcelona to work in the advertising industry.
Career
Claudia Llosa’s first film, Madeinusa tells the story of a rural and religious village in Peru. In Madeinusa, tvents occur over the Easter season due to the belief that during this period of time ,a person can sin without being punished.[4]Madeinusa premiered in competition at Sundance Festival 2006 ,where it was nominated for the Grand Jury Prize,[5] won the prize for the best unpublished script at the 2003 Havana Film Festival and received several international awards, including the FIPRESCI international critics award at Rotterdam Festival and the Best Latin American Film Award at Malaga Festival, among others.
In 2009, Llosa finished her second film, The Milk of Sorrow (La teta asustada).[6] The Milk of Sorrow was inspired by the era of terrorism by the Shining Path (Sendero Luminoso),[7] which the citizens of Peru experienced between 1980 and 1992. This era gave rise to the Andean folk belief, which this movie is based on, that women who experienced trauma during this period of time would pass on their anxieties to their children through their breast milk. The film was shot over a period of six weeks, with filming locations in Lima or near the capital. The film was written and directed by Claudia Llosa and the creation of The Milk of Sorrow included the help of cinematographer Natasha Braier and camera operator Guillermo Garcia Meza.[4] The film was shortlisted for the 59th Berlin International Film Festival. It was the first Peruvian film nominated for the Golden Bear Award and won the main award.[6] Llosa's film also gained recognition from awards such as FIPRESCI in 2009 and multiple awards at the Lima Film Festival.[8] In Lima, Peru, The Milk of Sorrow outsold the ticket sales of the film Slumdog Millionaire during its premiere. However, in the more rural communities of Peru The Milk of Sorrow did not gain the same reception.[9]
On February 2, 2010, Llosa's The Milk of Sorrow was nominated for the Academy Award in the Best Foreign Film Category.[2] Also, in 2010, Claudia Llosa was invited to become a member of Hollywood’s Academy of Motion Picture Arts and Sciences.
According to film scholar Sarah Barrows, Claudia Llosa’s films do not portray stereotypes of the indigenous communities of Peru. Although Llosa does not portray these stereotypes, her films do not always receive a positive reaction from these communities due to the more serious depiction of them in films and the subject matters surrounding them. Llosa's films tend to focus on the harshness and difficulties these communities may face and for that reason, indigenous communities do not see it as complimentary.[10] One of the reasons viewers critiqued her films, in particular The Milk of Sorrow was due to the fact that Llosa stated in her Berlinale press conference that much of the story is fiction and that such things as "the milk of sorrow" and women adopting extreme measures for rape prevention were not real.[11]
^ abAnonymous, Anonymous (September 2010). "Key Latin American Films of the Decade". Sight and Sound. 20 (19): 18–19 – via FIAF International Index to Film Periodicals.
^Taylor, Lewis (1 June 2006). Shining Path Guerilla War in Peru's Northern Highlands. 4 Cambridge Street Liverpool L69 7ZU: Liverpool Latin American Studies (published 2006). ISBN9781846310164.{{cite book}}: CS1 maint: date and year (link) CS1 maint: location (link)
^Barrows, Sarah (2013). "New Configurations for Peruvian Cinema: The Rising Star of Claudia Llos". Transnational Cinemas. 4: 212 – via FIAF International Index to Film Periodicals.
^Barrows, Sarah (2013). "New Configurations for Peruvian Cinema: The Rising Star of Claudia Llosa". Transnational Cinemas. 4: 211 – via FIAF International Index to Film Periodicals.
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